School of Society and Culture

BA (Hons) Acting

UCAS tariff 104 - 112
UCAS course code W411
Institution code P60
Duration 3 years (+ optional placement)
Course type Full-time
Location Plymouth

Train to be a professional actor and set yourself apart by working with experts from the University and Theatre Royal Plymouth, one of the UK’s largest regional theatres. Become part of a tight-knit community and tread the boards with local, national and international actors and renowned theatre companies. Learn by doing and build your acting portfolio, fully supported by a dedicated team of academics. See the impact performance can have on addressing pressing social issues and effecting change.

At Plymouth, your degree really is what you make it. From the second year, you can choose to take optional modules taught across different degrees within the School of Society and Culture. You can learn how to protect your creative intellectual property with a module in Law or produce your own script with a module in Creative Writing.

Acting

A stage for success

Stand out by working with experts from the University and Theatre Royal Plymouth and perform in a purpose-built theatre and studio spaces.

An unrivalled partnership
Get the very best, up-to-date industry expertise, research and teaching practice as well as unrivalled access to professional opportunities

The House – your own purpose built theatre
This award winning facility is a fully-accessible building with a 200-seater auditorium, a studio theatre and rehearsal spaces.

“The House is welcoming to actors, as indeed it is to the paying public, and in my view it is worth its weight in gold.”
Thelma Holt CBE talks to us about the unique benefits for Plymouth students sharing a relationship with a working theatre.

Call our Clearing hotline: 0333 241 6929

Contact us today to discuss your options and secure your place on one of our courses with vacancies this September.

Find out more about Clearing

Careers with this subject

Benefit from a highly vocational and professional-standard training programme, working closely with Theatre Royal creative staff and producers. 

With dedicated support from our Placements Officer, you will gain advice and guidance on getting an agent and accessing castings.

Key features

  • Train with Theatre Royal Plymouth professionals.
  • Showcase. Perform in five productions, including a Final Year industry showcase at Theatre Royal Plymouth.
  • Placements. Access to our dedicated Placements Officer and Theatre Royal Plymouth's professionals, placements, internships and volunteering opportunities. 154 placements this year for directors, producers, practitioners and performers including with paid placements with Jermyn Street Theatre (West End), Kneehigh and at Theatre Royal Plymouth.
  • Facilities. Rehearse and train in world-class and fully accessible award-winning theatre and studio space. Access all areas of theatre with our dedicated Tech team.
  • Your degree will be taught by passionate people with experience from a wide range of academic and industry backgrounds who are driving real change in their fields. 

Course details
  • Year 1

  • Straight-away you are working with a Theatre Royal director in your first module! Learn foundational acting skills and work closely with Head of Voice and Head of Movement to develop your actor’s toolkit.

    Core modules

    • Introduction to Acting (ACT4001)

      This module provides an accessible introduction to the process of creating a role and playing a character. Students are asked to select a monologue by a character, from a play, that they can identify with and are given some basic techniques for building the character from their own life experiences and personal traits.

    • Page to Stage 1: The Physical Action (ACT4002)

      This module encapsulates the aims of the programme in a condensed and intensive experience of theatre-making: students work together, with leadership from staff to read, rehearse design and present a number of fully realised scenes from plays. Students will experience all aspects of theatre production in a concentrated rehearsal process, with a performance at the end of each process.

    • Page to Stage 2: Discovering the Through-Line (ACT4003)

      Page to Stage 2 builds on the work done in Page to Stage 1, teaching students techniques for building a character to help them to play more challenging roles. Techniques of dramaturgical analysis, ‘scoring’ a role and marking up a text provide the basis for building complex characters, with varied and unusual life experience; where Page to Stage 1 helped students to play characters that were much like themselves Page to Stage 2 challenges students to build characters very different from them. Physical skills, for example ‘animal work’, help students to find a physical lexis for presenting the dramaturgical information about characters that they have uncovered through text analysis.

    • Actor's Care of Self (ACT4004)

      This module is all about preparing actors to work in a profession with certain innate dangers to personal mental and physical health. The process of adopting a character, and enacting a role can mean that actors have to negotiate some very personal feelings and experiences, and giving them tools to do this is in a healthy and sustainable way is what this module is all about.

    • Production 1 (ACT4005)

      This module develops basic expressive vocal and movement skills necessary for the successful interpretation of dramatic and non-dramatic performative material. Through workshop study, the student will embark on a creative exploration of the physical and mental processes embedded in core traditions of actor training.

    • Stage 1 Placement Year Preparation (SSC400)

      This module is for students in the School of Society and Culture who are interested in undertaking an optional placement in the third year of their programme. It supports students in their search for a placement and in their preparation for the placement itself.

    • The Body in Performance (PER4001)

      This module positions all performance practice as the product of its own specific cultural setting. Aiming to resist a Western-centric approach, the module explores performances from different cultures whilst providing a context and awareness of the key issues and debates surrounding intercultural/cross-cultural theory and practice. It problematises the issues of theatre, culture and ideology: the politics and problems of cultural contact and exchange.

  • Year 2

  • Take on new acting challenges; performing for audio, podcast and voice-over and learn audition techniques and play the House main stage in two productions.

    Core modules

    • Production 2 (ACT5001)

      This module complements and builds on the work done in Page to Stage 1 & 2 by teaching students how to play their character alongside other characters, and actors on stage. This module introduces scene performance (and not just monologue) and teaches students methods and approaches to ‘reacting’. Students will be able to apply the skills and techniques acquired through Page to Stage 1 & 2 in this module, and will learn how to apply these skills when working alongside other actors in the presentation of fully realised scenes and plays.

    • Production 3 (ACT5003)

      This module introduces students to the skills techniques and process required to produce a theatrical text for an audience. By offering a contextual and historical grounding of chosen playwrights, students will be introduced to key theories of contemporary theatre making. Through dramaturgical research and intensive practice, students will explore the ideological, cultural and social concerns of contemporary theatre. This study will culminate in the production of a public performance.

    • Performance Practices (PER5002)

      This module encourages students to find their creative voice through the exploration and application of a specific performance practice. Students will develop and practically interrogate the skills and understandings that establish specific forms of contemporary performance practice as both skilled activities and culturally significant artistic statements.

    • Theatre Residency (PER5005)

      This module addresses collaborative and interdisciplinary practice. It is a practical and studio-based module that emphasises the development and presentation of student-led work and collaboration across year groups.

    • Stage 2 Placement Year Preparation (SSC500)

      This module is for students in the School of Society and Culture who are interested in undertaking an optional placement in the third year of their programme. It supports students in their search, application, and preparation for the placement, including developing interview techniques and effective application materials (e.g. CVs , portfolios, and cover letters).

    Optional modules

    • Acting for Audio: Radio, Podcast, Voiceover (ACT5002MX)

      This module trains students to work professionally in mediatised/recorded settings. Students learn techniques appropriate to the preparation and performance of non-theatrical formats (such as audio drama) through text-based analysis, narrative and dramatic theory and genre-specific acting techniques.

    • Performance and Everyday Life (PER5003MX)

      Research-informed lecture-seminar based exploration of an exciting and diverse range of performative case studies and influential theories, this module gives students the opportunity to study independently and work together to open up for themselves a whole new way of seeing the world of the everyday.

  • Optional placement year

  • Undertake an optional placement year where you can build a number of key employability skills. Put theory onto practice, get a taste for your chosen career and expand upon your professional network.

    Core modules

    • School of Society and Culture Placement Year (SSC600)

      Students have the opportunity to gain work experience that will set them apart in the job market when they graduate by undertaking a 48-week optional placement year. This year allows them to apply and hone the knowledge and skills acquired from the previous years of their programme in the real world.

  • Final year

  • Get ready for industry. Learn how to perform for and edit showreels, hone your audition skills, network with professionals and practice the skills you need to get an agent while performing in two show, including an industry showcase at Theatre Royal Plymouth.

    Core modules

    • Production 4 (ACT6001)

      This module will allow students to specialise in a number of expressive vocal and movement techniques necessary for the successful interpretation of a specific theatrical genre/style. The module will also prepare students to develop a number of skills essential to boost their employability.

    • Acting Rediscovered (ACT6003)

      The module fosters deep understanding and practical knowledge of a form/approach to performance training. Through expert-lead practice, students will experiment with techniques, strategies and approaches to training that will help them to develop and deepen their understanding of skills germane to a specific style.

    • Production 5 (ACT6004)

      Students will audition for a role in a professional level production directed by an experienced theatre-maker. Students will develop their skills in character development, textual analysis, and identification of key performance making principles, in order to explore the implications of this research through the collaborative production of a public performance. All students must be involved in the process, and all students will perform in the final production.

    • Performance Research (PER6001)

      Students will plan and conduct a research enquiry relevant to the application, practice and study of performance (including acting, dance, theatre, live art, and cross-form practices). Through lectures, workshops and tutorial guidance, students develop appropriate ways of collecting, analysing, documenting and organising material to present and evidence their research process and findings. Projects can be articulated in one of three ways; lecture demo, practice as research or dissertation.

    Optional modules

    • Auditions and Showreels (ACT6002MX)

      Focused on employment in the theatre industry after graduation, this module is all about auditioning practices and techniques, self-taping, casting calls, character break-downs, working with your ‘pages’ and pulling together your showreel.

Every undergraduate taught course has a detailed programme specification document describing the course aims, the course structure, the teaching and learning methods, the learning outcomes and the rules of assessment.

The following programme specification represents the latest course structure and may be subject to change:

BA Acting Prog Spec Sep22 FINAL 7205

The modules shown for this course are those currently being studied by our students, or are proposed new modules. Please note that programme structures and individual modules are subject to amendment from time to time as part of the University’s curriculum enrichment programme and in line with changes in the University’s policies and requirements.

In light of the Coronavirus (COVID-19) pandemic, the changeable nature of the situation and any updates to government guidance, we may need to make further, last minute adjustments to how we deliver our teaching and learning on some or all of our programmes, at any time during the academic year. We want to reassure you that even if we do have to adjust the way in which we teach our programmes, we will be working to maintain the quality of the student learning experience and learning outcomes at all times.
Personalise your degree
All our degrees have a wide range of optional modules and there is even the opportunity to study modules from any of the School of Society and Culture's subject areas.

Learn more about your options

You could graduate with one of the following personalised course title combinations:




Acting with Anthropology

Modules required

  • Decolonising the Social Sciences (ANT5006MX)

    This module responds to contemporary calls to decolonise the social sciences. It reads the history of social science through the lens of post-colonial and indigenous studies. How have non-western voices been treated by academia? What does academia look from the perspective of the subaltern? Can the social sciences shed their colonial robes, or are they doomed to remain racialised and exclusionary disciplines?

  • Coastal Cultures: Marine Anthropology in the age of climate change and mass extinction (ANT5007MX)

    Using ethnography, we analyse how coastal communities use the sea – not only as a source of livelihood, but as a key ingredient in the construction of their identity and place in world. Drawing on a range of cases from across the world – from Polynesian sorcerers, to Japanese whale mourners, to Cornish surfers – we study how coastal communities are responding to climate change, sea level rise, pollution, and extinction.

  • Brave New Worlds: Ethnography of/on Online and Digital Worlds (ANT6007MX)

    This module teaches students how to use ethnographic methods to make sense of the internet, which we now increasingly inhabit. Students learn how to navigate and analyse platforms such as Facebook or TikTok. They study how these technologies transform our relationships, identities, and ideas of truth. The module also examines the socio-cultural and ethical aspects of digital worlds (e.g. Second life).

Acting with Art History

Modules required

  • Imagery in Online and Offline Worlds: Film, Television and Video Games (ARH5002MX)

    This module provides students with a comprehensive understanding of current approaches towards mass media and visual culture. Particular emphasis will be put on medium-specificity, content analysis and audience studies.

  • Painting Sex and Power (ARH5008MX)

    The module examines the link between the perception of sexuality and power in a variety of media, and from diverse historical and geographic contexts. Critical approaches from gender studies will be combined with visual analysis in order to contextualize the biased and stereotypical nature of the imagery.

  • Questions in Contemporary Art (ARH6002MX)

    The module introduces and examines selected questions raised in the last three decades in contemporary art. Case studies drawn from art history, critical and cultural theory, and where appropriate related disciplines, will be examined.

Acting with Creative Writing

Modules required

  • Genre Writing (ENG5006MX)

    This module introduces students to writing in various genres, with possibilities including fantasy, science-fiction, period/historical, young adult fiction, horror, comedy, romance, crime, and thriller. Forms explored will include fiction, dramatic writing for stage and screen, and poetry. The module is taught through lecture, seminars, and workshops where students are asked to submit and feedback to peers and tutors on a regular basis.

  • Creative Nonfiction (ENG5010MX)

    This module introduces students to the key concepts and issues in contemporary works of creative nonfiction including autobiography, travel writing, essays and reportage. We will produce our own works of poetry, short story and nonfiction, and critically evaluate and contextualise them.

  • Advanced Short Story Workshop (ENG6003MX)

    In this module we will examine a range of contemporary short story writing and relevant theory as a way for students to learn how to compose their own short fiction. Class time will be divided between discussion of short fiction and theory, writing exercises and peer workshops of student work. The workshops will be substantially informed by staff research practice.

Acting with Drama

Modules required

  • Performance and Everyday Life (PER5003MX)

    Research-informed lecture-seminar based exploration of an exciting and diverse range of performative case studies and influential theories, this module gives students the opportunity to study independently and work together to open up for themselves a whole new way of seeing the world of the everyday.

  • Apply, Fund, Deliver, Repeat (PER5006MX)

    Apply, Fund, Deliver, Repeat is a training module for students to build their management and professional capabilities. Just as the students are required to have performance training, they will also undergo training on budgetary and management skills while learning how to successfully apply for funding and then how to manage those funds once the project is underway.

  • Applied Drama (PER6002MX)

    This module offers students access to community-based professionals and work-based experiences with a meaningful employability focus. Through seminars and independent practice students learn the skills to work with and for community groups and interests, using performance-making as a means to address real-world problems and social issues.

Acting with English

Modules required

  • Reading Historical Fiction (ENG5007MX)

    This module aims to explore the interface between literature and history. Using key ideas in narrative theory and historiography, it will examine the ways in which narratives of history are crafted through literature and how literary texts can impact on our understanding and interpretation of history.

  • Eco-Emergency! Literatures of Environmental Crisis (ENG5014MX)

    This module explores the ways in which contemporary literature and culture are responding to our current era of ecological emergency. It introduces students to key debates and concepts, from the identity of the Anthropocene, to the relation between humans and nonhumans, to the influence of ideas of utopia and dystopia. It also familiarises students with different modes of reading in ‘texts’ across a range of media, such as fiction, nonfiction, poetry and film.

  • Literatures of The Atlantic World: Race, Resistance, and Revolution (ENG6004MX)

    This module explores a diverse range of writing and cultural formations in Atlantic contexts. Adopting critical paradigms of the Atlantic World, the module investigates literary and cultural exchanges between Africa, Europe, North America and the Caribbean. It explores questions of identity formation, resistance, national memory, and knowledge hierarchies by examining different literary forms and cultural productions, ranging from the colonial period, through nineteenth-century abolitionist texts, to contemporary fiction and memoir. In addition to introducing texts from various locations and time periods, the module will also engage with theoretical perspectives concerning race, memory and nationhood, as well as recent critical work centred on decoloniality in relation to literary studies.

Acting with Music

Modules required

  • Psychology of Music (MUS5003MX)

    This module introduces students to concepts in psychoacoustics, psychology and music therapy within a musical context. Students will critically engage with related topics through a series of lectures and workshops, which place theory within musical and creative practice.

  • Recording Sound and Music (MUS5006MX)

    Students will learn how to combine their technical recording abilities with their creative skills in music production. They will be introduced to a variety of recording contexts from a practical and theoretical perspective.

  • Music in the Community (MUS6003MX)

    This module will introduce students to practical applications of music to encourage and expand their understanding of the ‘real-life’ uses of musical skills. A series of lectures will cover the concepts and skills required to carry out music work, before students apply these in practical situations.

Acting with History

Modules required

  • Global Cold War: Politics, Culture and Society (HIS5004MX)

    This module is an introduction to major themes in the political, social and cultural history of the modern world with special focus on the 20th century and the Cold War.

  • Eighteenth-Century Empires (HIS5007MX)

    This module is designed to explore the ‘long eighteenth century’ with a broad geographical focus, encompassing, but not limited to the Atlantic Isles, Atlantic world, formal and informal empire, and trading connections. It takes in the slave trade and impact of slavery globally, studies voyages of exploration, examines the scientific and political enlightenment, and wider cultural and social impacts of imperialism.

  • Middle Kingdoms: Themes in Early Modern Asia (HIS5009MX)

    This module introduces the history of early modern Japan (c.16th-19th centuries). At one level, it explores key questions shaping the histories of the late Sengoku (‘Warring States’) and Tokugawa Japan. Building on these questions, it then situates the Japanese experience in a trans-regional perspective with reference to early modern China, Korea, Ryukyu, as well as Europe.

  • Dunkirk to D Day: The Second World War in Europe (HIS5014MX)

    The module examines the Second World War in Europe and the Atlantic Ocean from 1940 to late 1944.

  • Piracy and Privateering, c.1560-1816 (HIS6002MX)

    This module explores piracy and privateering activity in the seas around the British Isles and further afield from the reign of Queen Elizabeth to the end of the second Barbary War in 1816. This course focuses on the social history of piracy and privateering, the organisation of pirate society, and the economic impact of piracy and privateering.

  • America, the United Nations and International Relations 1945 to the present (HIS6006MX)

    This module provides a detailed examination of the relationship between the United States of America and the United Nations in the management of international relations from 1945 to the present.

Acting with Computing

Modules required

  • Programming in Python (AMT5005MX)

    This module introduces computer programming in the python language. Learners will gain experience in the core theory and practice of computer programming and will learn core programming concepts from the ground up. Sessions will equip students with program implementation methodologies along with design and problem-solving techniques.

  • Physical Computing: Creative and Interactive Systems (AMT5006MX)

    Physical computing is all about designing and creating objects that use a range of sensors, actuators, and software to interact with the world around them. Students will learn to develop their own systems using programming environments, electronic components, and microcontroller boards. Most of the module will be organised around practical, hands-on design-and-build exercises.

  • Data Science Ethics (AMT6004MX)

    This module introduces allows student a hands-on experience in data science and the ethical considerations associated with our digital footprint. Learners will gain experience in writing code to clean, analyse and interrogate large dataset, understanding what meanings can be revealed from these datasets. Students will also investigate the ethical implications, assumptions and biases that are present in these techniques.

Acting with Criminology

Modules required

  • Forensic Criminology: Social Investigations (CRM5006MX)

    This module focuses on how social science can contribute to criminal investigations. This involvesforensically investigating the backgrounds and experiences of individuals involved in criminal or deviantbehaviour. The sociology of the police who are tasked to conduct investigations is also analysed. Students will be encouraged to apply criminological techniques and theory to scenario-based examples which will focus on victims, offenders and the police, and their positions in society.

  • Contemporary Issues in Criminology (CRM5007MX)

    This module focuses upon a contemporary criminological or criminal justice-related issue that has received attention in the media and in official reports but may not be well covered yet in an established academic literature. The purpose of the module is for students to collect data on the issue and to subject it to a criminological analysis appropriate to the topic.

  • Security and Policing Today: Debates and Issues (CRM5008MX)

    This module provides students with a contemporary overview of debates and issues in policing and security environments that inform practice and development in the field. The module examines how modern policing and security function, the impact of professionalization on all aspects of policing tasks and the tensions and benefits attained from multi-agency working. The module considers policing legitimacy, the ethics of crime control and associated engagement with the diversity of contemporary society, competing community interests and professional practice.

  • Security Management (CRM6011MX)

    This module provides students with a critical insight into the professional domain of security management. It provides an overview of the theories, policies, procedures and practices that underpin the work of the security manager, and focuses upon a career-relevant knowledge and understanding of this significant area of expertise.

  • Green Criminology (CRM6010MX)

    This module will address theoretical perspectives, methodological issues, and empirical research related to the field of green criminology, including applied concerns, such as policy and social/political praxis, through a range of concepts, topics, and themes that are central to green criminology.

Acting with International Relations

Modules required

  • Refugee Studies (PIR5009MX)

    This module focuses on the political, economic and social context of forced migration and considers the complex and varied nature of global refugee populations. It analyses responses at international, national and regional level and engages with a range of challenging questions around international co-operation, the framework of international protection, humanitarianism and the causes of displacement.

  • Global Development (PIR5011MX)

    This module embraces both theoretical and empirical approaches to understanding development issues and policies, at international and multilateral scale. The approach incorporates historical, economic, political and social perspectives. The module considers issues faced by international development agencies, as well as the impact on populations in the developing world to illustrate and provide context for the discussion of various developmental concerns.

  • Global Environmental Politics (PIR6007MX)

    This module examines the problem of environmental degradation and its implications for our global political economy. It discusses the major debates in political thought around the primary causes of environmental degradation. The module outlines the major attempts to build international regimes for global environmental governance, and the difficulties and obstacles that such attempts have encountered. A range of ideas, critiques, policy proposals, innovations in governance, and templates for political activism within the environmental movement are critically evaluated.

Acting with Politics

Modules required

  • Civil Society and the Public Sphere (PIR5010MX)

    This module analyses the role of civil society and the public sphere in democratic governance and in democratization from a variety of theoretical perspectives.

  • Democracy and Globalization: Citizens and the Modern State (PIR5012MX)

    Students taking this course will discover how social and economic change in the modern era impacts upon traditional political structures. The course demonstrates how structures face increasing challenges from alternative forms of political action, ranging in scope from the local to global, as well as a resurgence of the forces of populism and nationalism. Much of the analysis will be comparative in scope.

  • Voter Behaviour and Effective Election Campaigning (PIR6008MX)

    This module undertakes an advanced examination of contemporary trends and developments in theories of electoral behaviour globally; then more specifically the relationship between electoral rules, electoral systems and election outcomes; the evolution of campaign techniques, and the role, mechanics, and accuracy of opinion polls in modern electoral politics. These global understandings are applied directly to the case of British politics.

Acting with Sociology

Modules required

  • Globalisation and Social Justice (SOC5005MX)

    This module investigates the key debates of globalisation and critically evaluates, in terms of its economic, political, socio-cultural and legal dimensions, the causes and consequences of a globalising world. It furthermore explores a range of international social justice issues to examine the relationships (causative and ameliorative) between policies and (in)justice

  • Gender, Sex and Sexuality (SOC5006MX)

    This module introduces students to the sociology of gender, sex and sexuality. It interrogates these concepts with particular reference to identity, activism, social justice and social change. It develops an understanding of the similarities, differences and intersections between gender, sex, sexuality and other social signifiers of difference/diversity including ‘race’, ethnicity, dis/ability, class and age.

  • Health, Medical Power and Social Justice (SOC6004MX)

    This module considers a range of issues concerning health, illness and medical power in contemporary society. The module seeks to develop an understanding of the impact of ‘medicalisation’ on everyday life, as well as the importance of social divisions, such as age, gender, ethnicity and socio-economic status. There will be a focus on a range of sociological perspectives on health with an opportunity to focus upon areas of particular interest.

Acting with Law

Modules required

  • Environmental Law (LAW5009MX)

    The module provides an examination of key themes in environmental law, with a focus on the generation, application and enforcement of this law within a critical and applied context.

  • Law in Society (LAW5010MX)

    To introduce students to the real-world impact and operation of domestic English law in society and consider social, cultural, practical and ethical implications.

  • Intellectual Property Law (LAW5011MX)

    This module focuses on the law and concepts of intellectual property, examining in addition related legal themes of information access, dissemination and control.

  • Law, Literature and the Screen (LAW5012MX)

    To introduce students to fictional and factional representations of the legal order in prose, film and TV, and to examine the inter-connections between law, literature and the screen.

  • Environmental Law (LAW6011MX)

    The module provides an examination of key themes in environmental law, with a focus on the generation, application and enforcement of this law within a critical and applied context.

  • Public and International Law (LAW6012MX)

    A module that focuses on the primary legal principles of the public international legal order, before supporting the development of in-depth understanding of a chosen international legal area of a contemporary nature.

Acting with Policing and Security Management

Modules required

  • Forensic Criminology: Social Investigations (CRM5006MX)

    This module focuses on how social science can contribute to criminal investigations. This involvesforensically investigating the backgrounds and experiences of individuals involved in criminal or deviantbehaviour. The sociology of the police who are tasked to conduct investigations is also analysed. Students will be encouraged to apply criminological techniques and theory to scenario-based examples which will focus on victims, offenders and the police, and their positions in society.

  • Security and Policing Today: Debates and Issues (CRM5008MX)

    This module provides students with a contemporary overview of debates and issues in policing and security environments that inform practice and development in the field. The module examines how modern policing and security function, the impact of professionalization on all aspects of policing tasks and the tensions and benefits attained from multi-agency working. The module considers policing legitimacy, the ethics of crime control and associated engagement with the diversity of contemporary society, competing community interests and professional practice.

  • Security Management (CRM6011MX)

    This module provides students with a critical insight into the professional domain of security management. It provides an overview of the theories, policies, procedures and practices that underpin the work of the security manager, and focuses upon a career-relevant knowledge and understanding of this significant area of expertise.

Entry requirements

UCAS tariff

104 - 112

Diversity and accessibility are really important to us and so we audition all of our candidates, UK-based and international in a way that works for you and for free.

You may choose to come to one of our audition days at our fully accessible studios and theatres or, if you have specific mobility requirements, if the costs of travel are prohibitive for you, if you work full time or if you live abroad, you might like to take part in one of our innovative ‘digital auditions’.

Digital auditions are individual, real-time online auditions in which you will work one-on-one with a member of our teaching staff. This option allows us to reach out to talented applicants who are not in a position to travel.

Whether you come onsite to audition or whether you audition on line you will have the same welcoming and inclusive experience. 

All applicants will be asked to perform two, short contrasting theatre monologues.

We’re not just looking for talent, we also want to see:

  • a serious, ongoing commitment to an acting career in the professional theatre
  • trainable vocal, physical and imaginative/emotional skills
  • potential that you'll benefit from the study in acting offered at Plymouth
  • an ability to understand, interpret and embody a dramatic text
  • an ability to participate actively in group or ensemble situations
  • a readiness to take risks in creative work, and an open, receptive and enquiring mind
  • enthusiasm and readiness for hard, rigorous work requiring sustained concentration
  • a sense of language and rhythm, and the potential for identification with the thought process of a dramatic text
  • the ability to portray and inhabit an imagined or fictional situation
  • physical, vocal and imaginative/emotional skills with significant theatrical potential.

Further details:

No props or scripts to be used at the audition.


UCAS tariff:
Applicants will typically hold 104 points or above but we encourage all individuals to apply whatever their qualifications. We understand that not every applicant will come from a formal educational setting and we recognise relevant experience and passion and not just grades when we review applications.


International Baccalaureate:
26 points. If overseas and not studying English within IB, must have IELTS 6.0 overall with 5.5 in all other elements.

As a standard, all applicants are required to interview before an offer is made.


English language requirements:

You will need fluent written and spoken English (equivalent to IELTS level 6.0 with 5.5 in all elements). Given the nature of the course, you’ll be expected to read, perform and engage with complex texts and debates for which fluency in English is essential.

View detailed English language requirements.

We welcome applicants with international qualifications. To view other accepted qualifications please refer to our tariff glossary.


BTEC National Diploma modules:
If you hold a BTEC qualification it is vital that you provide our Admissions team with details of the exact modules you have studied as part of the BTEC. Without this information we may be unable to process your application quickly and you could experience significant delays in the progress of your application to study with us. Please explicitly state the full list of modules within your qualification at the time of application.

If you're applying through UCAS you'll receive full details, but if you'd like to know more, please contact admissions.


For a full list of all acceptable qualifications please refer to our tariff glossary.

Fees, costs and funding

The UK is no longer part of the European Union. EU applicants should refer to our Brexit information to understand the implications.

New Student 2021-2022 2022-2023
Home To be confirmed £9,250
International To be confirmed £14,600
Part time (Home) To be confirmed To be confirmed
Full time fees shown are per annum. Part time fees shown are per a number of credits. Please note that fees are reviewed on an annual basis. Fees and the conditions that apply to them shown in the prospectus are correct at the time of going to print. Fees shown on the web are the most up to date but are still subject to change in exceptional circumstances. For more information about fees and funding please visit www.plymouth.ac.uk/money.

Undergraduate scholarships for international students

To reward outstanding achievement the University of Plymouth offers scholarship schemes to help towards funding your studies.

Find out whether you are eligible and how you can apply

Additional costs

This course is delivered by the Faculty of Arts, Humanities and Business and more details of any additional costs associated with the faculty's courses are listed on the following page: Faculty of Arts, Humanities and Business additional costs.

How to apply
All applications for undergraduate courses are made through UCAS (Universities and Colleges Admissions Service). 

UCAS will ask for the information contained in the box at the top of this course page including the UCAS course code and the institution code. 

To apply for this course and for more information about submitting an application including application deadline dates, please visit the UCAS website.

Support is also available to overseas students applying to the University from our International Office via our how to apply webpage or email international-admissions@plymouth.ac.uk.

Taught by professionals who produce talented, confident and kind actors at the end of the degree.” 

– Tim Norman, BA (Hons) Acting, now a stage manager 

The House

Take centre stage at The House, our cutting-edge theatre right on campus that allows you to hone your craft in world-class facilities. As a performance venue, The House attracts some of the best national and international theatre companies to the city, providing you with opportunities to build professional networks as you study.   

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<p>Audio Console</p>
<p>Rehearsal</p>
<p>Rehearsal space</p>
<p>Performance</p>

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Foundation-year courses

Whether you haven't yet submitted your application, you're worried about whether university is for you, or if you don't meet the entry requirements to apply for a three-year degree, a foundation year may be the perfect route to a full degree.

Our foundation year courses are specifically designed to introduce and develop essential skills for success in higher education.

* These are the latest results from the National Student Survey. Please note that the data published on Discover Uni (Unistats) is updated annually in September.