Professor Eduardo Miranda
Profiles

Professor Eduardo Miranda

Professor in Computer Music

School of Humanities and Performing Arts (Faculty of Arts & Humanities)

Role

I am Professor in Computer Music and head of the Interdisciplinary Centre for Computer Music Research (ICCMR). 

I am an experienced researcher and PhD supervisor (Director of Studies). 

I have supervised 12 doctoral students to successful completion at Plymouth University within the last 10 years. 

Should you wish to join ICCMR to study for a post-graduate degree under my supervision, please do not hesitate to contact the Graduate School for admissions information:

https://www.plymouth.ac.uk/student-life/your-studies/the-graduate-school

Also, I have considerable experience with post-graduate external examinations, with 31 PhD theses examined worldwide within the last 10 years. Should you be interested in appointing me to conduct an examination at your institution, please do not hesitate to contacting me to check availability.

My academic duties include:
  • Member of Peninsula Arts' steering committee for music
  • Member of the steering committee of the Centre for High Performance Computing
  • Member of  Information Security Group 
  • Co-director of Peninsula Arts Contemporary Music Festival
  • Programme Manager of Res.M Computer Music

Qualifications

Other Appointments (last 4 only):


Visiting Professor
Laboratoire Bordelais de Recherche en Informatique (LaBRI)
University of Bordeaux, 
Bordeaux, France
2016

Visiting Research Fellow
Staatliches Institut fur Musikforschung (National Institute for Music Research)
Berlin, Germany
2010

Edgar Varèse Visiting Professor of Computer Music
Electronic Music Studios, Institute of Communications Research
Technische Universität Berlin (TUB)
Berlin, Germany
Winter Semester of 2006 - 2007

Research Scientist
SONY Computer Science Laboratory
Paris, France
1998 – 2003

Adjunct Associate Professor of Computer Science
American University of Paris
Paris, France
2002 – 2003

Roles on external bodies

Editor:
  • Co-editor: Journal of Creative Music Systems, Huddersfield University Press. (http://jcms.org.uk/)
Editorial Boards:
  • Member of the Editorial Board: Organised Sound, Cambridge University Press.
  • Member of the Editorial Board: Leonardo Music Journal, The MIT Press.
  • Member of the Editorial Board: Contemporary Music Review, Routledge.
  • Member of the Editorial Board: Leonardo Transactions, The MIT Press.
  • Member  of the Editorial Board: Journal of Sonic Studies.
  • Member of the Editorial Board: International Journal of Unconventional Computing, Old City Publishing
  • Member of the Reviewing Board: IEEE Multimedia.
  • Member of the EditorialBoard: The Scientific World Journal.

Peer Reviews:

  • Member of the peer review college of the Austrian Science Foundation (FWF), Austria (appointed 2010 - )
  • Member of the peer review college of the Danish Council for Strategic Research, Denmark (appointed 2010 - )
  • Anonymous peer reviewing of numerous research grant proposals for Research Grants Council of Hong Kong, EPSRC, AHRC, The Wellcome Trust, Racomedi 
  • Member of the Review Panel for Alban Scholarships, European Union (2006-2009)

Teaching interests

  • Music Composition
  • Computer Music / Music Technology
  • Electroacoustic Music
  • Artificial Intelligence
  • Evolutionary Computing / Artificial Life
  • Brain-Computer Interfacing / Assistive Technology

Staff serving as external examiners

  • External Examiner for BA Music Computing, Goldsmiths College (2011 – 2016)
  • External Examiner for the MA/MSc in Music Technology, Dept of Music & Dept of Electronics, University of York (2007 – 2009)
  • External Examiner for the BMus in Music with Computer Sound Design, Dept of Music and Sound Recording, University of Surrey (2007 – 2010)
  • External Examiner for the BMus Honours (Tonmeister), Dept of Music and Sound Recordings, University of Surrey (2007 – 2010)
  • External Examiner for the MSc Applied Artificial Intelligence, School of Engineering, Computer Science and Mathematics, University of Exeter (2006 –2010)
  • External Examiner for the MSc Music Information Technology, City University (2006 – 2009)
  • External examiners for 31 PhD awards to date at: 
    • University of Huddersfield (2017)
    • University of Kent (2017)
    • University College Cork (2016)
    • University of Reading (2015)
    • Sydney Conservatorium of Music (2014)
    • University of Adelaide, Australia (2014)
    • University of Edinburgh (2013)
    • University of Oslo , Norway (2012)
    • University of Surrey (2010)
    • University of Essex (2010, 2014)
    • University of York (2010)
    • Queen's University Belfast (2010)
    • Open University (2010, 2013, 2015)
    • Birmingham Conservatoire (2009, 2011)
    • University of the West of England (2008)
    • University of East Anglia (2008)
    • Edinburgh Napier University (2008)
    • University College, London (2007, 2010)
    • Goldsmiths College (2007)
    • Queen Mary University of London (2007, 2010, 2011, 2015)
    • Chalmers University of Technology, Sweden (2004)
    • Federal University of Rio Grande do Sul, Brazil (2002)
    • University of Coruña, Spain (2001)

Research interests

  • Composition (including algorithmic and computer-aided)
  • Electroacoustic Music Composition
  • Sound Synthesis
  • New Musical Interfaces
  • Expressive Music Performance (by machines)
  • Brain-Computer Music Interface
  • Evolutionary Computer Music
  • Music Neurotechnology
  • Unconventional Computation (for music technology)
  • Artificial Intelligence and Music

Other research

Patents

1) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Morphological categories for voice synthesis”, Europe: EP 1 160 764 A1, Publication 05/12/2001; Japan: P2002-23775A, Publication 04/06/2001.

2) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Expressivity of Voice Synthesis”, Europe: EP 1 160 766 A1, Publication: 05/12/2001, USA: US 2002/0026315 A1, Publication 28/02/2002.

3) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Vocal sounds granular synthesis by means of cellular automaton”, Europe: EP 1 160 765 A1, Publication 05/12/2001; Japan: P2002-6873A, Publication 04/06/2001.

4) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Synthesis of Ultra-Linguistic Utterances”, USA: US 22002/0029145 A1, Publication 07/03/2002.

5) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Sound characterisation and/or identification based on prosodic listening”, Europe: EP 1 246 164 A1, Publication 02/10/2002; PCT International: WO 02/070744 A2, Publication 10/10/2002.


Research degrees awarded to supervised students

Successful PhD completions:

2016, University of Plymouth, Edward Braund. PhD Thesis: Unconventional Computing and Music: An Investigation into Harnessing Physarum polycephalum.

2016, University of Plymouth, Joel Eaton. PhD Thesis: Brain-Computer Music Interfacing: Designing Practical Systems for Creative Applications.

2014, University of Plymouth, Hans Holger Rutz. PhD Thesis: Tracing the Compositional Process.

2013, University of Plymouth, Nikolas Valsamakis. PhD Thesis: Non-Standard Sound Synthesis with Dynamic Models.

2013, University of Plymouth, Christian Dimpker. PhD Thesis: Extended Notation: The Depiction of the Unconventional.

2012, University of Plymouth, Noris Mohd Norowi. PhD Thesis: AnArtificial Intelligence Approach to Concatenative Sound Synthesis.

2012, University of Plymouth, Daniel Livingstone. PhD Thesis: Design Strategies for Adaptive Social Composition: Collaborative SoundEnvironments.

2012, University of Plymouth, Joao Martins. PhD Thesis:  Emergent Rhythmic Structures asCultural Phenomena Driven by Social Pressure in a Society of Artificial Agents.

2011, University of Plymouth, Alexis Kirke. PhD Thesis: Application of Intermediate Multi-Agent Systems to IntegratedAlgorithmic Composition and Expressive Performance of Music.

2010, University of Plymouth, Peter Beyls. PhD Thesis: Music as Emergent Complex Behaviour.

2010, University of Plymouth, Leandro Costalonga. PhD Thesis: Biomechanical Modelling of Musical Performance: A Case Study of theGuitar

2009, University of Plymouth, Marcelo Gimenes. PhD Thesis: An Approach to Machine Development of Musical Ontogeny.

2001, University of Glasgow, Alexander Duncan. PhD Thesis: EEG Pattern Classification for the Brain-Computer Musical Interface.

1999, University of Glasgow, Kenneth McAlpine. PhD Thesis: Application of Dynamical Systems to Music Composition.

Key publications are highlighted

Journals
Articles
Williams D, Kirke A, Miranda E, Daly I, Hwang F, Weaver J & Nasuto S 2017 'Affective Calibration of Musical Feature Sets in an Emotionally Intelligent Music Composition System' ACM Transactions on Applied Perception 14, (3) 1-13 , DOI PEARL
Miranda ER & Braund EW 2017 'INTERACTIVE MUSICAL BIOCOMPUTER: AN UNCONVENTIONAL APPROACH TO RESEARCH IN UNCONVENTIONAL COMPUTING' Symmetry: Culture & Science PEARL
Visi F, Coorevits E, Schramm R & Miranda ER 2017 'MUSICAL INSTRUMENTS, BODY MOVEMENT, SPACE, AND MOTION DATA: MUSIC AS AN EMERGENT MULTIMODAL CHOREOGRAPHY' Human Technology 13, (1) 58-81 Author Site Publisher Site , DOI PEARL
Miranda ER & Braund EW 2017 'On Building Practical Biocomputers for Real-World Applications: Receptacles for Culturing Slime Mould Memristors and Component Standardisation' Journal of Bionic Engineering , DOI PEARL
Kirke A, Shadbolt P, Neville A & Miranda E 2016 'A Hybrid Computer Case Study for Unconventional Virtual Computing' International Journal of Unconventional Computation PEARL
Daly I, Williams D, Kirke A, Weaver J, Malik A, Hwang F, Miranda E & Nasuto SJ 2016 'Affective brain–computer music interfacing' Journal of Neural Engineering 13, (4) 046022-046022 , DOI PEARL
Miranda ER 2016 'Music: The music of particle collisions' Nature Physics 12, (8) 721-721 , DOI PEARL
Kirke A & Miranda E 2015 'A Multi-Agent Emotional Society Whose Melodies Represent its Emergent Social Hierarchy and Are Generated by Agent Communications' JASSS-THE JOURNAL OF ARTIFICIAL SOCIETIES AND SOCIAL SIMULATION 18, (2) Author Site PEARL
Miranda ER & Williams D 2015 'Artificial Intelligence in Organised Sound' Organised Sound 20, (01) 76-81 , DOI PEARL
Daly I, Hwang F, Kirke A, Malik A, Weaver J, Williams D, Miranda E & Nasuto SJ 2015 'Automated identification of neural correlates of continuous variables' Journal of Neuroscience Methods 242, 65-71 , DOI PEARL
Schramm R, Jung CR & Miranda ER 2015 'Dynamic Time Warping for Music Conducting Gestures Evaluation' IEEE TRANSACTIONS ON MULTIMEDIA 17, (2) 243-255 Author Site , DOI
Williams D, Kirke A, Miranda ER, Roesch E, Daly I & Nasuto S 2015 'Investigating affect in algorithmic composition systems' Psychology of Music 43, (6) 831-854 , DOI
Williams D, Nasuto S, Kirke A, Miranda E, Daly I, Hallowell J, Weaver J, Malik A, Roesch E & Hwang F 2015 'Investigating Perceived Emotional Correlates of Rhythmic Density in Algorithmic Music Composition' ACM Transactions on Applied Perception 12, (3) 1-21 , DOI PEARL
Daly I, Williams D, Hallowell J, Hwang F, Kirke A, Malik A, Weaver J, Miranda E & Nasuto SJ 2015 'Music-induced emotions can be predicted from a combination of brain activity and acoustic features' Brain and Cognition 101, 1-11 , DOI PEARL
Kirke A, Eaton J & Miranda E 2015 'Real-Time Hallucination Simulation and Sonification through User-Led Development of an iPad Augmented Reality Performance' Leonardo 48, (3) 235-242 , DOI PEARL
Eaton J, Williams D & Miranda E 2015 'The Space Between Us : Evaluating a multi-user affective brain-computer music interface' Brain-Computer Interfaces 2, (2-3) 103-116 , DOI PEARL
Kirke A, Freeman S & Miranda ER 2015 'Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank' Computer Music Journal 39, (3) 59-70 , DOI PEARL
Miranda ER 2014 'Harnessing the Intelligence of Physarum Polycephalum for Unconventional Computing-Aided Musical Composition' INTERNATIONAL JOURNAL OF UNCONVENTIONAL COMPUTING 10, (3) 251-268 Author Site
Serquera J & Miranda ER 2014 'Histogram Mapping Synthesis: A Cellular Automata-Based Technique for Flexible Sound Design' COMPUTER MUSIC JOURNAL 38, (4) 38-52 Author Site , DOI
Daly I, Malik A, Hwang F, Roesch E, Weaver J, Kirke A, Williams D, Miranda E & Nasuto SJ 2014 'Neural correlates of emotional responses to music: An EEG study' Neuroscience Letters 573, 52 - 57-52 - 57 Publisher Site , DOI
Kirke A & Miranda E 2014 'Pulsed Melodic Affective Processing: Musical structures for increasing transparency in emotional computation' SIMULATION 90, (5) 606-622 , DOI PEARL
Kirke AJ & Miranda ER 2014 'Towards Harmonic Extensions of Pulsed Melodic Affective Processing Further Musical Structures for Increasing Transparency in Emotional Computation' INTERNATIONAL JOURNAL OF UNCONVENTIONAL COMPUTING 10, (3) 199-217 Author Site PEARL
Kirke AJ & Miranda ER 2014 'Unconventional Computation and Teaching: Proposal for MUSIC, a Tone-Based Scripting Language for Accessibility, Computation and Education' INTERNATIONAL JOURNAL OF UNCONVENTIONAL COMPUTING 10, (3) 237-249 Author Site PEARL
Kirke A, Miranda E, Chiaramonte A, Troisi A, Matthias J, Fry N, McCabe C, Radtke J & Bull M 2013 'Cloud Chamber: A Performance with Real Time Two-Way Interaction Between Subatomic Particles and Violinist' Leonardo 46, (1) Author Site
Kirke A & Miranda ER 2012 'Pulsed Melodic Affective Processing – Using Music for Natural Affective Computation and Increased Processing Transparency' Neural, Parallel, and Scientific Computations 20, 227-240
Fernandez de Vega F, Cotta C & Miranda ER 2012 'Special issue on evolutionary music' SOFT COMPUTING 16, (12) 1995-1996 Author Site , DOI
Anders T & Miranda ER 2011 'A Computational Model for Rule-Based Microtonal Music Theories and Composition' Perspectives of New Music 2, (48) 47-77 Publisher Site
Miranda ER, Magee WL, Wilson JJ, Eaton J & Palaniappan R 2011 'Brain-Computer Music Interfacing (BCMI): From Basic Research to the Real World of Special Needs' Music and Medicine 3, (3) 134-140 Publisher Site , DOI
Anders T & Miranda ER 2011 'Constraint Programming Systems for Modeling Music Theories and Composition' ACM Computing Surveys 43, (4) Publisher Site , DOI
Anders T & Miranda ER 2011 'Constraint Programming Systems for Modeling Music Theories and Composition' ACM COMPUTING SURVEYS 43, (4) Author Site , DOI
Miranda ER, Adamatzky A & Jones J 2011 'Sounds Synthesis with Slime Mould of Physarum Polycephalum' JOURNAL OF BIONIC ENGINEERING 8, (2) 107-113 Author Site , DOI
Miranda ER, Kirke A & Zhang Q 2010 'Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach' COMPUTER MUSIC JOURNAL 34, (1) 80-96 Author Site , DOI
Anders T & Miranda ER 2010 'Constraint Application with Higher-Order Programming for Modeling Music Theories' COMPUTER MUSIC JOURNAL 34, (2) 25-38 Author Site , DOI
Miranda ER 2010 'Contextualizing eighteenth century Enlightenment through the lenses of contemporary science' Phys Life Rev 7, (1) 35-36 , DOI
Miranda ER 2010 'Organised Sound, Mental Imageries and the Future of Music Technology: a neuroscience outlook' ORGANISED SOUND 15, (1) 13-25 Author Site , DOI
Miranda ER 2010 'Plymouth brain-computer music interfacing project: from EEG audio mixers to composition informed by cognitive neuroscience' International Journal of Arts and Technology 3, (2/3) 154-176 Publisher Site , DOI
Kirke A & Miranda ER 2009 'A Survey of Computer Systems for Expressive Music Performance' ACM COMPUT SURV 42, (1) , DOI
Miranda ER, Bull L, Gueguen F & Uroukov IS 2009 'Computer Music Meets Unconventional Computing: Towards Sound Synthesis with In Vitro Neuronal Networks' COMPUTER MUSIC JOURNAL 33, (1) 9-18 Author Site , DOI
Durrant S, Hardoon DR, Brechmann A, Shawe-Taylor J, Miranda ER & Scheich H 2009 'GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison' Connection Science 21, (2-3) 161-175 , DOI
Durrant S, Hardoon DR, Brechmann A, Shawe-Taylor J, Miranda ER & Scheich H 2009 'GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison (vol 21, pg 161, 2009)' CONNECTION SCIENCE 21, (4) 383-383 Author Site , DOI
Anders T & Miranda ER 2009 'Interfacing Manual and Machine Composition' Contemporary Music Journal 28, (2) 133-147 Publisher Site , DOI
Miranda ER & Matthias J 2009 'Music Neurotechnology for Sound Synthesis: Sound Synthesis with Spiking Neuronal Networks' LEONARDO 42, (5) 439-442 Author Site , DOI
Miranda ER 2009 'Preface: Aesthetic Decisions in Computer-Aided Composition' CONTEMPORARY MUSIC REVIEW 28, (2) 129-132 Author Site , DOI
Miranda ER & Overy K 2009 'Preface: The Neuroscience of Music' CONTEMPORARY MUSIC REVIEW 28, (3) 247-250 Author Site , DOI
Miranda ER 2008 'Emergent songs by social robots' JOURNAL OF EXPERIMENTAL & THEORETICAL ARTIFICIAL INTELLIGENCE 20, (4) 319-334 Author Site , DOI
Miranda ER & Maia Jr A 2007 'Spectral Fuzzy Sets and Markov Streaming for Granular Synthesis of Sound' Symmetry: Culture and Science 18, (2/3) 223-241 Publisher Site
Miranda ER 2006 'Brain-computer music interface for composition and performance' International Journal on Disability and Human Development 5, (2) 119-125 Publisher Site
Miranda ER 2005 'Artificial phonology: Disembodied humanoid voice for composing music with surreal languages' LEONARDO MUSIC JOURNAL 15, 8-16
Miranda ER & Brouse A 2005 'Interfacing the brain directly with musical systems: On developing systems for making music with brain signals' LEONARDO 38, (4) 331-336 Author Site , DOI
Valsamakis N & Miranda ER 2005 'Iterative sound synthesis by means of cross-coupled digital oscillators' DIGITAL CREATIVITY 16, (2) 90-98 Author Site , DOI
Westermann G & Miranda ER 2004 'A new model of sensorimotor coupling in the development of speech' BRAIN AND LANGUAGE 89, (2) 393-400 Author Site , DOI
Miranda ER 2004 'At the crossroads of evolutionary computation and music: self-programming synthesizers, swarm orchestras and the origins of melody' Evol Comput 12, (2) 137-158 Author Site , DOI
Miranda ER, Roberts S & Stokes M 2004 'On Generating EEG for Controlling Musical Systems' Biomedizinische Technik / Biomedical Engineering 49, (1) 75-76 Publisher Site
Miranda ER, Sharman K, Kilborn K & Duncan A 2003 'On harnessing the electroencephalogram for the musical braincap' COMPUTER MUSIC JOURNAL 27, (2) 80-102 Author Site , DOI
Miranda ER 2003 'On the evolution of music in a society of self-taught digital creatures' DIGITAL CREATIVITY 14, (1) 29-42 Author Site , DOI
Miranda ER 2003 'On the music of emergent behavior: What can evolutionary computation bring to the musician?' LEONARDO 36, (1) 55-59 Author Site , DOI
Bilotta E, Miranda ER, Pantano P & Todd PM 2002 'Artificial Life for Musical Applications: Workshop Report' Artificial Life 8, 83-86 , DOI
Miranda ER 2002 'Emergent Sound Repertoires in Virtual Societies' Computer Music Journal 26, (2) 77-90 Publisher Site , DOI
Miranda ER 2002 'Generating Source Streams for Extralinguistic Utterances' Journal of the Audio Engineering Society 50, (3) 165-172 Publisher Site
Westerman G & Miranda ER 2002 'Modelling the development of mirror neurons for auditory-motor integration' JOURNAL OF NEW MUSIC RESEARCH 31, (4) 367-375 Author Site , DOI
Miranda ER 1998 'Music, Machines, Intelligence and the Brain' Journal of Electroacoustic Music 31, (4) 32-33
Books
Miranda ER 2016 Mind Pieces. New York Intelligent Arts Author Site Publisher Site PEARL
Miranda ER & Castet J 2014 Guide to Brain-Computer Music Interfacing. Springer
Miranda ER 2014 Thinking Music. Plymouth University of Plymouth Press Author Site Publisher Site
Kirke A & Miranda ER 2013 Guide to Computing for Expressive Music Performance. London Springer Publisher Site
Kirke A & Miranda ER 2012 Guide to Computing for Expressive Music Performance. Springer
Miranda ER 2011 A-Life for Music: Music and Computer Models of Living Systems. Middleton, WI, USA A-R Editions Computer Music and Digital Audio Series 24 Publisher Site
Miranda ER & Biles A 2007 Evolutionary Computer Music. Springer Verlag
Miranda ER & Wanderley MM 2006 New Digital Musical Instruments. 21 A-R Editions, Inc. Computer Music and Digital Audio Series
Miranda ER 2002 Computer Sound Design. Focal Pr
Miranda ER 2001 Composing Music with Computers. Focal Pr
Miranda ER 2000 Readings in Music and Artificial Intelligence. Routledge
Miranda ER 1999 Musica y Nuevas Tecnologias: Perspectivas para el Siglo XXI. Barcelona L'Angelot
Miranda ER 1998 Computer Sound Synthesis for the Electronic Musician. Focal Pr
Chapters
Miranda ER & Vinjar A 2016 'Recomposing Beethoven with Music Neurotechnoly' in Bresson J; Agon C; Assayag G The OM Composer's Book.3 Paris Delatour & IRCAM Georges Pompidou 173-192 Author Site PEARL
Miranda E, Lloyd D, Josipovic Z & Williams D 2014 'Creative Music Neurotechnology with Symphony of Minds Listening' in Miranda E; Castet J Guide to Brain-Computer Music Interfacing New York Springer 271-295
Kirke A & Miranda ER 2013 'Pulsed Melodic Processing – the Use of Melodies in Affective Computations for Increased Processing Transparency' in Holland S; Mulholland A; Seago A Music and Human-Computer Interaction London Springer Publisher Site
Kirke A & Miranda ER 2012 'An Overview of Computer Systems for Expressive Music Performance' in Kirke A; Miranda ER Guide to Computing for Expressive Music Performance Springer 1-48 Publisher Site
Miranda ER, Kirke A & Zhang Q 2012 'Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach' in Kirke A; Miranda ER Guide to Computing for Expressive Music Performance Springer 99-123 Publisher Site
Miranda ER 2012 'On Computer-aided Composition, Musical Creativity and Brain Asymmetry' The Act of Musical Composition: Studies in the Creative Process Farnham, UK Ashgate 52-58 Publisher Site
Miranda ER 2012 'On computer-aided composition, musical creativity and brain asymmetry' The Act of Musical Composition: Studies in the Creative Process 215-231
Kirke A & Miranda ER 2011 'A Biophysically Constrained Multi-Agent Systems Approach to Algorithmic Composition with Expressive Performanc' in Miranda ER A-Life for Music A-R Editions, Inc. Publisher Site
Gimenes M & Miranda ER 2011 'An Ontomemetic Approach to Musical Intelligence' in Miranda ER A-Life for Music A-R Editions, Inc.
Brown AR, Wooller R & Miranda ER 2011 'Evolutionary Morphing for Music Composition' in Miranda ER A-Life for Music A-R Editions, Inc. Publisher Site
Miranda ER 2010 'Game of Life Music' in Adamatzky A Game of Life Cellular Automata Springer-Verlag 489-501
Miranda ER 2009 'Digital Sound Synthesis for Multimedia Audio' in Wah BW Wiley Encyclopedia of Computer Science and Engineering Hoboken, NJ Wiley-Interscience
Serquera J & Miranda ER 2008 'Cellular Automata Sound Synthesis: From Histograms to Spectrograms' in Adamatzky A Automata-2008 Frome, UK Luniver Pr
Miranda ER 2007 'Cellular automata music: From sound synthesis to musical forms' Evolutionary Computer Music 170-193 , DOI
Miranda ER & Todd PM 2007 'Computational evolutionary musicology' Evolutionary Computer Music 218-249 , DOI
Zhang Q & Miranda ER 2007 'Experiments in generative musical performance with a genetic algorithm' Evolutionary Computer Music 100-116 , DOI
Miranda ER 2006 'On Making Music with Artificial Life Models' in Ascott R Engineering Nature Bristol Intellect Ltd
Todd P & Miranda ER 2006 'Putting some (artificial) life into models of musical creativity' in Deliège I; Wiggins GA Musical Creativity London Psychology Pr
Miranda ER 2005 'Musique de la Vie Artificiel' in Daubner E; Poissant L Art et Biotechnologies Montreal Université de Saint-Etienne
Westerman G & Miranda ER 2002 'Integrating Perception and Production in a Neural Network Model' in Bullinaria JA; Lowe W Connectionist Models of Cognition and Perception World Scientific Pub Co Inc
Conference Papers
Norowi NM, Mustaffa MR & Miranda ER 2017 'Using concatenation cost for unit selection of homosonic segments in concatenative sound synthesis' //0 //0 37-42 , DOI
Miranda ER, Antoine A & Williams D 2016 'Towards a Timbral Classification System for Musical Excerpts' 2nd AES Workshop on Intelligent Music Production London 13/09/2016 //0 PEARL
Miranda ER, McLoughlin M, Lamoni L, Garland E, Ingram S, Noad M, Rendell L & Kirke A 2016 'Adapting a Computational Multi Agent Model for Humpback Whale Song Research for use as a Tool for Algorithmic Composition' Sound and Music Computing Conference Hamburg, Germany 31/08/2016 03/09/2016 PEARL
Miranda ER, Bonet N & Kirke A 2016 'Sonification of Dark Matter: Challenges and Opportunities' Sound and Music Computing Conference Hamburg, Germany 31/08/2016 03/09/2016 PEARL
Miranda ER, Bonet N & Kirke A 2016 'Blyth – Eastbourne – Wembury: Sonification as a compositional tool in electroacoustic music' 2nd International Conference on New Musical Concepts Treviso, Italy 05/03/2016 06/03/2016 PEARL
Schramm R, Nunes HDS, Nunes LDA, Visi F & Miranda ER 2016 '3CMS: An interactive decision system for live performance' //0 //0 190-210 , DOI
Miranda ER & Antoine A 2016 'A User-Centric Algorithmic Composition System' 2nd International Conference on New Music Concepts Treviso, Italy //0 //0 PEARL
Miranda ER, Daly I, Williams D, Kirke A, Weaver J, Malik A, Hwang F, Eaton J & Nasuto SJ 2016 'An affective brain-computer music interface' International Brain-Computer Interface (BCI) Meeting - 2106 Pacific Grove, California, USA //0 //0
Visi F, Coorevits E, Schramm R & Miranda ER 2016 'Analysis of mimed violin performance movements of neophytes patterns, periodicities, commonalities and individualities' //0 //0 88-108 , DOI
Braund E & Miranda ER 2016 'Biocomputer music: Generating musical responses with Physarum polycephalum-based memristors' //0 //0 405-419 , DOI
Braund E & Miranda ER 2016 'Music with unconventional computing: Granular synthesis with the biological computing substrate physarum polycephalum' //0 //0 271-280 , DOI
Eaton J & Miranda ER 2016 'The hybrid brain computer music interface - Integrating brainwave detection methods for extended control in musical performance systems' //0 //0 132-145 , DOI
Daly I, Malik A, Weaver J, Hwang F, Nasuto SJ, Williams D, Kirke A, Miranda E & IEEE 2015 'Identifying music-induced emotions from EEG for use in brain-computer music interfacing' //0 //0 923-929
Kirke A, Dixon B & Miranda E 2015 'Music and Dementia: Two Case-studies' NA NA CMMR 2015 Plymouth //0 //0
Braund E & Miranda E 2015 'Music with unconventional computing: Towards a step sequencer from plasmodium of Physarum polycephalum' //0 //0 15-26 , DOI
Drayton J & Miranda E 2015 'Towards an evolutionary computational approach to articulatory vocal synthesis with PRAAT' //0 //0 62-70 , DOI
Daly I, Malik A, Weaver J, Hwang F, Nasuto SJ, Williams D, Kirke A, Miranda E & IEEE 2015 'Towards Human-Computer Music Interaction: Evaluation of an Affectively-Driven Music Generator via Galvanic Skin Response Measures' //0 //0 87-92
Eaton J, Williams D & Miranda E 2014 'Affective jukebox: A confirmatory study of EEG emotional correlates in response to musical stimuli' //0 //0 580-585
Visi F, Miranda E, Coorevits E & Leman M 2014 'Effects of different bow stroke styles on body movements of a viola player: An exploratory study' //0 //0 1368-1374
Williams D, Kirke A, Miranda E, Daly I, Roesch EB, Weaver JCE & Nasuto SJ 2014 'Evaluating perceptual separation in a pilot system for affective composition' //0 //0 905-911
Visi F, Schramm R & Miranda E 2014 'Gesture in performance with traditional musical instruments and electronics: Use of embodied music cognition and multimodal motion capture to design gestural mapping strategies' //0 //0 100-105 , DOI
Braund E & Miranda E 2014 'Music with unconventional computing: A system for physarum polycephalum sound synthesis' //0 //0 175-189 , DOI
Kirke A, Shadbolt P, Neville A, Antoine A & Miranda E 2014 'Q-MUSE: A QUANTUM COMPUTER MUSIC SYSTEM DESIGNED FOR A PERFORMANCE FOR ORCHESTRA, ELECTRONICS AND LIVE INTERNET-CONNECTED PHOTONIC QUANTUM COMPUTER' 9th Conference on Interdisciplinary Musicology – CIM14 Berlin, Germany //0 //0 PEARL
Kirke A & Miranda E 2013 'Emotional and multi-agent systems in computer-aided writing and poetry' //0 //0 17-22
Miranda ER 2013 'Harnessing the intelligence of physarum polycephalum for unconventional computing-aided musical composition' //0 //0 153-169
Kirke A, Miranda ER & Nasuto SJ 2013 'Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control' //0 //0 490-499
Kirke AJ & Miranda ER 2013 'Towards harmonic extensions of pulsed melodic affective processing - Further musical structures for increasing transparency in emotional computation' //0 //0 87-111
Kirke AJ & Miranda ER 2013 'Unconventional computation and teaching - Proposal for MUSIC, a tone-based scripting language for accessibility, computation and teaching' //0 //0 50-67
Kirke A & Miranda ER 2012 'Application of Pulsed Melodic Affective Processing to Stock Market Algorithmic Trading and Analysis' 9th International Symposium on Computer Music Modeling and Retrieval (CMMR2010) London, UK //0 //0
Kirke A & Miranda ER 2012 'Emergent Construction of Melodic Pitch and Hierarchy Through Agents Communicating Emotion Without Melodic Intelligence' International Computer Music Conference (ICMC 2011) Huddersfield, UK //0 //0
Eaton J & Miranda ER 2012 'New Approaches in Brain-Computer Music Interfacing: Mapping EEG for Real-Time Musical Control' Music, Music and Invention Workshop College of New Jersey, Ewing NJ (USA) //0 //0
Kirke A, Freeman S, Miranda ER & Ingram S 2011 'Application of Multi-Agent Whale Modelling to an Interactive Saxophone and Whale Duet' International Computer Music Conference (ICMC 2011) Huddersfield, UK //0 //0 International Computer Music Association Publisher Site
Serquera J & Miranda ER 2011 'Cellular Automata Dynamic Control for Sound Design with Histogram Mapping Synthesis and the Multitype Voter Model' International Computer Music Conference (ICMC 2011) Huddersfield, UK //0 //0
Kirke A, Miranda ER, Chiaramonte A, Troisi A, Matthias J, Radtke J, Fry N, McCabe C & Bull M 2011 'Cloud Chamber: A Performance Involving Real Time Two-way Interaction Between Subatomic Radioactive Particles and Violinist' International Computer Music Conference (ICMC 2011) Huddersfield, UK //0 //0 International Computer Music Association Publisher Site
Kirke A & Miranda ER 2011 'Combining EEG Frontal Asymmetry Studies with Affective Algorithmic Composition and Expressive Performance Model' International Computer Music Conference (ICMC 2011) Huddersfield, UK //0 //0 International Computer Music Association Publisher Site
Miranda ER 2011 'Developing Methods for Computer Programming by Musical Performance and Composition' International Computer Music Conference (ICMC 2011) Huddersfield, UK //0 //0 International Computer Music Association Publisher Site
McCracken K, Matthias J & Miranda E 2011 'Neurogranular synthesis: Granular synthesis controlled by a pulse-coupled network of spiking neurons' //0 //0 354-363 , DOI
Norowi NM & Miranda ER 2011 'Order dependent feature selection in Concatenative Sound Synthesis using Analytical Hierarchy Process' //0 //0 , DOI
Norowi N & Miranda ER 2011 'Prioritizing Audio Features Selection Using Analysis Hierarchy Process as a Mean to Extend User Control in Concatenative Sound Synthesis' International Computer Music Conference (ICMC 2011) Huddersfield, UK //0 //0
Rutz H, Miranda ER & Eckel G 2011 'Reproducibility and Random Access in Sound Synthesis' International Computer Music Conference (ICMC 2011) Huddersfield, UK //0 //0
Kirke A, Miranda ER & Bonnot M 2011 'Towards using Expressive Performance Algorithms for Typist Emotion Detection' International Computer Music Conference (ICMC 2011) Huddersfield, UK //0 //0 International Computer Music Association Publisher Site
Serquera J & Miranda ER 2010 'Algorithmic Sound Composition using Coupled Cellular Automata' 3rd Chaotic Modeling and Simulation International Conference - (CHAO S2010) Chania, Greece 01/01/2010 //0
Rutz HH, Miranda ER & Eckel G 2010 'On the Traceability of the Compositional Process' Sound and Music Computing (SMC 2010) Barcelona, Spain 01/01/2010 //0
Serquera J & Miranda ER 2010 'Cellular automata sound synthesis with an extended version of the multitype voter model' //0 //0 19-24
Serquera J & Miranda ER 2010 'Evolutionary Sound Synthesis: Rendering Spectrograms from Cellular Automata Histograms' //0 //0 381-390
Flores L, Miletto E, Pimenta M, Miranda E & Keller D 2010 'Musical interaction patterns: Communicating Computer Music knowledge in a multidisciplinary project' //0 //0 199-206 , DOI
Anders T & Miranda ER 2009 'A Computational Model that Generalises Schoenberg's Guidelines for Favourable Chord Progressions' 6th Sound and Music Computing Conference Porto, Portugal 01/01/2009 //0
Brechmann A, Durrant S, Scheich H & Miranda ER 2008 'Activation in auditory cortex correlates with the distance of musical key change' 6th Forum of the Foundation of European Neuroscience Societies Geneva, Switzerland 01/01/2008 //0
Gimenes M & Miranda ER 2008 'An A-Life Approach to Machine Learning of Musical Worldviews for Improvisation Systems' 5th Sound and Music Computing Conference Berlin, Germany 01/01/2008 //0
Kirke A & Miranda ER 2008 'An Instance Based Model for Generating Expressive Performance During Composition' International Computer Music Conference - (ICMC2008) Belfast, UK 01/01/2008 //0 International Computer Music Association Publisher Site
Miranda ER 2008 'Autonomous Development of Singing-Like Intonations by Interacting Babbling Robots' International Computer Music Conference - ICMC 2008 Belfast, UK 01/01/2008 //0 International Computer Music Association Publisher Site
Martins J & Miranda ER 2008 'Breeding Rhythms with Artificial Life' 5th Sound and Music Computing Conference Berlin, Germany 01/01/2008 //0
Kirke A & Miranda ER 2008 'COMPER: Towards a Model for Generating Compositions from Expressive Music Performances' International Computer Music Conference - (ICMC 2008) Belfast, UK 01/01/2008 //0 International Computer Music Association Publisher Site
Anders T & Miranda ER 2008 'Constraint-Based Composition in Realtime' International Computer Music Conference - (ICMC 2008) Belfast, UK 01/01/2008 //0 International Computer Music Association Publisher Site
Costalonga L & Miranda ER 2008 'Equipping Artificial Guitar Players with Biomechanical Constraints: A Case Study of Precision and Speed' International Computer Music Conference - (ICMC2008) Belfast, UK 01/01/2008 //0 International Computer Music Association Publisher Site
Grant J, Matthias J, Hodgson T & Miranda ER 2008 'Hearing Thinking' Sixth European Workshop on Evolutionary and Biologically Inspired Music, Sound, Art and Design Napoli, Italy 01/01/2008 //0
Miranda ER & Soucaret V 2008 'Mix-It-Yourself with a Brain-Computer Music Interface' 7th ICDVRAT with ArtAbilitation Maia/Porto, Portugal 01/01/2008 //0
Zhang Q & Miranda ER 2008 'Multi-Agent Simulation for Generating Expressive Music Performance' World Congress on Social Simulation (WCSS2008) Fairfax, USA 01/01/2008 //0
Anders T & Miranda ER 2008 'Higher-Order Constraint Applications for Music Constraint Programming' International Computer Music Conference - (ICMC 2008) Belfast, UK //0 //0 International Computer Music Association Publisher Site
Serquera J & Miranda ER 2008 'Spectral synthesis and control with cellular automata' //0 //0
Miranda ER, Durrant S, Anders T & IEEE 2008 'Towards Brain-Computer Music Interfaces: Progress and Challenges' //0 //0 34-38
Knast A, Miranda ER & Denham S 2007 'Commonalities between F2 distribution and musical timbre' Language and Music as Cognitive Systems Conference Cambridge, UK 11/05/2007 13/05/2007
Gimenes M, Miranda ER & Johnson C 2007 'Emergent Musical Environments: An Artificial Life Approach' ECAL 2007 Workshop on Music and Artificial Life (MusicAL 2007) Lisbon, Portugal 01/01/2007 //0
Martins J & Miranda ER 2007 'Emergent rhythmic phrases in an A-Life environment' ECAL 2007 Workshop on Music and Artificial Life - MusicAL 2007 Lisbon, Portugal 01/01/2007 //0
Kirke A & Miranda ER 2007 'Evaluating Mappings for Cellular Automata Music' ECAL 2007 Workshop on Music and Artificial Life - MusicAL 2007 Lisbon, Portugal 01/01/2007 //0
Gimenes M, Miranda ER & Johnson C 2007 'Musicianship for Robots with Style' New Interfaces for Musical Expression - (NIME 2007) New York, USA 01/01/2007 //0
Durrant S, Miranda ER, Hardoon D, Shawe-Taylor J, Brechmann A & Scheich H 2007 'Neural Correlates of Tonality in Music' Music, Brain & Cognition Workshop - NIPS Conference Whistler, Canada 01/01/2007 //0
Brooks A, Eaglestone B, Ellis P, Gehlhaar R, Girao LM, Magee W, Miranda ER, Peterson E & Rodrigues P 2007 'Non-Formal Rehabilitation via Immersive Interactive Music Environments' International Computer Music Conference (ICMC 2007) Copenhagen, Denmark 01/01/2007 //0 International Computer Music Association Publisher Site
Costalonga L, Miranda ER & Miletto E 2007 'Octopus Music API: Modellling Musical Performance' Simposio Brasileiro de Computacao Musical - SBCM 2007 Sao Paulo 01/01/2007 //0 Brazilian Computer Society Publisher Site
Brooks A, Eaglestone B, Ellis P, Gehlhaar R, Girão LM, Magee W, Miranda E, Petersson E & Rodrigues P 2007 'Artabilitation ICMC panel paper Denmark 2007: Non-formal rehabilitation via immersive interactive music environments' //0 //0 77-80
Costalonge L, Miranda ER, Viccari R & Matthias J 2006 'An Idiomatic Plucked String Player' International FLAIRS Conference - Special Track: Artificial Intelligence in Music and Art Miami, USA 01/01/2006 //0 Florida Artificial Intelligence Research Society Publisher Site
Miranda ER 2006 'Brain-Computer Interface for Generative Music' International Conference Series on Disability, Virtual Reality and Associated Technologies (ICDVRAT 2006) Esbjerg, Denmark 01/01/2006 //0
Murray J, Miranda ER & Matthias J 2006 'Real-time granular synthesis with spiking neurons' Conscious Reframed - 8th International Conference Plymouth, UK 01/01/2006 //0
Gimenes M, Miranda ER & Johnson C 2006 'The development of musical styles in a society of software agents' International Conference on Music Perception and Cognition Bologna, Italy 01/01/2006 //0
Zhang Q & Miranda ER 2006 'Towards an Interaction and Evolution Model of Expressive Music Performance' Sixth International conference on Intelligent Systems Design and Applications (ISDA2006) Jinan, China 01/01/2006 //0
Martins JM & Miranda ER 2006 'A connectionist architecture for the evolution of rhythms' //0 //0 696-706
Martins J & Miranda ER 2006 'A Connectionist Architecture for the Evolution of Rhythms' EvoWorkshops 2006 Budapest, Hungary //0 //0 Berlin, Germany Springer Publisher Site
Zhang Q & Miranda ER 2006 'Evolving musical performance profiles using genetic algorithms with structural fitness' //0 //0 1833-1839
Alvaro JL, Miranda ER & Barros B 2006 'Music knowledge analysis: Towards an efficient representation for composition' //0 //0 331-341
Zhang Q & Miranda ER 2006 'Towards an evolution model of expressive music performance' //0 //0 1189-1194
Wooller R, Brown A & Miranda ER 2005 'A framework for comparison of process in algorithmic music systems' Generative Arts Practice - A Creativity & Cognitinion Symposium Sydney, Australia 01/01/2005 //0
Gimenes M, Miranda ER & Johnson C 2005 'A Memetic Approach to the Evolution of Rhythms in a Society of Software Agents' 10th Brazilian Symposium on Computer Music - SBCM 2005 Belo Horizonte, Brazil 01/01/2005 //0 Brazilian Computer Society Publisher Site
Hapipis A & Miranda ER 2005 'Artificial Singing with a Webcam Mouth-Controller' Sound and Music Computing 2005 Salerno, Italy 01/01/2005 //0 Publisher Site
Miranda ER & Zhang Q 2005 'Composition As Game Strategy: Making Music by Playing Board Games Against Evolved Artificial Neural Networks' International Computer Music Conference - (ICMC 2005) Barcelona, Spain 01/01/2005 //0 International Computer Music Association Publisher Site
Alvaro J, Miranda ER & Barros B 2005 'EV Ontology: Multilevel Knowledge Representation and Programming' 10th Brazilian Symposium on Computer Music Belo Horizonte, Brazil 01/01/2005 //0 Brazilian Computer Society Publisher Site
Miranda ER & Tikhanoff V 2005 'Musical Composition by an Autonomous Robot: An Approach to AIBO Interaction' Towards Autonomous Robotic Systems - 2005 London, UK 01/01/2005 //0
Gimenes M, Miranda ER & Johnson C 2005 'On the Learning Stages of an Intelligent Rhythmic Generator' Sound and Music Computing 2005 Salerno, Italy 01/01/2005 //0
Livingstone D & Miranda ER 2005 'ORB3 - Musical Robots within an Adaptive Social Composition System' International Computer Music Conference - (ICMC 2005) Barcelona, Spain 01/01/2005 //0 International Computer Music Association Publisher Site
Livingstone D & Miranda ER 2005 'Orb3 Adaptive Interface Design for Real time Sound Synthesis & Diffusion within Socially Mediated Spaces' International Conference on New Instruments for Musical Expression (NIME'05) Vancouver, Canada 01/01/2005 //0
Miranda ER, Brouse A, Boskamp B & Mullaney H 2005 'Plymouth Brain-Computer Music Interface Project: Intelligent Assistive Technology for Music-Making' International Computer Music Conference - (ICMC 2005) Barcelona, Spain 01/01/2005 //0
Martins J & Miranda ER 2005 'Societies of rhythmic agents: A neural representation of rhythm' 10th Rhythm Perception and Production Workshop (RPPW2005) Bilzen, Belgium 01/01/2005 //0
Miranda ER 2005 'Steering Generative Rules with the EEG: An Approach to Brain-Computer Music Interfacing' Sound and Music Computing 05 Salerno, Italy 01/01/2005 //0 Sound and Music Computing Network Publisher Site
Miranda ER & Brouse A 2005 'Toward Direct-Computer Musical Interfaces' International Conference on New Instruments for Musical Expression (NIME05) Vancouver, Canada 01/01/2005 //0
Coutinho E, Gimenes M, Martins JM & Miranda ER 2005 'Computational musicology: An Artificial Life approach' //0 //0 85-93 , DOI
Coutinho E, Miranda ER & da Silva P 2005 'Evolving emotional behaviour for expressive performance of music' //0 //0 497-497
Valsamakis N & Miranda ER 2005 'Extended waveform segment synthesis, a nonstandard synthesis model for microsound composition' //0 //0
Miranda ER & Matthias J 2005 'Granular sampling using a pulse-coupled network of spiking neurons' //0 //0 539-544
Miranda ER & Junior AM 2005 'Granular synthesis of sounds through Markov Chains with Fuzzy control' //0 //0
Coutinho E, Miranda ER & Cangelosi A 2005 'Towards a Model for Embodied Emotions' Artificial intelligence, 2005. epia 2005. portuguese conference on //0 //0 54-63
Burraston D, Edmonds E, Livingstone D & Miranda ER 2004 'Cellular Automata in MIDI based Computer Music' International Computer Music Conference - (ICMC 2004) Miami, USA 01/01/2004 //0 International Computer Music Association Publisher Site
Livingstone D & Miranda ER 2004 'Composition for Ubiquitous Responsive Environments' International Computer Music Conference - (ICMC 2004) Miami, USA 01/01/2004 //0 International Computer Music Association Publisher Site
Miranda ER & Todd PM 2003 'A-Life and Musical Composition: A Brief Survey' IX Brazilian Symposium on Computer Music Campinas, Brazil 01/01/2003 //0 Brazilian Computer Society Publisher Site
Miranda ER 2002 'Sounds of Artificial Life' //0 //0 173-177
Miranda ER 1997 'Who composed Entre l'Absurde et le Mystère?' XVII Annual Congress of the Brazilian Computing Society / IV Brazilian Symposium on Computer Music Brasilia, Brazil //0 //0 Brazilian Computer Society Publisher Site
Miranda ER 1996 'Computer-Assistance in Concept Formation and Musical Invention' International Computer Music Conference - (ICMC 1996) Hong Kong 01/01/1996 //0 International Computer Music Association Publisher Site
Miranda ER 1996 'Machine Learning and Musical Invention: A Case Study' 7th International Symposium on Electronic Arts (ISEA) Rotterdam, The Netherlands 01/01/1996 //0
Smaill A, Wiggins G & Miranda ER 1993 'Music Representation: Between the Musician and the Computer' Artificial Intelligence in Music Education Workshop / World Conference on Artificial Intelligence in Education Edinburgh, UK 01/01/1993 //0
Kirke A & Miranda ER 0 'An Instance Based Model for Generating Expressive Performance During Composition' International Computer Music Conference - (ICMC2008) Belfast, UK 01/01/2008 //0 International Computer Music Association Publisher Site
Kirke A & Miranda ER 0 'COMPER: Towards a Model for Generating Compositions from Expressive Music Performances' International Computer Music Conference - (ICMC2008) Belfast, UK 01/01/2008 //0
Costalonga L & Miranda ER 0 'Equipping Artificial Guitar Players with Biomechanical Constraints: A Case Study of Precision and Speed' International Computer Music Conference - (ICMC2008) Belfast 01/01/2008 //0 International Computer Music Association Publisher Site
Miranda ER, Durrant S & Anders T 0 'Towards Brain-Computer Music Interfaces: Progress and Challenges' International Symposium on Applied Sciences in Bio-Medical and Communication Technologies (ISABEL2008) Aalborg, Denmark 01/01/2008 //0
Costalonga L, Miranda ER & Miletto E 0 'Octopus Music API: Modellling Musical Performance' Brazilian Symposium on Computer Music Sao Paulo, Brazil 01/01/2007 //0
Costalonga L, Miranda ER, Viccari R & Matthias J 0 'An Idiomatic Plucked String Player' FLAIRS Conference - Special Track: Artificial Intelligence in Music and Art Miami, USA 01/01/2006 //0
Zhang Q & Miranda ER 0 'Evolving Musical Performance Profiles using Genetic Algorithms with Structural Fitness' Genetic and Evolutionary Computation Conference (GECCO 2006) Seattle, USA 01/01/2006 //0
Alvaro J, Miranda ER & Barros B 0 'Music Knowledge Analysis: Towards an Efficient Representation for Composition' 11th Conference of the Spanish Association for Artificial Intelligence (CAEPIA 05) Santiago de Compostela, Spain 01/01/2006 //0 Heidelberg, Germany Springer Publisher Site
Hapipis A & Miranda ER 0 'Artificial Singing with a Webcam Mouth-Controller' Sound and Music Computing 2005 Salerno, Italy 01/01/2005 //0
Coutinho E, Miranda ER & da Silva P 0 'Evolving Emotional Behaviour for Expressive Performance of Music' Intelligent Virtual Agents 2005 Kos, Greece 01/01/2005 //0 Heidelberg, Germany Springer - LNCS 3661-0497 Publisher Site
Coutinho E, Miranda ER & Cangelosi A 0 'Towards a Model for Embodied Emotions' Workshop on Affective Computing: Towards Affective Intelligent Systems (AC 2005) Covilha, Portugal 01/01/2005 //0
Daly SJ 0 'Changes in music tempo entrain movement related brain activity' //0 //0 Publisher Site
Coutinho E, Miranda ER & da Silva P 0 'Evolving Emotional Behaviour for Expressive Performance of Music' Intelligent Virtual Agents 2005 Kos, Grece //0 //0
Performances
Kirke A, Chiaramonte A, Matthias J, Troisi A, Fry N & Miranda E 20110211 20130629 Cloud Chamber. [California Academy of Sciences, Golden Gate Park, San Francisco, USA] - [ISIS Neutron and Muon Source, Rutherford-Appleton Labs, Didcot, UK] - [Theatre 1, Roland Levinsky Building, Plymouth University, Plymouth UK[ Author Site Publisher Site
Compositions
Miranda ER 2012 Mozart Reloaded. Publisher Site
Miranda ER 2010 Mozart Reloaded.

Other academic activities

My  new book ,  Thinking Music, telling the inside story to my choral and orchestral work Sound to Sea , is now available. Click [ HERE ] for more information.

Samples of my music and scientific research work are available online at SoundCloud and through my Vimeo video channel. 

A selection of interviews and news articles from the the international press are available on-line with Scoop.It. 

Click on the links below to see these:

GO TO my SoundCloud to listen.


GO TO Scoop.It to read the international news on the impact of my work.






Additional information

No info added

Links

Research:

http://cmr.soc.plymouth.ac.uk