School of Society and Culture

BA (Hons) Art History

UCAS tariff 104 - 112
UCAS course code V350
Institution code P60
Duration 3 years (+ optional placement)
Assessment breakdown 100% coursework
Course type Full-time
Location Plymouth

Discover why art from the past still matters to our modern society in the city that spawned Joshua Reynolds, the first president of the Royal Society. Learn what art can teach us about the past and how it can help us shape a better future. Build links with art historians and archivists and prepare for a career in the art world through our connections with high profile, international institutions like the National Gallery and Tate Britain, and benefit from the contacts of our published academics.

Art History
Careers with this subject

Our art history students have tremendous opportunities to gain the knowledge and skills necessary for employment in a variety of work settings. Our methods of teaching and learning throughout this course will provide you with the topical skills and experience that you can apply to the wide range of career options open to art history graduates. Career development is built into the course so that you’re equipped with real skills and real experiences when you graduate.

Where could an art history degree take you?

Key features

No exams. 100% coursework

Art throughout history. Art history at Plymouth enables you to explore our complex past and navigate visual culture. Let our immersive modules take you across the world, from the Renaissance period to the present, from 14th-century fresco painting in Italy to artistic responses to the atomic bomb.

Expand your horizons. We believe strongly in the experience of seeing works of art first-hand. Every semester we take students to major UK galleries and museums. We also offer an international field trip module, an intensive week of study abroad. Past destinations have included Rome, Florence, Vienna, Paris, New York City and Washington, DC.

Get involved. Prepare for your future career by participating in an internship or work experience. Our students have successfully interned at Tate Britain, Sotheby’s, the National Trust, Plymouth Arts Centre, The Arts Institute and the Wallace Collection.

Learn from experts. Our staff research activities as authors and curators underpin our teaching, which emphasises specialised knowledge and professional skills.

Course details
  • Year 1

  • In your first year, we’ll introduce you to the discipline of art history. You’ll investigate the development of museums and galleries across the world, engaging in fieldwork using outstanding local examples. You’ll explore popular periods of art history, including 19th century French art and the Renaissance. To round off the year, you’ll analyse contemporary critical writings on art and develop your own critical skills.

    Core modules

    • Lives and Afterlives of Renaissance Artists (ARH4001)

      This module will introduce stage one students to the major artists and themes of the Italian Renaissance through the lens of the crucial early modern source, Vasari’s Lives. Designed as a primer for the higher level Renaissance modules to be taken at stage two or three, it will also ask students to think about Renaissance artists’ changing reputations since the period.

    • Modernisms and Modernities (ARH4002)

      French art of the later nineteenth century has probably been more popular with the general public, in the past three or four decades, than any other kind of art. This module is designed to offer both an introduction to the art made in France between about 1855 and 1900 and an introduction to the current concerns that make the art of this period so important.

    • Introduction to Art History and Visual Culture (ARH4003)

      This module provides Art History students with a comprehensive understanding of the paradigms of Art History and their methodological implications for visual culture. Basic research literacy will be developed in a number of exercises and group-based activities.

    • Image of the Artist (ARH4004)

      To explore and critically engage with representations of artists throughout the history of art. To consider: the change in the status of the artist from ‘craftsman’ to ‘creator’; the construction of their identity in writings and art criticism; their negotiation of the art market; the rise and fall of their reputations.

    • Cultural Practices in Context (ARH4005)

      This module is geared toward fieldwork and independent study in a museum and/or gallery context. Following a Fieldtrip to public collections in London and/or the Southwest students complete an Object Report on an object of their choice seen in situ.

    • History and Heritage (HIS4006)

      This module introduces students to the field of heritage studies. It directs attention to how historians do heritage (and history) for an external audience. It aims to explore the materials and methods used and how they apply to how we understand, interpret and shape how we live with the past today. Students will study a specific topic in history and heritage individually and/or in small groups through problem based learning with an assessment geared towards public engagement.

    • Stage 1 Placement Year Preparation (SSC400)

      This module is for students in the School of Society and Culture who are interested in undertaking an optional placement in the third year of their programme. It supports students in their search for a placement and in their preparation for the placement itself.

  • Year 2

  • In your second year, you’ll visit a major European city - a trip designed to complement your second year modules and give you the chance to get hands-on with fieldwork. Previous destinations include Rome, Vienna and Paris. You’ll also hone your critical skills by investigating critical art theory.

    Core modules

    • Collecting and Exhibiting Cultures in the 19th and 20th Centuries (ARH5001)

      This module examines historical and contemporary cultures of collection, exhibition, and display. Artworks and objects will be considered from a range of international contexts. Specific attention will be given to the politics and ideologies of art ownership, theft, looting, and repatriation.

    • International Field Trip (ARH5005)

      The module is an intensive 1-week period of study of painting, sculpture, architecture and environments which are not available in this country. The emphasis is upon sustained first-hand study of artefacts and buildings, through staff-led visits and group-work, introducing students to advanced fieldwork skills.

    • Stage 2 Placement Year Preparation (SSC500)

      This module is for students in the School of Society and Culture who are interested in undertaking an optional placement in the third year of their programme. It supports students in their search, application, and preparation for the placement, including developing interview techniques and effective application materials (e.g. CVs , portfolios, and cover letters).

    Optional modules

    • Imagery in Online and Offline Worlds: Film, Television and Video Games (ARH5002MX)

      This module provides students with a comprehensive understanding of current approaches towards mass media and visual culture. Particular emphasis will be put on medium-specificity, content analysis and audience studies.

    • Art After 1950: Abstract Expressionism to a 'Black Arts Movement’ (ARH5003)

      The module examines artistic practices and theories of the later twentieth-century and beyond, investigating the interrelations of art and theory in conditions of diversification, profusion of styles, forms, and agendas, development of new media and representational modes, displacements and reinscriptions of modernism, and challenges to traditional concepts of art. It situates these shifts in the visual language within the broader critical context of racial and gender inequalities.

    • Decolonizing Modernism: Art 1890 – 1940 (ARH5004)

      This module aims to explore the history of the beginnings of modern art across Europe and/or the United States, incorporating its theory, practice and reception, through an analysis of the development of selected moments, schools and individuals central to the Modernist tradition. The module also addresses the impact of colonial structures on the creation, distribution and consumption of art.

    • Victorian Values (ARH5006)

      This module examines the visual culture of the Victorian age, Pre-Raphaelitism, Aestheticism and British Impressionism, say, to question modern stereotypes about ‘Victorian Values’ both moral and cultural. We will not only consider the definitive role of social principles in the art of this period, but also debates about art and beauty as independent realms of meaning and value.

    • Regimes and Revolutions in European Art (ARH5007)

      This module examines the visual culture of the long eighteenth century in Europe, and the development of art in relation to the age of revolution (1750 to 1850). Focusing on Britain and France, it will explore the changes occurring in art and society in this period. It will include such topics as Neo-Classicism and Romanticism; the Academy; the rise of portraiture and the changing status of history painting; in a context of politics, war and uprising.

    • Painting Sex and Power (ARH5008MX)

      The module examines the link between the perception of sexuality and power in a variety of media, and from diverse historical and geographic contexts. Critical approaches from gender studies will be combined with visual analysis in order to contextualize the biased and stereotypical nature of the imagery.

  • Optional placement year

  • Gain valuable on-the-job experience through our optional placement year. We will support you in your second year in deciding whether to take this opportunity, and assist you in finding a placement and being prepared for it

    Core modules

    • School of Society and Culture Placement Year (SSC600)

      Students have the opportunity to gain work experience that will set them apart in the job market when they graduate by undertaking a 48-week optional placement year. This year allows them to apply and hone the knowledge and skills acquired from the previous years of their programme in the real world.

  • Final year

  • In your final year, you’ll continue to prepare for your career in the arts with further training in art historical research methods, as well as giving you dedicated career guidance. You’ll have the chance to study optional modules, including power patronage and ideology and studies in 20th century European art. You’ll write a substantial dissertation on the topic of your choice, previous topics include the representation of Salome in French Symbolism, and the sculpture of Barbara Hepworth.

    Core modules

    • Art History Dissertation (ARH6001)

      On this module students research and write a dissertation on a topic of their own choosing, negotiated in consultation with Art History staff.

    Optional modules

    • Why so Serious? The Anthropology of Humour and Laughter (ANT6005)

      This module examines the nature and function of humour and laughter across a range of socio-cultural and political-economic settings. Students examine how humour can create, reinforce, shape, and undermine and destroy all sorts of political relationships and structures. Accordingly, we see how mockery, sarcasm, and ridicule can become tools of domination, resistance, and transformation.

    • Questions in Contemporary Art (ARH6002MX)

      The module introduces and examines selected questions raised in the last three decades in contemporary art. Case studies drawn from art history, critical and cultural theory, and where appropriate related disciplines, will be examined.

    • Art After 1950: Abstract Expressionism to a 'Black Arts Movement’ (ARH6003)

      The module examines artistic practices and theories of the later twentieth-century and beyond, investigating the interrelations of art and theory in conditions of diversification, profusion of styles, forms, and agendas, development of new media and representational modes, displacements and reinscriptions of modernism, and challenges to traditional concepts of art. It situates these shifts in the visual language within the broader critical context of racial and gender inequalities.

    • Decolonizing Modernism: Art 1890 – 1940 (ARH6004)

      This module aims to explore the history of the beginnings of modern art across Europe and/or the United States, incorporating its theory, practice and reception, through an analysis of the development of selected moments, schools and individuals central to the Modernist tradition. The module also addresses the impact of colonial structures on the creation, distribution and consumption of art.

    • Victorian Values (ARH6005)

      This module examines the visual culture of the Victorian age, Pre-Raphaelitism, Aestheticism and British Impressionism, say, to question modern stereotypes about ‘Victorian Values’ both moral and cultural. We will not only consider the definitive role of social principles in the art of this period, but also debates about art and beauty as independent realms of meaning and value.

    • Working with Culture: Professional Development Project (ARH6006)

      In this module students will be asked to identify a specific professional working relationship with a mentor in which they will undertake a period of first-hand work and learning experience. This initiative, chosen in consultation with a member of staff who will act as a project supervisor, should reflect the student’s personal development planning aims and support their career ambitions and life-long learning.

    • Regimes and Revolutions: European Art 1750-1850 (ARH6007)

      This module examines the visual culture of the long eighteenth century in Europe, and the development of art in relation to the age of revolution (1750 to 1850). Focusing on Britain and France, it will explore the changes occurring in art and society in this period. It will include such topics as Neo-Classicism and Romanticism; the Academy; the rise of portraiture and the changing status of history painting; in a context of politics, war and uprising.

Every undergraduate taught course has a detailed programme specification document describing the course aims, the course structure, the teaching and learning methods, the learning outcomes and the rules of assessment.

The following programme specification represents the latest course structure and may be subject to change:

BA Art History Prog Spec Sep22 FINAL 7207

The modules shown for this course are those currently being studied by our students, or are proposed new modules. Please note that programme structures and individual modules are subject to amendment from time to time as part of the University’s curriculum enrichment programme and in line with changes in the University’s policies and requirements.

In light of the Coronavirus (COVID-19) pandemic, the changeable nature of the situation and any updates to government guidance, we may need to make further, last minute adjustments to how we deliver our teaching and learning on some or all of our programmes, at any time during the academic year. We want to reassure you that even if we do have to adjust the way in which we teach our programmes, we will be working to maintain the quality of the student learning experience and learning outcomes at all times.
Personalise your degree
All our degrees have a wide range of optional modules and there is even the opportunity to study modules from any of the School of Society and Culture's subject areas.

Learn more about your options

You could graduate with one of the following personalised course title combinations:

Art History with Acting

Modules

  • Acting for Audio: Radio, Podcast, Voiceover (ACT5002MX)

    This module trains students to work professionally in mediatised/recorded settings. Students learn techniques appropriate to the preparation and performance of non-theatrical formats (such as audio drama) through text-based analysis, narrative and dramatic theory and genre-specific acting techniques.

  • Performance and Everyday Life (PER5003MX)

    Research-informed lecture-seminar based exploration of an exciting and diverse range of performative case studies and influential theories, this module gives students the opportunity to study independently and work together to open up for themselves a whole new way of seeing the world of the everyday.

  • Auditions and Showreels (ACT6002MX)

    Focused on employment in the theatre industry after graduation, this module is all about auditioning practices and techniques, self-taping, casting calls, character break-downs, working with your ‘pages’ and pulling together your showreel.

Art History with Anthropology

Modules

  • Decolonising the Social Sciences (ANT5006MX)

    This module responds to contemporary calls to decolonise the social sciences. It reads the history of social science through the lens of post-colonial and indigenous studies. How have non-western voices been treated by academia? What does academia look from the perspective of the subaltern? Can the social sciences shed their colonial robes, or are they doomed to remain racialised and exclusionary disciplines?

  • Coastal Cultures: Marine Anthropology in the age of climate change and mass extinction (ANT5007MX)

    Using ethnography, we analyse how coastal communities use the sea – not only as a source of livelihood, but as a key ingredient in the construction of their identity and place in world. Drawing on a range of cases from across the world – from Polynesian sorcerers, to Japanese whale mourners, to Cornish surfers – we study how coastal communities are responding to climate change, sea level rise, pollution, and extinction.

  • Brave New Worlds: Ethnography of/on Online and Digital Worlds (ANT6007MX)

    This module teaches students how to use ethnographic methods to make sense of the internet, which we now increasingly inhabit. Students learn how to navigate and analyse platforms such as Facebook or TikTok. They study how these technologies transform our relationships, identities, and ideas of truth. The module also examines the socio-cultural and ethical aspects of digital worlds (e.g. Second life).

Art History with Creative Writing

Modules

  • Advanced Short Story Workshop (ENG6003MX)

    In this module we will examine a range of contemporary short story writing and relevant theory as a way for students to learn how to compose their own short fiction. Class time will be divided between discussion of short fiction and theory, writing exercises and peer workshops of student work. The workshops will be substantially informed by staff research practice.

  • Genre Writing (ENG5006MX)

    This module introduces students to writing in various genres, with possibilities including fantasy, science-fiction, period/historical, young adult fiction, horror, comedy, romance, crime, and thriller. Forms explored will include fiction, dramatic writing for stage and screen, and poetry. The module is taught through lecture, seminars, and workshops where students are asked to submit and feedback to peers and tutors on a regular basis.

  • Creative Nonfiction (ENG5010MX)

    This module introduces students to the key concepts and issues in contemporary works of creative nonfiction including autobiography, travel writing, essays and reportage. We will produce our own works of poetry, short story and nonfiction, and critically evaluate and contextualise them.

Art History with Drama

Modules

  • Performance and Everyday Life (PER5003MX)

    Research-informed lecture-seminar based exploration of an exciting and diverse range of performative case studies and influential theories, this module gives students the opportunity to study independently and work together to open up for themselves a whole new way of seeing the world of the everyday.

  • Apply, Fund, Deliver, Repeat (PER5006MX)

    Apply, Fund, Deliver, Repeat is a training module for students to build their management and professional capabilities. Just as the students are required to have performance training, they will also undergo training on budgetary and management skills while learning how to successfully apply for funding and then how to manage those funds once the project is underway.

  • Applied Drama (PER6002MX)

    This module offers students access to community-based professionals and work-based experiences with a meaningful employability focus. Through seminars and independent practice students learn the skills to work with and for community groups and interests, using performance-making as a means to address real-world problems and social issues.

Art History with English

Modules

  • Reading Historical Fiction (ENG5007MX)

    This module aims to explore the interface between literature and history. Using key ideas in narrative theory and historiography, it will examine the ways in which narratives of history are crafted through literature and how literary texts can impact on our understanding and interpretation of history.

  • Eco-Emergency! Literatures of Environmental Crisis (ENG5014MX)

    This module explores the ways in which contemporary literature and culture are responding to our current era of ecological emergency. It introduces students to key debates and concepts, from the identity of the Anthropocene, to the relation between humans and nonhumans, to the influence of ideas of utopia and dystopia. It also familiarises students with different modes of reading in ‘texts’ across a range of media, such as fiction, nonfiction, poetry and film.

  • Literatures of The Atlantic World: Race, Resistance, and Revolution (ENG6004MX)

    This module explores a diverse range of writing and cultural formations in Atlantic contexts. Adopting critical paradigms of the Atlantic World, the module investigates literary and cultural exchanges between Africa, Europe, North America and the Caribbean. It explores questions of identity formation, resistance, national memory, and knowledge hierarchies by examining different literary forms and cultural productions, ranging from the colonial period, through nineteenth-century abolitionist texts, to contemporary fiction and memoir. In addition to introducing texts from various locations and time periods, the module will also engage with theoretical perspectives concerning race, memory and nationhood, as well as recent critical work centred on decoloniality in relation to literary studies.

Art History with Music

Modules

  • Psychology of Music (MUS5003MX)

    This module introduces students to concepts in psychoacoustics, psychology and music therapy within a musical context. Students will critically engage with related topics through a series of lectures and workshops, which place theory within musical and creative practice.

  • Recording Sound and Music (MUS5006MX)

    Students will learn how to combine their technical recording abilities with their creative skills in music production. They will be introduced to a variety of recording contexts from a practical and theoretical perspective.

  • Music in the Community (MUS6003MX)

    This module will introduce students to practical applications of music to encourage and expand their understanding of the ‘real-life’ uses of musical skills. A series of lectures will cover the concepts and skills required to carry out music work, before students apply these in practical situations.

Art History with History

Modules

  • Global Cold War: Politics, Culture and Society (HIS5004MX)

    This module is an introduction to major themes in the political, social and cultural history of the modern world with special focus on the 20th century and the Cold War.

  • Eighteenth-Century Empires (HIS5007MX)

    This module is designed to explore the ‘long eighteenth century’ with a broad geographical focus, encompassing, but not limited to the Atlantic Isles, Atlantic world, formal and informal empire, and trading connections. It takes in the slave trade and impact of slavery globally, studies voyages of exploration, examines the scientific and political enlightenment, and wider cultural and social impacts of imperialism.

  • Middle Kingdoms: Themes in Early Modern Asia (HIS5009MX)

    This module introduces the history of early modern Japan (c.16th-19th centuries). At one level, it explores key questions shaping the histories of the late Sengoku (‘Warring States’) and Tokugawa Japan. Building on these questions, it then situates the Japanese experience in a trans-regional perspective with reference to early modern China, Korea, Ryukyu, as well as Europe.

  • Dunkirk to D Day: The Second World War in Europe (HIS5014MX)

    The module examines the Second World War in Europe and the Atlantic Ocean from 1940 to late 1944.

  • Piracy and Privateering, c.1560-1816 (HIS6002MX)

    This module explores piracy and privateering activity in the seas around the British Isles and further afield from the reign of Queen Elizabeth to the end of the second Barbary War in 1816. This course focuses on the social history of piracy and privateering, the organisation of pirate society, and the economic impact of piracy and privateering.

  • America, the United Nations and International Relations 1945 to the present (HIS6006MX)

    This module provides a detailed examination of the relationship between the United States of America and the United Nations in the management of international relations from 1945 to the present.

Art History with Computing

Modules

  • Programming in Python (AMT5005MX)

    This module introduces computer programming in the python language. Learners will gain experience in the core theory and practice of computer programming and will learn core programming concepts from the ground up. Sessions will equip students with program implementation methodologies along with design and problem-solving techniques.

  • Physical Computing: Creative and Interactive Systems (AMT5006MX)

    Physical computing is all about designing and creating objects that use a range of sensors, actuators, and software to interact with the world around them. Students will learn to develop their own systems using programming environments, electronic components, and microcontroller boards. Most of the module will be organised around practical, hands-on design-and-build exercises.

  • Data Science Ethics (AMT6004MX)

    This module introduces allows student a hands-on experience in data science and the ethical considerations associated with our digital footprint. Learners will gain experience in writing code to clean, analyse and interrogate large dataset, understanding what meanings can be revealed from these datasets. Students will also investigate the ethical implications, assumptions and biases that are present in these techniques.

Art History with Criminology

Modules

  • Forensic Criminology: Social Investigations (CRM5006MX)

    This module focuses on how social science can contribute to criminal investigations. This involvesforensically investigating the backgrounds and experiences of individuals involved in criminal or deviantbehaviour. The sociology of the police who are tasked to conduct investigations is also analysed. Students will be encouraged to apply criminological techniques and theory to scenario-based examples which will focus on victims, offenders and the police, and their positions in society.

  • Contemporary Issues in Criminology (CRM5007MX)

    This module focuses upon a contemporary criminological or criminal justice-related issue that has received attention in the media and in official reports but may not be well covered yet in an established academic literature. The purpose of the module is for students to collect data on the issue and to subject it to a criminological analysis appropriate to the topic.

  • Green Criminology (CRM6010MX)

    This module will address theoretical perspectives, methodological issues, and empirical research related to the field of green criminology, including applied concerns, such as policy and social/political praxis, through a range of concepts, topics, and themes that are central to green criminology.

  • Security and Policing Today: Debates and Issues (CRM5008MX)

    This module provides students with a contemporary overview of debates and issues in policing and security environments that inform practice and development in the field. The module examines how modern policing and security function, the impact of professionalization on all aspects of policing tasks and the tensions and benefits attained from multi-agency working. The module considers policing legitimacy, the ethics of crime control and associated engagement with the diversity of contemporary society, competing community interests and professional practice.

  • Security Management (CRM6011MX)

    This module provides students with a critical insight into the professional domain of security management. It provides an overview of the theories, policies, procedures and practices that underpin the work of the security manager, and focuses upon a career-relevant knowledge and understanding of this significant area of expertise.

Art History with International Relations

Modules

  • Refugee Studies (PIR5009MX)

    This module focuses on the political, economic and social context of forced migration and considers the complex and varied nature of global refugee populations. It analyses responses at international, national and regional level and engages with a range of challenging questions around international co-operation, the framework of international protection, humanitarianism and the causes of displacement.

  • Global Development (PIR5011MX)

    This module embraces both theoretical and empirical approaches to understanding development issues and policies, at international and multilateral scale. The approach incorporates historical, economic, political and social perspectives. The module considers issues faced by international development agencies, as well as the impact on populations in the developing world to illustrate and provide context for the discussion of various developmental concerns.

  • Global Environmental Politics (PIR6007MX)

    This module examines the problem of environmental degradation and its implications for our global political economy. It discusses the major debates in political thought around the primary causes of environmental degradation. The module outlines the major attempts to build international regimes for global environmental governance, and the difficulties and obstacles that such attempts have encountered. A range of ideas, critiques, policy proposals, innovations in governance, and templates for political activism within the environmental movement are critically evaluated.

Art History with Politics

Modules

  • Civil Society and the Public Sphere (PIR5010MX)

    This module analyses the role of civil society and the public sphere in democratic governance and in democratization from a variety of theoretical perspectives.

  • Democracy and Globalization: Citizens and the Modern State (PIR5012MX)

    Students taking this course will discover how social and economic change in the modern era impacts upon traditional political structures. The course demonstrates how structures face increasing challenges from alternative forms of political action, ranging in scope from the local to global, as well as a resurgence of the forces of populism and nationalism. Much of the analysis will be comparative in scope.

  • Voter Behaviour and Effective Election Campaigning (PIR6008MX)

    This module undertakes an advanced examination of contemporary trends and developments in theories of electoral behaviour globally; then more specifically the relationship between electoral rules, electoral systems and election outcomes; the evolution of campaign techniques, and the role, mechanics, and accuracy of opinion polls in modern electoral politics. These global understandings are applied directly to the case of British politics.

Art History with Sociology

Modules

  • Globalisation and Social Justice (SOC5005MX)

    This module investigates the key debates of globalisation and critically evaluates, in terms of its economic, political, socio-cultural and legal dimensions, the causes and consequences of a globalising world. It furthermore explores a range of international social justice issues to examine the relationships (causative and ameliorative) between policies and (in)justice

  • Gender, Sex and Sexuality (SOC5006MX)

    This module introduces students to the sociology of gender, sex and sexuality. It interrogates these concepts with particular reference to identity, activism, social justice and social change. It develops an understanding of the similarities, differences and intersections between gender, sex, sexuality and other social signifiers of difference/diversity including ‘race’, ethnicity, dis/ability, class and age.

  • Health, Medical Power and Social Justice (SOC6004MX)

    This module considers a range of issues concerning health, illness and medical power in contemporary society. The module seeks to develop an understanding of the impact of ‘medicalisation’ on everyday life, as well as the importance of social divisions, such as age, gender, ethnicity and socio-economic status. There will be a focus on a range of sociological perspectives on health with an opportunity to focus upon areas of particular interest.

Art History with Law

Modules

  • Environmental Law (LAW5009MX)

    The module provides an examination of key themes in environmental law, with a focus on the generation, application and enforcement of this law within a critical and applied context.

  • Law in Society (LAW5010MX)

    To introduce students to the real-world impact and operation of domestic English law in society and consider social, cultural, practical and ethical implications.

  • Intellectual Property Law (LAW5011MX)

    This module focuses on the law and concepts of intellectual property, examining in addition related legal themes of information access, dissemination and control.

  • Law, Literature and the Screen (LAW5012MX)

    To introduce students to fictional and factional representations of the legal order in prose, film and TV, and to examine the inter-connections between law, literature and the screen.

  • Environmental Law (LAW6011MX)

    The module provides an examination of key themes in environmental law, with a focus on the generation, application and enforcement of this law within a critical and applied context.

  • Public and International Law (LAW6012MX)

    A module that focuses on the primary legal principles of the public international legal order, before supporting the development of in-depth understanding of a chosen international legal area of a contemporary nature.

Art History with Policing and Security Management

Modules

  • Security Management (CRM6011MX)

    This module provides students with a critical insight into the professional domain of security management. It provides an overview of the theories, policies, procedures and practices that underpin the work of the security manager, and focuses upon a career-relevant knowledge and understanding of this significant area of expertise.

  • Security and Policing Today: Debates and Issues (CRM5008MX)

    This module provides students with a contemporary overview of debates and issues in policing and security environments that inform practice and development in the field. The module examines how modern policing and security function, the impact of professionalization on all aspects of policing tasks and the tensions and benefits attained from multi-agency working. The module considers policing legitimacy, the ethics of crime control and associated engagement with the diversity of contemporary society, competing community interests and professional practice.

  • Forensic Criminology: Social Investigations (CRM5006MX)

    This module focuses on how social science can contribute to criminal investigations. This involvesforensically investigating the backgrounds and experiences of individuals involved in criminal or deviantbehaviour. The sociology of the police who are tasked to conduct investigations is also analysed. Students will be encouraged to apply criminological techniques and theory to scenario-based examples which will focus on victims, offenders and the police, and their positions in society.

Art History with Musical Theatre

Modules

  • Dance Technique (DAN5001MX)

    Students will develop their technical dance skills and ability to apply a range of dynamic qualities and spatial properties in performance. The module will develop students’ understanding of dance as a cultural discourse and foster awareness and appreciation of other cultural dance forms. Students will engage with workshop participation and leading skills, as well as learning how to give, receive and use critical feedback.

  • Acting through Song (MTH5001MX)

    Acting through song involves ‘telling the story’ and ‘selling the story’, as well as performance skills in characterisation and specific vocal expertise. Working from a range of scores and lyrics, students experiment with different approach to acting through song in a supportive salon environment, with tutor and peer feedback throughout.

  • Choreography Repertory (MTH6004MX)

    Students learn, rehearse and perform dance repertory to a high standard. To support students’ ability to execute the choreography effectively a continued engagement with dance technique and its relationship to creative and performance skills is incorporated. Students will gain an understanding of their role as a contributing interpreter of this repertory and how to make this work their own.

  • Dancing for Camera (DAN5002MX)

    Taught by experienced practitioners, students learn to compose and perform dance for camera and to develop and edit material to produce high quality ‘screendance’. Screendance as a hybrid and interdisciplinary form will enable students to develop new ways to innovate and create choreography in the site-specificity of media space.

  • Applied Dance (DAN6001MX)

    This module offers students access to community-based professionals and work-based experiences with a meaningful employability focus. Through co-taught seminars and independent practice students learn the skills to work with and for community groups and interests, applying community dance practice and performance-making as a means to address real-world problems and social issues.

Art History with Dance

Modules

  • Applied Dance (DAN6001MX)

    This module offers students access to community-based professionals and work-based experiences with a meaningful employability focus. Through co-taught seminars and independent practice students learn the skills to work with and for community groups and interests, applying community dance practice and performance-making as a means to address real-world problems and social issues.

  • Dance Technique (DAN5001MX)

    Students will develop their technical dance skills and ability to apply a range of dynamic qualities and spatial properties in performance. The module will develop students’ understanding of dance as a cultural discourse and foster awareness and appreciation of other cultural dance forms. Students will engage with workshop participation and leading skills, as well as learning how to give, receive and use critical feedback.

  • Dancing for Camera (DAN5002MX)

    Taught by experienced practitioners, students learn to compose and perform dance for camera and to develop and edit material to produce high quality ‘screendance’. Screendance as a hybrid and interdisciplinary form will enable students to develop new ways to innovate and create choreography in the site-specificity of media space.

All modules (58)

School of Society and Culture

BA (Hons) Acting (Full-time)

  • Acting for Audio: Radio, Podcast, Voiceover (ACT5002MX)

    This module trains students to work professionally in mediatised/recorded settings. Students learn techniques appropriate to the preparation and performance of non-theatrical formats (such as audio drama) through text-based analysis, narrative and dramatic theory and genre-specific acting techniques.

  • Performance and Everyday Life (PER5003MX)

    Research-informed lecture-seminar based exploration of an exciting and diverse range of performative case studies and influential theories, this module gives students the opportunity to study independently and work together to open up for themselves a whole new way of seeing the world of the everyday.

  • Auditions and Showreels (ACT6002MX)

    Focused on employment in the theatre industry after graduation, this module is all about auditioning practices and techniques, self-taping, casting calls, character break-downs, working with your ‘pages’ and pulling together your showreel.

BA (Hons) Anthropology (Full-time)

  • Decolonising the Social Sciences (ANT5006MX)

    This module responds to contemporary calls to decolonise the social sciences. It reads the history of social science through the lens of post-colonial and indigenous studies. How have non-western voices been treated by academia? What does academia look from the perspective of the subaltern? Can the social sciences shed their colonial robes, or are they doomed to remain racialised and exclusionary disciplines?

  • Coastal Cultures: Marine Anthropology in the age of climate change and mass extinction (ANT5007MX)

    Using ethnography, we analyse how coastal communities use the sea – not only as a source of livelihood, but as a key ingredient in the construction of their identity and place in world. Drawing on a range of cases from across the world – from Polynesian sorcerers, to Japanese whale mourners, to Cornish surfers – we study how coastal communities are responding to climate change, sea level rise, pollution, and extinction.

  • Brave New Worlds: Ethnography of/on Online and Digital Worlds (ANT6007MX)

    This module teaches students how to use ethnographic methods to make sense of the internet, which we now increasingly inhabit. Students learn how to navigate and analyse platforms such as Facebook or TikTok. They study how these technologies transform our relationships, identities, and ideas of truth. The module also examines the socio-cultural and ethical aspects of digital worlds (e.g. Second life).

BA (Hons) Creative Writing (Full-time)

  • Advanced Short Story Workshop (ENG6003MX)

    In this module we will examine a range of contemporary short story writing and relevant theory as a way for students to learn how to compose their own short fiction. Class time will be divided between discussion of short fiction and theory, writing exercises and peer workshops of student work. The workshops will be substantially informed by staff research practice.

  • Genre Writing (ENG5006MX)

    This module introduces students to writing in various genres, with possibilities including fantasy, science-fiction, period/historical, young adult fiction, horror, comedy, romance, crime, and thriller. Forms explored will include fiction, dramatic writing for stage and screen, and poetry. The module is taught through lecture, seminars, and workshops where students are asked to submit and feedback to peers and tutors on a regular basis.

  • Creative Nonfiction (ENG5010MX)

    This module introduces students to the key concepts and issues in contemporary works of creative nonfiction including autobiography, travel writing, essays and reportage. We will produce our own works of poetry, short story and nonfiction, and critically evaluate and contextualise them.

BA (Hons) Drama (Full-time)

  • Performance and Everyday Life (PER5003MX)

    Research-informed lecture-seminar based exploration of an exciting and diverse range of performative case studies and influential theories, this module gives students the opportunity to study independently and work together to open up for themselves a whole new way of seeing the world of the everyday.

  • Apply, Fund, Deliver, Repeat (PER5006MX)

    Apply, Fund, Deliver, Repeat is a training module for students to build their management and professional capabilities. Just as the students are required to have performance training, they will also undergo training on budgetary and management skills while learning how to successfully apply for funding and then how to manage those funds once the project is underway.

  • Applied Drama (PER6002MX)

    This module offers students access to community-based professionals and work-based experiences with a meaningful employability focus. Through seminars and independent practice students learn the skills to work with and for community groups and interests, using performance-making as a means to address real-world problems and social issues.

BA (Hons) English (Full-time)

  • Reading Historical Fiction (ENG5007MX)

    This module aims to explore the interface between literature and history. Using key ideas in narrative theory and historiography, it will examine the ways in which narratives of history are crafted through literature and how literary texts can impact on our understanding and interpretation of history.

  • Eco-Emergency! Literatures of Environmental Crisis (ENG5014MX)

    This module explores the ways in which contemporary literature and culture are responding to our current era of ecological emergency. It introduces students to key debates and concepts, from the identity of the Anthropocene, to the relation between humans and nonhumans, to the influence of ideas of utopia and dystopia. It also familiarises students with different modes of reading in ‘texts’ across a range of media, such as fiction, nonfiction, poetry and film.

  • Literatures of The Atlantic World: Race, Resistance, and Revolution (ENG6004MX)

    This module explores a diverse range of writing and cultural formations in Atlantic contexts. Adopting critical paradigms of the Atlantic World, the module investigates literary and cultural exchanges between Africa, Europe, North America and the Caribbean. It explores questions of identity formation, resistance, national memory, and knowledge hierarchies by examining different literary forms and cultural productions, ranging from the colonial period, through nineteenth-century abolitionist texts, to contemporary fiction and memoir. In addition to introducing texts from various locations and time periods, the module will also engage with theoretical perspectives concerning race, memory and nationhood, as well as recent critical work centred on decoloniality in relation to literary studies.

BA (Hons) Music (Full-time)

  • Psychology of Music (MUS5003MX)

    This module introduces students to concepts in psychoacoustics, psychology and music therapy within a musical context. Students will critically engage with related topics through a series of lectures and workshops, which place theory within musical and creative practice.

  • Recording Sound and Music (MUS5006MX)

    Students will learn how to combine their technical recording abilities with their creative skills in music production. They will be introduced to a variety of recording contexts from a practical and theoretical perspective.

  • Music in the Community (MUS6003MX)

    This module will introduce students to practical applications of music to encourage and expand their understanding of the ‘real-life’ uses of musical skills. A series of lectures will cover the concepts and skills required to carry out music work, before students apply these in practical situations.

BA (Hons) History (Full-time)

  • Global Cold War: Politics, Culture and Society (HIS5004MX)

    This module is an introduction to major themes in the political, social and cultural history of the modern world with special focus on the 20th century and the Cold War.

  • Eighteenth-Century Empires (HIS5007MX)

    This module is designed to explore the ‘long eighteenth century’ with a broad geographical focus, encompassing, but not limited to the Atlantic Isles, Atlantic world, formal and informal empire, and trading connections. It takes in the slave trade and impact of slavery globally, studies voyages of exploration, examines the scientific and political enlightenment, and wider cultural and social impacts of imperialism.

  • Middle Kingdoms: Themes in Early Modern Asia (HIS5009MX)

    This module introduces the history of early modern Japan (c.16th-19th centuries). At one level, it explores key questions shaping the histories of the late Sengoku (‘Warring States’) and Tokugawa Japan. Building on these questions, it then situates the Japanese experience in a trans-regional perspective with reference to early modern China, Korea, Ryukyu, as well as Europe.

  • Dunkirk to D Day: The Second World War in Europe (HIS5014MX)

    The module examines the Second World War in Europe and the Atlantic Ocean from 1940 to late 1944.

  • Piracy and Privateering, c.1560-1816 (HIS6002MX)

    This module explores piracy and privateering activity in the seas around the British Isles and further afield from the reign of Queen Elizabeth to the end of the second Barbary War in 1816. This course focuses on the social history of piracy and privateering, the organisation of pirate society, and the economic impact of piracy and privateering.

  • America, the United Nations and International Relations 1945 to the present (HIS6006MX)

    This module provides a detailed examination of the relationship between the United States of America and the United Nations in the management of international relations from 1945 to the present.

BSc (Hons) Audio and Music Technology (Full-time)

  • Programming in Python (AMT5005MX)

    This module introduces computer programming in the python language. Learners will gain experience in the core theory and practice of computer programming and will learn core programming concepts from the ground up. Sessions will equip students with program implementation methodologies along with design and problem-solving techniques.

  • Physical Computing: Creative and Interactive Systems (AMT5006MX)

    Physical computing is all about designing and creating objects that use a range of sensors, actuators, and software to interact with the world around them. Students will learn to develop their own systems using programming environments, electronic components, and microcontroller boards. Most of the module will be organised around practical, hands-on design-and-build exercises.

  • Data Science Ethics (AMT6004MX)

    This module introduces allows student a hands-on experience in data science and the ethical considerations associated with our digital footprint. Learners will gain experience in writing code to clean, analyse and interrogate large dataset, understanding what meanings can be revealed from these datasets. Students will also investigate the ethical implications, assumptions and biases that are present in these techniques.

BSc (Hons) Criminology (Full-time)

  • Forensic Criminology: Social Investigations (CRM5006MX)

    This module focuses on how social science can contribute to criminal investigations. This involvesforensically investigating the backgrounds and experiences of individuals involved in criminal or deviantbehaviour. The sociology of the police who are tasked to conduct investigations is also analysed. Students will be encouraged to apply criminological techniques and theory to scenario-based examples which will focus on victims, offenders and the police, and their positions in society.

  • Contemporary Issues in Criminology (CRM5007MX)

    This module focuses upon a contemporary criminological or criminal justice-related issue that has received attention in the media and in official reports but may not be well covered yet in an established academic literature. The purpose of the module is for students to collect data on the issue and to subject it to a criminological analysis appropriate to the topic.

  • Green Criminology (CRM6010MX)

    This module will address theoretical perspectives, methodological issues, and empirical research related to the field of green criminology, including applied concerns, such as policy and social/political praxis, through a range of concepts, topics, and themes that are central to green criminology.

  • Security and Policing Today: Debates and Issues (CRM5008MX)

    This module provides students with a contemporary overview of debates and issues in policing and security environments that inform practice and development in the field. The module examines how modern policing and security function, the impact of professionalization on all aspects of policing tasks and the tensions and benefits attained from multi-agency working. The module considers policing legitimacy, the ethics of crime control and associated engagement with the diversity of contemporary society, competing community interests and professional practice.

  • Security Management (CRM6011MX)

    This module provides students with a critical insight into the professional domain of security management. It provides an overview of the theories, policies, procedures and practices that underpin the work of the security manager, and focuses upon a career-relevant knowledge and understanding of this significant area of expertise.

BSc (Hons) International Relations (Full-time)

  • Refugee Studies (PIR5009MX)

    This module focuses on the political, economic and social context of forced migration and considers the complex and varied nature of global refugee populations. It analyses responses at international, national and regional level and engages with a range of challenging questions around international co-operation, the framework of international protection, humanitarianism and the causes of displacement.

  • Global Development (PIR5011MX)

    This module embraces both theoretical and empirical approaches to understanding development issues and policies, at international and multilateral scale. The approach incorporates historical, economic, political and social perspectives. The module considers issues faced by international development agencies, as well as the impact on populations in the developing world to illustrate and provide context for the discussion of various developmental concerns.

  • Global Environmental Politics (PIR6007MX)

    This module examines the problem of environmental degradation and its implications for our global political economy. It discusses the major debates in political thought around the primary causes of environmental degradation. The module outlines the major attempts to build international regimes for global environmental governance, and the difficulties and obstacles that such attempts have encountered. A range of ideas, critiques, policy proposals, innovations in governance, and templates for political activism within the environmental movement are critically evaluated.

BSc (Hons) Politics (Full-time)

  • Civil Society and the Public Sphere (PIR5010MX)

    This module analyses the role of civil society and the public sphere in democratic governance and in democratization from a variety of theoretical perspectives.

  • Democracy and Globalization: Citizens and the Modern State (PIR5012MX)

    Students taking this course will discover how social and economic change in the modern era impacts upon traditional political structures. The course demonstrates how structures face increasing challenges from alternative forms of political action, ranging in scope from the local to global, as well as a resurgence of the forces of populism and nationalism. Much of the analysis will be comparative in scope.

  • Voter Behaviour and Effective Election Campaigning (PIR6008MX)

    This module undertakes an advanced examination of contemporary trends and developments in theories of electoral behaviour globally; then more specifically the relationship between electoral rules, electoral systems and election outcomes; the evolution of campaign techniques, and the role, mechanics, and accuracy of opinion polls in modern electoral politics. These global understandings are applied directly to the case of British politics.

BSc (Hons) Sociology (Full-time)

  • Globalisation and Social Justice (SOC5005MX)

    This module investigates the key debates of globalisation and critically evaluates, in terms of its economic, political, socio-cultural and legal dimensions, the causes and consequences of a globalising world. It furthermore explores a range of international social justice issues to examine the relationships (causative and ameliorative) between policies and (in)justice

  • Gender, Sex and Sexuality (SOC5006MX)

    This module introduces students to the sociology of gender, sex and sexuality. It interrogates these concepts with particular reference to identity, activism, social justice and social change. It develops an understanding of the similarities, differences and intersections between gender, sex, sexuality and other social signifiers of difference/diversity including ‘race’, ethnicity, dis/ability, class and age.

  • Health, Medical Power and Social Justice (SOC6004MX)

    This module considers a range of issues concerning health, illness and medical power in contemporary society. The module seeks to develop an understanding of the impact of ‘medicalisation’ on everyday life, as well as the importance of social divisions, such as age, gender, ethnicity and socio-economic status. There will be a focus on a range of sociological perspectives on health with an opportunity to focus upon areas of particular interest.

LLB (Hons) Law (Full-time)

  • Environmental Law (LAW5009MX)

    The module provides an examination of key themes in environmental law, with a focus on the generation, application and enforcement of this law within a critical and applied context.

  • Law in Society (LAW5010MX)

    To introduce students to the real-world impact and operation of domestic English law in society and consider social, cultural, practical and ethical implications.

  • Intellectual Property Law (LAW5011MX)

    This module focuses on the law and concepts of intellectual property, examining in addition related legal themes of information access, dissemination and control.

  • Law, Literature and the Screen (LAW5012MX)

    To introduce students to fictional and factional representations of the legal order in prose, film and TV, and to examine the inter-connections between law, literature and the screen.

  • Environmental Law (LAW6011MX)

    The module provides an examination of key themes in environmental law, with a focus on the generation, application and enforcement of this law within a critical and applied context.

  • Public and International Law (LAW6012MX)

    A module that focuses on the primary legal principles of the public international legal order, before supporting the development of in-depth understanding of a chosen international legal area of a contemporary nature.

BSc (Hons) Criminology (Full-time)

  • Security Management (CRM6011MX)

    This module provides students with a critical insight into the professional domain of security management. It provides an overview of the theories, policies, procedures and practices that underpin the work of the security manager, and focuses upon a career-relevant knowledge and understanding of this significant area of expertise.

  • Security and Policing Today: Debates and Issues (CRM5008MX)

    This module provides students with a contemporary overview of debates and issues in policing and security environments that inform practice and development in the field. The module examines how modern policing and security function, the impact of professionalization on all aspects of policing tasks and the tensions and benefits attained from multi-agency working. The module considers policing legitimacy, the ethics of crime control and associated engagement with the diversity of contemporary society, competing community interests and professional practice.

  • Forensic Criminology: Social Investigations (CRM5006MX)

    This module focuses on how social science can contribute to criminal investigations. This involvesforensically investigating the backgrounds and experiences of individuals involved in criminal or deviantbehaviour. The sociology of the police who are tasked to conduct investigations is also analysed. Students will be encouraged to apply criminological techniques and theory to scenario-based examples which will focus on victims, offenders and the police, and their positions in society.

BA (Hons) Musical Theatre (Full-time)

  • Dance Technique (DAN5001MX)

    Students will develop their technical dance skills and ability to apply a range of dynamic qualities and spatial properties in performance. The module will develop students’ understanding of dance as a cultural discourse and foster awareness and appreciation of other cultural dance forms. Students will engage with workshop participation and leading skills, as well as learning how to give, receive and use critical feedback.

  • Acting through Song (MTH5001MX)

    Acting through song involves ‘telling the story’ and ‘selling the story’, as well as performance skills in characterisation and specific vocal expertise. Working from a range of scores and lyrics, students experiment with different approach to acting through song in a supportive salon environment, with tutor and peer feedback throughout.

  • Choreography Repertory (MTH6004MX)

    Students learn, rehearse and perform dance repertory to a high standard. To support students’ ability to execute the choreography effectively a continued engagement with dance technique and its relationship to creative and performance skills is incorporated. Students will gain an understanding of their role as a contributing interpreter of this repertory and how to make this work their own.

  • Dancing for Camera (DAN5002MX)

    Taught by experienced practitioners, students learn to compose and perform dance for camera and to develop and edit material to produce high quality ‘screendance’. Screendance as a hybrid and interdisciplinary form will enable students to develop new ways to innovate and create choreography in the site-specificity of media space.

  • Applied Dance (DAN6001MX)

    This module offers students access to community-based professionals and work-based experiences with a meaningful employability focus. Through co-taught seminars and independent practice students learn the skills to work with and for community groups and interests, applying community dance practice and performance-making as a means to address real-world problems and social issues.

BA (Hons) Musical Theatre (Full-time)

  • Applied Dance (DAN6001MX)

    This module offers students access to community-based professionals and work-based experiences with a meaningful employability focus. Through co-taught seminars and independent practice students learn the skills to work with and for community groups and interests, applying community dance practice and performance-making as a means to address real-world problems and social issues.

  • Dance Technique (DAN5001MX)

    Students will develop their technical dance skills and ability to apply a range of dynamic qualities and spatial properties in performance. The module will develop students’ understanding of dance as a cultural discourse and foster awareness and appreciation of other cultural dance forms. Students will engage with workshop participation and leading skills, as well as learning how to give, receive and use critical feedback.

  • Dancing for Camera (DAN5002MX)

    Taught by experienced practitioners, students learn to compose and perform dance for camera and to develop and edit material to produce high quality ‘screendance’. Screendance as a hybrid and interdisciplinary form will enable students to develop new ways to innovate and create choreography in the site-specificity of media space.

Entry requirements

UCAS tariff

104 - 112

A level
Typical offer will be 104 points, minimum of 2 A levels, General Studies accepted.

International baccalaureate
26-28 points.

18 Unit BTEC National Diploma/QCF Extended Diploma
DMM.

BTEC National Diploma modules
If you hold a BTEC qualification it is vital that you provide our Admissions team with details of the exact modules you have studied as part of the BTEC. Without this information we may be unable to process your application quickly and you could experience significant delays in the progress of your application to study with us. Please explicitly state the full list of modules within your qualification at the time of application.

All access courses
Pass a named Access to Higher Education Diploma with at least 33 credits at merit and/or distinction.

GCSE
Mathematics and English language grade C/4. If you do meet this criteria please seek further advice with the admission team on admissions@plymouth.ac.uk.

Equivalent qualifications and ability may be considered.

English language requirements

We welcome applicants with international qualifications. To view other accepted qualifications please refer to our tariff glossary.

Fees, costs and funding

The UK is no longer part of the European Union. EU applicants should refer to our Brexit information to understand the implications.

New Student 2021-2022 2022-2023
Home To be confirmed £9,250
International To be confirmed £14,600
Part time (Home) To be confirmed £770
Full time fees shown are per annum. Part time fees shown are per 10 credits. Please note that fees are reviewed on an annual basis. Fees and the conditions that apply to them shown in the prospectus are correct at the time of going to print. Fees shown on the web are the most up to date but are still subject to change in exceptional circumstances. For more information about fees and funding please visit www.plymouth.ac.uk/money.

Additional costs

This course is delivered by the Faculty of Arts, Humanities and Business and more details of any additional costs associated with the faculty's courses are listed on the following page: Faculty of Arts, Humanities and Business additional costs.

Undergraduate scholarships for international students

To reward outstanding achievement the University of Plymouth offers scholarship schemes to help towards funding your studies.

Find out whether you are eligible and how you can apply

How to apply
All applications for undergraduate courses are made through UCAS (Universities and Colleges Admissions Service). 

UCAS will ask for the information contained in the box at the top of this course page including the UCAS course code and the institution code. 

To apply for this course and for more information about submitting an application including application deadline dates, please visit the UCAS website.

Support is also available to overseas students applying to the University from our International Office via our how to apply webpage or email international-admissions@plymouth.ac.uk.

"Studying in the South West is unique. You have all of this culture that sometimes feels hidden, like it's just waiting to be discovered - time capsules from decades gone by, all set in this beautiful landscape".

Final year student Melia explains what being a student of Art History means to her.

First-hand experience 

Field trips

We believe strongly in the experience of seeing works of art first-hand. Each semester we take students to London and other local collections. In year two, you take the international field trip module, an intensive week of study in a major city. Field trips are included in the costs of your tuition fee.

Discover our previous field trip destinations

Work-experience 

Experience is invaluable when it comes to securing employment in arts. We'll help you find a prepare for internships and work-experience in the arts sector. Our students have successfully interned at Tate Britain, Sotheby’s, the National Trust, Plymouth Arts Centre, The Arts Institute and the Wallace Collection.

Art history graduates

Discover our graduate success stories.

Lawrence Hendra

Lawrence Hendra
Head of Research, Philip Mould & Company, London and an on-screen picture specialist on BBC's Antiques Roadshow.

Emalee Beddoes-Davis

Emalee Beddoes-Davis
Curator of Modern and Contemporary Art, Birmingham Museum and Art Gallery.

Abigail Hodgson-Lorente

Abigail Hodgson-Lorente
Television Researcher, BBC Four and Sky Arts.

From the Tate Galleries to the Royal Academy of Art, Sotheby's to the London Transport Museum, our graduates can be found working and studying in a range of prestigious locations.

Let nine of our graduates now working in London, the UK’s art capital, introduce themselves to you.

Meet our experts