Professor Eduardo Miranda

Biography

I am a composer and Professor in Computer Music. I have composed a number of symphonies and an opera and have had the privilege to share the stage with the BBC Concert Orchestra, BBC Singers, Jarvis Cocker, American beatboxer Butterscotch, and a few other great artists.

I am head of the Interdisciplinary Centre for Computer Music Research (ICCMR), which I created at the University of Plymouth in 2004. Today ICCMR is internationally known for its pioneering research and for making a difference in the world.

I studied for a degree in computing, but I have always been passionate about music. While at university I played in a few pop bands and sang in a choir.

As soon as I graduated, I worked as a systems analyst for a large corporation. It was a great job. I had a promising career ahead. But I realized that it was not for me. I decided to follow my passion for music. I resigned and went back to college to study for a music degree. I soon figured out that I could use my computing skills to create music! Nobody else knew how to use computers to make music – not even my teachers. The rest is history. In the 1980s I became a pioneer of using Artificial Intelligence to compose music.

Before I moved to Plymouth I worked as a research scientist for Sony Computer Science Lab in Paris. I speak 4 languages and have worked at universities in 5 different countries.

Plymouth is a great place to live and work. I walk to the office. There are great beaches in the area. Lots of nature. That’s a no-brainer.

I wish I had the opportunity over 20 years ago to study the courses and research programmes that I helped to create here in Plymouth. It is a privilege to be able to share my experience and knowledge with our students, who come from all over the world.

My present academic duties include:

Head of the Interdisciplinary Centre for Computer Music Research (ICCMR)
School of Humanities & Performing Arts Post-Graduate Research Coordinator
ResM in Computer Music Programme Leader
Research Mentoring for Music, Theatre and Performing Arts
Principal Investigator, EPSRC-funded RadioMe Project

I am an experienced researcher and PhD supervisor (Director of Studies).

I have supervised 13 doctoral students to successful completion at the University of Plymouth within the last 10 years.

Should you wish to join ICCMR to study for a postgraduate degree under my supervision, please do not hesitate to contact me to discuss your interests.

Also, I have considerable experience with post-graduate external examinations, with 34 PhD theses examined worldwide within the last 10 years.

Should you be interested in appointing me to conduct an examination at your institution, please do not hesitate to contact me to check availability.

Qualifications

Computing
MSc Music Technology
PhD Music

Other Appointments:

2021–present: Visiting Researcher, Cambridge Quantum Computing, Oxford, UK

2019 – Inter_agency Artist-in-Residence, Institute of Electronic Music and Acoustic, University of the Arts, Graz, Austria

2016 – Visiting Professor, Laboratoire Bordelais de Recherche en Informatique (LaBRI), University of Bordeaux, Bordeaux, France

2010 – Visiting Research Fellow, Staatliches Institut fur Musikforschung (National Institute for Music Research), Berlin, Germany

Winter Semester of 2006–2007 – Edgar Varèse Visiting Professor of Computer Music, Electronic Music Studios, Institute of Communications Research, Technische Universität Berlin (TUB), Berlin, Germany

1998–2003 – Research Scientist, SONY Computer Science Laboratory, Paris, France

2002–2003 – Adjunct Associate Professor of Computer Science, American University of Paris, Paris, France

Roles on external bodies

Editor:

Co-editor: Journal of Creative Music Systems, Huddersfield University Press. (http://jcms.org.uk/)

Editorial Boards:

Member of the Editorial Board: Organised Sound, Cambridge University Press.
Member of the Editorial Board: Leonardo Music Journal, The MIT Press.
Member of the Editorial Board: Contemporary Music Review, Routledge.
Member of the Editorial Board: Leonardo Transactions, The MIT Press.
Member of the Editorial Board: Journal of Sonic Studies.
Member of the Editorial Board: International Journal of Unconventional Computing, Old City Publishing
Member of the Reviewing Board: IEEE Multimedia.
Member of the EditorialBoard: The Scientific World Journal.

Peer Reviews:

Member of the peer review college of the Austrian Science Foundation (FWF), Austria (appointed 2010–)
Member of the peer review college of the Danish Council for Strategic Research, Denmark (appointed 2010–)
Anonymous peer reviewing of numerous research grant proposals for Research Grants Council of Hong Kong, EPSRC, AHRC, The Wellcome Trust, Racomedi
Member of the Review Panel for Alban Scholarships, European Union (2006–2009)

Highlights

Unlocking the music of the mind
Eduardo is an unrivalled visionary who marries accomplished musical composition with advanced technological innovations to change lives

OK computer: decoding the composer behind music generated from brain waves and outer space.
Discover how Eduardo's desire to bridge science and art inspires his pioneering research in computer music

Music is more than entertainment, it can transform lives
Eduardo discusses his pioneering work in music neurotechnology, improving the health and wellbeing for people with some of the most complex and debilitating illnesses

Interdisciplinary Centre for Computer Music Research (ICCMR)
Cutting-edge research in music technology and creativity

Key publications

Costalonga LL, Pimenta MS & Miranda ER (2019) 'Understanding biomechanical constraints for modelling expressive performance: A guitar case study' Journal of New Music Research 48, (4) 331-351 , DOI Open access

Daly I, Williams D, Hwang F, Kirke A, Miranda ER & Nasuto SJ (2019) 'Electroencephalography reflects the activity of sub-cortical brain regions during approach-withdrawal behaviour while listening to music' Scientific Reports 9, (1) 0-0 , DOI Open access

Miranda ER, Braund E & Venkatesh S (2018) 'Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music?' Computer Music Journal 42, (3) 28-46 Author Site , DOI Open access

Mcloughlin M, Lamoni L, Garland EC, Ingram S, Kirke A, Noad MJ, Rendell L & Miranda E (2018) 'Using agent-based models to understand the role of individuals in the song evolution of humpback whales ( Megaptera novaeangliae )' Music & Science 1, 205920431875702-205920431875702 , DOI Open access

Miranda ER & Braund E (2017) 'A Method for Growing Bio-memristors from Slime Mold' Journal of Visualized Experiments (129) , DOI Open access

Miranda ER & Braund EW (2016) 'On Building Practical Biocomputers for Real-World Applications: Receptacles for Culturing Slime Mould Memristors and Component Standardisation' Journal of Bionic Engineering , DOI Open access

View all publications

Teaching

Teaching interests

I am the leader of the ResM Computer Music and MA Music. And I convene PhD programmes on the following topics of my expertise:

Quantum computing and music
Music composition with new technologies
Electronic sound synthesisers
Electroacoustic music composition
Artificial Intelligence applied to musical creativity
Evolutionary Computing / Artificial Life
Brain-Computer Music Interfacing / Assistive Technology

Staff serving as external examiners

External Examiner for BA Music Computing, Goldsmiths College (2011 – 2016)
External Examiner for the MA/MSc in Music Technology, Dept of Music & Dept of Electronics, University of York (2007 – 2009)
External Examiner for the BMus in Music with Computer Sound Design, Dept of Music and Sound Recording, University of Surrey (2007 – 2010)
External Examiner for the BMus Honours (Tonmeister), Dept of Music and Sound Recordings, University of Surrey (2007 – 2010)
External Examiner for the MSc Applied Artificial Intelligence, School of Engineering, Computer Science and Mathematics, University of Exeter (2006 –2010)
External Examiner for the MSc Music Information Technology, City University (2006 – 2009)
External examiners for 33 PhD awards to date at:

University of Huddersfield (2017)
University of Kent (2017)
University College Cork (2016)
University of Reading (2015)
Sydney Conservatorium of Music (2014)
University of Adelaide, Australia (2014)
University of Edinburgh (2013)
University of Oslo , Norway (2012)
University of Surrey (2010)
University of Essex (2010, 2014)
University of York (2010)
Queen's University Belfast (2010)
Open University (2010, 2013, 2015)
Birmingham Conservatoire (2009, 2011)
University of the West of England (2008, 2021)
University of East Anglia (2008)
Edinburgh Napier University (2008)
University College, London (2007, 2010)
Goldsmiths College (2007)
Queen Mary University of London (2007, 2010, 2011, 2015)
Chalmers University of Technology, Sweden (2004)
Federal University of Rio Grande do Sul, Brazil (2002)
University of Coruña, Spain (2001)

Research

Research interests

Composition (including algorithmic and computer-aided)

Electroacoustic Music Composition

Sound Synthesis

New Musical Interfaces

Expressive Music Performance (by machines)

Brain-Computer Music Interface

Evolutionary Computer Music

Music Neurotechnology

Unconventional Computation (for music technology)

Artificial Intelligence and Music

Quantum Computing

Research groups

Interdisciplinary Centre for Computer Music Research (ICCMR)

Other research

Patents

1) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Morphological categories for voice synthesis”, Europe: EP 1 160 764 A1, Publication 05/12/2001; Japan: P2002-23775A, Publication 04/06/2001.

2) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Expressivity of Voice Synthesis”, Europe: EP 1 160 766 A1, Publication: 05/12/2001, USA: US 2002/0026315 A1, Publication 28/02/2002.

3) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Vocal sounds granular synthesis by means of cellular automaton”, Europe: EP 1 160 765 A1, Publication 05/12/2001; Japan: P2002-6873A, Publication 04/06/2001.

4) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Synthesis of Ultra-Linguistic Utterances”, USA: US 22002/0029145 A1, Publication 07/03/2002.

5) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Sound characterisation and/or identification based on prosodic listening”, Europe: EP 1 246 164 A1, Publication 02/10/2002; PCT International: WO 02/070744 A2, Publication 10/10/2002.

Research degrees awarded to supervised students

Successful PhD completions:

2019, University of Plymouth, Nuria B. Filella. PhD Thesis: Data Sonification in Creative Practice.

2017, University of Plymouth, Aurelien Antoine. PhD Thesis: An Investigation into using Artificial Intelligence to Aid Composition of Timbre using Orchestral Instruments.

2016, University of Plymouth, Edward Braund. PhD Thesis: Unconventional Computing and Music: An Investigation into Harnessing Physarum polycephalum.

2016, University of Plymouth, Joel Eaton. PhD Thesis: Brain-Computer Music Interfacing: Designing Practical Systems for Creative Applications.

2014, University of Plymouth, Hans Holger Rutz. PhD Thesis: Tracing the Compositional Process.

2013, University of Plymouth, Nikolas Valsamakis. PhD Thesis: Non-Standard Sound Synthesis with Dynamic Models.

2013, University of Plymouth, Christian Dimpker. PhD Thesis: Extended Notation: The Depiction of the Unconventional.

2012, University of Plymouth, Noris Mohd Norowi. PhD Thesis: AnArtificial Intelligence Approach to Concatenative Sound Synthesis.

2012, University of Plymouth, Daniel Livingstone. PhD Thesis: Design Strategies for Adaptive Social Composition: Collaborative SoundEnvironments.

2012, University of Plymouth, Joao Martins. PhD Thesis: Emergent Rhythmic Structures asCultural Phenomena Driven by Social Pressure in a Society of Artificial Agents.

2011, University of Plymouth, Alexis Kirke. PhD Thesis: Application of Intermediate Multi-Agent Systems to IntegratedAlgorithmic Composition and Expressive Performance of Music.

2010, University of Plymouth, Peter Beyls. PhD Thesis: Music as Emergent Complex Behaviour.

2010, University of Plymouth, Leandro Costalonga. PhD Thesis: Biomechanical Modelling of Musical Performance: A Case Study of theGuitar

2009, University of Plymouth, Marcelo Gimenes. PhD Thesis: An Approach to Machine Development of Musical Ontogeny.

2001, University of Glasgow, Alexander Duncan. PhD Thesis: EEG Pattern Classification for the Brain-Computer Musical Interface.

1999, University of Glasgow, Kenneth McAlpine. PhD Thesis: Application of Dynamical Systems to Music Composition.

Publications

Key publications

Miranda ER, Braund E & Venkatesh S (2018) 'Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music?' Computer Music Journal 42, (3) 28-46 Author Site , DOI Open access

Miranda ER & Braund E (2017) 'A Method for Growing Bio-memristors from Slime Mold' Journal of Visualized Experiments (129) , DOI Open access

Key publications are highlighted

Journals

Articles

Venkatesh S, Moffat D & Miranda ER (2021) 'Investigating the Effects of Training Set Synthesis for Audio Segmentation of Radio Broadcast' Electronics 10, (7) Publisher Site , DOI Open access

Miranda E (2020) 'Genetic Music System with Synthetic Biology' Artificial Life 26, (3) 1-27 , DOI Open access

Miranda ER (2020) 'Quantum Computer: Hello, Music!' Author Site Open access

Miranda E, Daly I, Nicolaou N, Williams D, Hwang F, Kirke A & Nasuto SJ (2020) 'Neural and physiological data from participants listening to affective music' Scientific Data 7, (1) Publisher Site , DOI Open access

Miranda ER (2020) 'Creative Quantum Computing: Inverse FFT, Sound Synthesis, Adaptive Sequencing and Musical Composition' Author Site Open access

Miranda ER (2019) 'Introduction: Leonardo Music Journal 29' Leonardo Music Journal 29, 1-2 , DOI

Venkatesh S, Miranda E & Braund E (2019) 'PhyBox: A Programmable Interface for Physarum Polycephalum-based Memristors' International Journal of Unconventional Computing Open access

Braund E, Venkatesh S & Miranda E (2019) 'PhyBox: A Programmable Interface for Physarum Polycephalum-based Memristors' International Journal of Unconventional Computing Open access

Costalonga L, Pimenta M & Miranda E (2019) 'Understanding Biomechanical Constraints for Modelling Expressive Performance: A Guitar case study' Journal of New Music Research , DOI Open access

Miranda ER, Antoine A, Celerier J-M & Desainte-Catherine M (2019) 'i-Berlioz: Towards Interactive Computer-Aided Orchestration with Temporal Control' International Journal of Music Science, Technology and Art 1, (1) 15-23 Publisher Site Open access

Miranda ER, Braund E & Venkatesh S (2018) 'Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music?' Computer Music Journal 42, (3) 28-46 Author Site , DOI Open access

Kirke A, Williams D, Miranda E, Bluglass A, Whyte C, Pruthi R & Eccleston A (2018) 'Unconsciously interactive Films in a cinema environment—a demonstrative case study' Digital Creativity 29, (2-3) 1-17 , DOI Open access

Daly I, Williams D, Malik A, Weaver J, Kirke A, Hwang F, Miranda E & Nasuto SJ (2018) 'Personalised, Multi-modal, Affective State Detection for Hybrid Brain-Computer Music Interfacing' IEEE Transactions on Affective Computing 1-1 , DOI Open access

Miranda ER & Braund E (2017) 'A Method for Growing Bio-memristors from Slime Mold' Journal of Visualized Experiments (129) , DOI Open access

Nicolaou N, Malik A, Daly I, Weaver J, Hwang F, Kirke A, Roesch E, Willilams D, Miranda ER & Nasuto S (2017) 'Directed Motor-Auditory EEG Connectivity Is Modulated by Music Tempo' Frontiers in Human Neuroscience 11, , DOI Open access

Miranda ER (2017) 'Harnessing Slime Mould Communication for Musical Computing' Interalia Magazine Publisher Site Open access

Miranda ER, Norowi NM & Hussin M (2017) 'Parametric Factors Affecting Concatenative Sound Synthesis' Advanced Science Letters 23, (6) 5496-5500 , DOI Open access

Williams D, Kirke A, Miranda E, Daly I, Hwang F, Weaver J & Nasuto S (2017) 'Affective Calibration of Musical Feature Sets in an Emotionally Intelligent Music Composition System' ACM Transactions on Applied Perception 14, (3) 1-13 , DOI Open access

Visi F, Coorevits E, Schramm R & Miranda ER (2017) 'MUSICAL INSTRUMENTS, BODY MOVEMENT, SPACE, AND MOTION DATA: MUSIC AS AN EMERGENT MULTIMODAL CHOREOGRAPHY' Human Technology 13, (1) 58-81 Author Site Publisher Site , DOI Open access

Kirke A & Miranda E (2017) 'Aiding Soundtrack Composer Creativity through Automated Film Script-profiled Algorithmic Composition' Journal of Creative Music Systems 1, (2) , DOI Open access

Miranda ER & Braund EW (2017) 'INTERACTIVE MUSICAL BIOCOMPUTER: AN UNCONVENTIONAL APPROACH TO RESEARCH IN UNCONVENTIONAL COMPUTING' Symmetry: Culture & Science Open access

Miranda ER (2016) 'Music: The music of particle collisions' Nature Physics 12, (8) 721-721 , DOI Open access

Daly I, Williams D, Kirke A, Weaver J, Malik A, Hwang F, Miranda E & Nasuto SJ (2016) 'Affective brain–computer music interfacing' Journal of Neural Engineering 13, (4) 046022-046022 , DOI Open access

Kirke A, Shadbolt P, Neville A & Miranda E (2016) 'A Hybrid Computer Case Study for Unconventional Virtual Computing' International Journal of Unconventional Computation Open access

Daly I, Williams D, Hallowell J, Hwang F, Kirke A, Malik A, Weaver J, Miranda E & Nasuto SJ (2015) 'Music-induced emotions can be predicted from a combination of brain activity and acoustic features' Brain and Cognition 101, 1-11 , DOI Open access

Kirke A, Freeman S & Miranda ER (2015) 'Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank' Computer Music Journal 39, (3) 59-70 , DOI

Williams D, Kirke A, Miranda E, Daly I, Hallowell J, Weaver J, Malik A, Roesch E, Hwang F & Nasuto S (2015) 'Investigating Perceived Emotional Correlates of Rhythmic Density in Algorithmic Music Composition' ACM Transactions on Applied Perception 12, (3) 1-21 , DOI Open access

Kirke A, Eaton J & Miranda E (2015) 'Real-Time Hallucination Simulation and Sonification through User-Led Development of an iPad Augmented Reality Performance' Leonardo 48, (3) 235-242 , DOI Open access

Eaton J, Williams D & Miranda E (2015) 'The Space Between Us: Evaluating a multi-user affective brain-computer music interface' Brain-Computer Interfaces 2, (2-3) 103-116 , DOI Open access

Miranda ER & Williams D (2015) 'Artificial Intelligence inOrganised Sound' Organised Sound 20, (1) 76-81 , DOI Open access

Daly I, Hwang F, Kirke A, Malik A, Weaver J, Williams D, Miranda E & Nasuto SJ (2015) 'Automated identification of neural correlates of continuous variables' JOURNAL OF NEUROSCIENCE METHODS 242, 65-71 Author Site , DOI Open access

Schramm R, Jung CR & Miranda ER (2015) 'Dynamic Time Warping for Music Conducting Gestures Evaluation' IEEE TRANSACTIONS ON MULTIMEDIA 17, (2) 243-255 Author Site , DOI

Kirke A & Miranda E (2015) 'A Multi-Agent Emotional Society Whose Melodies Represent its Emergent Social Hierarchy and Are Generated by Agent Communications' Journal of Artificial Societies and Social Simulation 18, (2) , DOI Open access

Norowi NM, Miranda ER & Madzin H (2015) 'Identifying the basis of auditory similarity in concatenative sound synthesis users: A study between musicians and non-musicians' ARPN Journal of Engineering and Applied Sciences 10, (23) 18039-18045

Serquera J & Miranda ER (2014) 'Histogram mapping synthesis: A cellular automata-based technique for flexible sound design' Computer Music Journal 38, (4) 38-52 , DOI

Daly I, Williams D, Hwang F, Kirke A, Malik A, Roesch E, Weaver J, Miranda E & Nasuto SJ (2014) 'Investigating music tempo as a feedback mechanism for closed-loop BCI control' Brain-Computer Interfaces 1, (3-4) 158-169 , DOI

Williams D, Kirke A, Miranda ER, Roesch E, Daly I & Nasuto S (2014) 'Investigating affect in algorithmic composition systems' Psychology of Music 43, (6) 831-854 , DOI

Kirke A & Miranda E (2014) 'Pulsed Melodic Affective Processing: Musical structures for increasing transparency in emotional computation' SIMULATION-TRANSACTIONS OF THE SOCIETY FOR MODELING AND SIMULATION INTERNATIONAL 90, (5) 606-622 Author Site , DOI Open access

Miranda ER (2014) 'Harnessing the Intelligence of Physarum Polycephalum for Unconventional Computing-Aided Musical Composition' INTERNATIONAL JOURNAL OF UNCONVENTIONAL COMPUTING 10, (3) 251-268 Author Site

Serquera J & Miranda ER (2014) 'Histogram Mapping Synthesis: A Cellular Automata-Based Technique for Flexible Sound Design' COMPUTER MUSIC JOURNAL 38, (4) 38-52 Author Site , DOI

Miranda E & Adamatzky A (2014) 'Music and unconventional computing' International Journal of Unconventional Computing 10, (3)

Daly I, Malik A, Hwang F, Roesch E, Weaver J, Kirke A, Williams D, Miranda E & Nasuto SJ (2014) 'Neural correlates of emotional responses to music: An EEG study' Neuroscience Letters 573, 52 - 57-52 - 57 Publisher Site , DOI

Kirke AJ & Miranda ER (2014) 'Towards Harmonic Extensions of Pulsed Melodic Affective Processing Further Musical Structures for Increasing Transparency in Emotional Computation' INTERNATIONAL JOURNAL OF UNCONVENTIONAL COMPUTING 10, (3) 199-217 Author Site Open access

Kirke AJ & Miranda ER (2014) 'Unconventional Computation and Teaching: Proposal for MUSIC, a Tone-Based Scripting Language for Accessibility, Computation and Education' INTERNATIONAL JOURNAL OF UNCONVENTIONAL COMPUTING 10, (3) 237-249 Author Site Open access

Kirke A, Miranda E, Chiaramonte A, Troisi A, Matthias J, Fry N, McCabe C, Radtke J & Bull M (2013) 'Cloud Chamber: A Performance with Real Time Two-Way Interaction Between Subatomic Particles and Violinist' Leonardo 46, (1) Author Site

Fernandez de Vega F, Cotta C & Miranda ER (2012) 'Special issue on evolutionary music' SOFT COMPUTING 16, (12) 1995-1996 Author Site , DOI

Kirke A & Miranda ER (2012) 'Pulsed Melodic Affective Processing – Using Music for Natural Affective Computation and Increased Processing Transparency' Neural, Parallel, and Scientific Computations 20, 227-240

Miranda ER, Magee WL, Wilson JJ, Eaton J & Palaniappan R (2011) 'Brain-Computer Music Interfacing (BCMI): From Basic Research to the Real World of Special Needs' Music and Medicine 3, (3) 134-140 Publisher Site , DOI

Anders T & Miranda ER (2011) 'Constraint Programming Systems for Modeling Music Theories and Composition' ACM COMPUTING SURVEYS 43, (4) Author Site , DOI

Anders T & Miranda ER (2011) 'Constraint Programming Systems for Modeling Music Theories and Composition' ACM Computing Surveys 43, (4) Publisher Site , DOI

Anders T & Miranda ER (2011) 'A Computational Model for Rule-Based Microtonal Music Theories and Composition' Perspectives of New Music 2, (48) 47-77 Publisher Site

Miranda ER, Adamatzky A & Jones J (2011) 'Sounds Synthesis with Slime Mould of Physarum Polycephalum' JOURNAL OF BIONIC ENGINEERING 8, (2) 107-113 Author Site , DOI

Anders T & Miranda ER (2010) 'Constraint Application with Higher-Order Programming for Modeling Music Theories' COMPUTER MUSIC JOURNAL 34, (2) 25-38 Author Site , DOI

Miranda ER, Kirke A & Zhang Q (2010) 'Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach' COMPUTER MUSIC JOURNAL 34, (1) 80-96 Author Site , DOI

Miranda ER (2010) 'Plymouth brain-computer music interfacing project: from EEG audio mixers to composition informed by cognitive neuroscience' International Journal of Arts and Technology 3, (2/3) 154-176 Publisher Site , DOI

Miranda ER (2010) 'Organised Sound, Mental Imageries and the Future of Music Technology: a neuroscience outlook' ORGANISED SOUND 15, (1) 13-25 Author Site , DOI

Miranda ER (2010) 'Contextualizing eighteenth century Enlightenment through the lenses of contemporary science' Phys Life Rev 7, (1) 35-36 , DOI

Durrant S, Hardoon DR, Brechmann A, Shawe-Taylor J, Miranda ER & Scheich H (2009) 'GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison (vol 21, pg 161, 2009)' CONNECTION SCIENCE 21, (4) 383-383 Author Site , DOI

Kirke A & Miranda ER (2009) 'A Survey of Computer Systems for Expressive Music Performance' ACM COMPUT SURV 42, (1) , DOI

Miranda ER & Overy K (2009) 'Preface: The Neuroscience of Music' CONTEMPORARY MUSIC REVIEW 28, (3) 247-250 Author Site , DOI

Miranda ER, Bull L, Gueguen F & Uroukov IS (2009) 'Computer Music Meets Unconventional Computing: Towards Sound Synthesis with In Vitro Neuronal Networks' COMPUTER MUSIC JOURNAL 33, (1) 9-18 Author Site , DOI

Miranda ER (2009) 'Preface: Aesthetic Decisions in Computer-Aided Composition' CONTEMPORARY MUSIC REVIEW 28, (2) 129-132 Author Site , DOI

Miranda ER & Matthias J (2009) 'Music Neurotechnology for Sound Synthesis: Sound Synthesis with Spiking Neuronal Networks' LEONARDO 42, (5) 439-442 Author Site , DOI

Anders T & Miranda ER (2009) 'Interfacing Manual and Machine Composition' Contemporary Music Journal 28, (2) 133-147 Publisher Site , DOI

Miranda ER (2008) 'Emergent songs by social robots' JOURNAL OF EXPERIMENTAL & THEORETICAL ARTIFICIAL INTELLIGENCE 20, (4) 319-334 Author Site , DOI

Miranda ER & Maia Jr A (2007) 'Spectral Fuzzy Sets and Markov Streaming for Granular Synthesis of Sound' Symmetry: Culture and Science 18, (2/3) 223-241 Publisher Site

Miranda ER (2006) 'Brain-computer music interface for composition and performance' International Journal on Disability and Human Development 5, (2) 119-125 Publisher Site

Valsamakis N & Miranda ER (2005) 'Iterative sound synthesis by means of cross-coupled digital oscillators' DIGITAL CREATIVITY 16, (2) 90-98 Author Site , DOI

Miranda ER & Brouse A (2005) 'Interfacing the brain directly with musical systems: On developing systems for making music with brain signals' LEONARDO 38, (4) 331-336 Author Site , DOI

Miranda ER (2005) 'Artificial phonology: Disembodied humanoid voice for composing music with surreal languages' LEONARDO MUSIC JOURNAL 15, 8-16

Westermann G & Miranda ER (2004) 'A new model of sensorimotor coupling in the development of speech' BRAIN AND LANGUAGE 89, (2) 393-400 Author Site , DOI

Miranda ER (2004) 'At the crossroads of evolutionary computation and music: self-programming synthesizers, swarm orchestras and the origins of melody' Evol Comput 12, (2) 137-158 Author Site , DOI

Miranda ER, Roberts S & Stokes M (2004) 'On Generating EEG for Controlling Musical Systems' Biomedizinische Technik / Biomedical Engineering 49, (1) 75-76 Publisher Site

Miranda ER, Kirby S & Todd P (2003) 'On Computational Models of the Evolution of Music: From the Origins of Musical Taste to the Emergence of Grammars' Contemporary Music Review 22, (3) 91-111 , DOI

(2003) 'Preface' Contemporary Music Review 22, (3) 1-3 , DOI

Miranda ER, Sharman K, Kilborn K & Duncan A (2003) 'On harnessing the electroencephalogram for the musical braincap' COMPUTER MUSIC JOURNAL 27, (2) 80-102 Author Site , DOI

Miranda ER (2003) 'On the evolution of music in a society of self-taught digital creatures' DIGITAL CREATIVITY 14, (1) 29-42 Author Site , DOI

Miranda ER (2003) 'On the music of emergent behavior: What can evolutionary computation bring to the musician?' LEONARDO 36, (1) 55-59 Author Site , DOI

Westerman G & Miranda ER (2002) 'Modelling the development of mirror neurons for auditory-motor integration' JOURNAL OF NEW MUSIC RESEARCH 31, (4) 367-375 Author Site , DOI

Miranda ER (2002) 'Generating Source Streams for Extralinguistic Utterances' Journal of the Audio Engineering Society 50, (3) 165-172 Publisher Site

Bilotta E, Miranda ER, Pantano P & Todd PM (2002) 'Artificial Life for Musical Applications: Workshop Report' Artificial Life 8, 83-86 , DOI

Miranda ER (2002) 'Emergent Sound Repertoires in Virtual Societies' Computer Music Journal 26, (2) 77-90 Publisher Site , DOI

MIRANDA ER, CORREA J & WRIGHT JOE (2000) 'Categorising complex dynamic sounds' Organised Sound 5, (2) 95-102 , DOI

McAlpine K, Miranda E & Hoggar S (1999) 'Making Music with Algorithms: A Case-Study System' Computer Music Journal 23, (2) 19-30 , DOI

Miranda ER (1998) 'The role of speech synthesis in Requiem per una veu perduda' Organised Sound 3, (3) 235-240 , DOI

Miranda ER (1998) 'Music, Machines, Intelligence and the Brain' Journal of Electroacoustic Music 31, (4) 32-33

Miranda ER (1995) 'An Artificial Intelligence Approach to Sound Design' Computer Music Journal 19, (2) 59-59 , DOI

Miranda ER (1994) 'Music composition using cellular automata' Languages of Design 2, (2) 105-117

Miranda ER (1994) 'From symbols to sound: AI-based investigation of sound synthesis' Contemporary Music Review 10, (2) 211-232 , DOI

Books

Miranda ER (2017) Guide to Unconventional Computing for Music. Springer , DOI

Miranda ER (2016) Mind Pieces. New York Intelligent Arts Author Site Publisher Site Open access

Miranda ER (2014) Thinking Music. Plymouth University of Plymouth Press Author Site Publisher Site

Miranda ER & Castet J (2014) Guide to Brain-Computer Music Interfacing. Springer , DOI

Kirke A & Miranda ER (2013) Guide to Computing for Expressive Music Performance. London Springer Publisher Site

Miranda ER (2013) Preface.

Kirke A & Miranda ER (2012) Guide to Computing for Expressive Music Performance. Springer

Miranda ER (2011) A-Life for Music: Music and Computer Models of Living Systems. Middleton, WI, USA A-R Editions Computer Music and Digital Audio Series 24Publisher Site

Miranda ER & Biles A (2007) Evolutionary Computer Music. Springer Verlag

Miranda ER & Wanderley MM (2006) New Digital Musical Instruments. 21 A-R Editions, Inc. Computer Music and Digital Audio Series

Miranda ER (2002) Computer Sound Design. Focal Pr

Miranda ER (2001) Composing Music with Computers. Focal Pr

Miranda ER (2000) Readings in Music and Artificial Intelligence. Routledge

Miranda ER (1999) Musica y Nuevas Tecnologias: Perspectivas para el Siglo XXI. Barcelona L'Angelot

Miranda ER (1998) Computer Sound Synthesis for the Electronic Musician. Focal Pr

Chapters

Miranda ER (2019) 'From symbols to sound: AI-based investigation of sound synthesis' Timbre Composition in Electroacoustic Music 211-232

Miranda E, Venkatesh S & Braund E (2019) 'A Nonlinear Approach to Generate Creative Data using Physarum polycephalum-based Memristors' Slime Mould in Arts and Architecture Deft, The Netherlands River Pubishing 39-59 Open access

Venkatesh S, Braund E & Miranda ER (2018) 'A Universal Biocomputing Model for Creative Applications: A Nonlinear Approach Using Physarum polycephalum-based Memristors' in Adamatzky A Slime Mould in Arts and Architecture World Scientific

Miranda ER (2018) 'Artibiotics: An Artificial Biology Musical Experiment' in Schmidt M The Art of Antibiotics Vienna Biofaction KG 96-114 Publisher Site Open access

Miranda ER & Eaton J (2018) 'Music Neurotechnology: a natural progression' in Emmerson S The Routledge Research Companion to Electronic Music: Reaching out with Technology Oxford Taylor & Francis Publisher Site Open access

Williams D & Miranda ER (2018) 'BCI for Music Making: Then, Now, and Next' in Nam CS; Nijholt A; Lotte F Brain–Computer Interfaces Handbook: Technological and Theoretical Advances Florence, KY CRC Press Publisher Site Open access

Eaton J & Miranda ER (2018) 'On Mapping EEG Information into Music' in Miranda E; Castet J Guide to Brain-Computer Music Interfacing London Springer-Verlag London Publisher Site Open access

Drayton J, Miranda ER & Kirke A (2017) 'A Comparison of Fitness Functions in a Genetic Algorithm for Acoustic–Articulatory Parameter Inversion of Vowels' in Bosman PAN New York, NY, USA ACM Open access

Braund E & Miranda ER (2017) 'An Approach to Building Musical Bioprocessors with Physarum polycephalum Memristors' in Miranda ER Guide to Unconventional Computing for Music Springer International Publishing Publisher Site , DOI Open access

Kirke A & Miranda ER (2017) 'Experiments in Sound and Music Quantum Computing' in Miranda E Guide to Unconventional Computing for Music Springer International Publishing Publisher Site , DOI Open access

Miranda ER, Kirke A, Braund E & Antoine A (2017) 'On Unconventional Computing for Sound and Music' in Miranda E Guide to Unconventional Computing for Music Springer International Publishing Publisher Site , DOI Open access

Miranda ER & Braund E (2016) 'Experiments in musical biocomputing: towards new kinds of processors for audio and music' in Adamatzky A Advances in Unconventional Computing. Volume 2: Prototypes, Models and Algorithms Springer, Cham 739-761 Publisher Site , DOI

Miranda ER & Vinjar A (2016) 'Recomposing Beethoven with Music Neurotechnology' in Bresson J; Agon C; Assayag G The OM Composer's Book.3 Paris Delatour & IRCAM Centre Pompidou 173-192 Author Site Open access

Miranda ER (2016) 'On computer-aided composition, musical creativity and Brain Asymmetry' The Act of Musical Composition: Studies in the Creative Process 215-232

Braund EW, Miranda ER & Sparrow R (2016) 'Physarum-Based Memristors for Computer Music' Advances in Physarum Machines Sensing and Computing with Slime Mould Springer 755-775 , DOI

Miranda E, Lloyd D, Josipovic Z & Williams D (2014) 'Creative Music Neurotechnology with Symphony of Minds Listening' in Miranda E; Castet J Guide to Brain-Computer Music Interfacing New York Springer 271-295 Open access

Miranda ER (2014) 'Brain-Computer Music Interfacing: Interdisciplinary Research at the Crossroads of Music, Science and Biomedical Engineering' in Castet J London Springer-Verlag London Publisher Site Open access

Kirke A & Miranda ER (2013) 'Pulsed Melodic Processing – the Use of Melodies in Affective Computations for Increased Processing Transparency' in Holland S; Mulholland A; Seago A Music and Human-Computer Interaction London Springer Publisher Site

Miranda ER (2013) 'Regarding music, machines, intelligence and the brain: An introduction to music and AI' Readings in Music and Artificial Intelligence 1-13 , DOI

Miranda ER (2012) 'On computer-aided composition, musical creativity and brain asymmetry' The Act of Musical Composition: Studies in the Creative Process 215-231

Miranda ER (2012) 'On Computer-aided Composition, Musical Creativity and Brain Asymmetry' The Act of Musical Composition: Studies in the Creative Process Farnham, UK Ashgate 52-58 Publisher Site

Miranda ER, Kirke A & Zhang Q (2012) 'Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach' in Kirke A; Miranda ER Guide to Computing for Expressive Music Performance Springer 99-123 Publisher Site

Kirke A & Miranda ER (2012) 'An Overview of Computer Systems for Expressive Music Performance' in Kirke A; Miranda ER Guide to Computing for Expressive Music Performance Springer 1-48 Publisher Site

Brown AR, Wooller R & Miranda ER (2011) 'Evolutionary Morphing for Music Composition' in Miranda ER A-Life for Music A-R Editions, Inc. Publisher Site

Gimenes M & Miranda ER (2011) 'An Ontomemetic Approach to Musical Intelligence' in Miranda ER A-Life for Music A-R Editions, Inc.

Kirke A & Miranda ER (2011) 'A Biophysically Constrained Multi-Agent Systems Approach to Algorithmic Composition with Expressive Performanc' in Miranda ER A-Life for Music A-R Editions, Inc. Publisher Site

Miranda ER (2010) 'Game of Life Music' in Adamatzky A Game of Life Cellular Automata Springer-Verlag 489-501

Miranda ER (2009) 'Digital Sound Synthesis for Multimedia Audio' in Wah BW Wiley Encyclopedia of Computer Science and Engineering Hoboken, NJ Wiley-Interscience

Serquera J & Miranda ER (2008) 'Cellular Automata Sound Synthesis: From Histograms to Spectrograms' in Adamatzky A Automata-2008 Frome, UK Luniver Pr

Todd P & Miranda ER (2006) 'Putting some (artificial) life into models of musical creativity' in Deliège I; Wiggins GA Musical Creativity London Psychology Pr

Miranda ER (2006) 'On Making Music with Artificial Life Models' in Ascott R Engineering Nature Bristol Intellect Ltd

Miranda ER (2005) 'Musique de la Vie Artificiel' in Daubner E; Poissant L Art et Biotechnologies Montreal Université de Saint-Etienne

Westerman G & Miranda ER (2002) 'Integrating Perception and Production in a Neural Network Model' in Bullinaria JA; Lowe W Connectionist Models of Cognition and Perception World Scientific Pub Co Inc

MIRANDA ER 'Cellular Automata Music: From Sound Synthesis to Musical Forms' Evolutionary Computer Music Springer London 170-193 , DOI

MIRANDA ER & TODD PM 'Computational Evolutionary Musicology' Evolutionary Computer Music Springer London 218-249 , DOI

ZHANG Q & MIRANDA ER 'Experiments in Generative Musical Performance with a Genetic Algorithm' Evolutionary Computer Music Springer London 100-116 , DOI

Conference Papers

Mead C, Moffat D & Miranda ER (2020) 'Composing, Recording and Producing with Historical Equipment and Instrument Models' Audio Engineering Society 149th Convention 0-/-1/20200-/-1/2020Publisher Site Open access

Venkatesh S, Braund E & Miranda ER (2020) 'Composing Popular Music with Physarum polycephalum-based Memristors' International Conference on New Interfaces for Musical Expression (NIME) 7-/-0/20207-/-0/2020Birmingham City University 514-519 Publisher Site Open access

Venkatesh S, Braund E & Miranda ER (2020) 'Designing Brain-computer Interfaces for Sonic Expression' International Conference on New Interfaces for Musical Expression (NIME) 7-/-0/20207-/-0/2020Birmingham City University 525-530 Publisher Site Open access

Venkatesh S, Moffat D & Miranda ER (2019) 'RadioMe: Artificially Intelligent Radio for People with Dementia' Digital Music Research Network One-day Workshop: DMRN+14 Open access

Antoine A, Miranda ER, Celerier J-M & Desainte-Catherine M (2018) 'Generating Orchestral Sequences with Timbral Descriptors' Timbre 2018: Timbre Is a Many-Splendored Thing Montreal, Canada 7-/-0/20181-/-1/2018Open access

Hurban H, Miranda ER & Braund E (2018) 'Dervish Sound Dress; a development of a musical interface garment which explores wearable technology using sound and haptic feedback for performance and interaction' Sound and Music Computing Conference Limassol, Cyprus 7-/-0/20187-/-0/2018Publisher Site , DOI Open access

Miranda ER & Antoine A (2018) 'Musical Acoustics, Timbre, and Computer–Aided Orchestration Challenges' International Symposium on Musical Acoustics Montreal, Canada 6-/-0/20176-/-0/2017Open access

Miranda ER, Antoine A, Celerier J-M & Desainte-Catherine M (2018) 'i-Berlioz: Interactive Computer-Aided Orchestration with Temporal Control' in Della Ventura M 5th International Conference of New Musical Concepts Treviso, Italy 3-/-0/20183-/-0/2018Milan ABEditore 45-60 Open access

Antoine A & Miranda E (2017) 'Computer Generated Orchestration: Towards Using Musical Timbre in Composition' 9th European Music Analysis Conference Strasbourg 6-/-0/20177-/-0/2017Université de Strasbourg Open access

Drayton J, Miranda ER & Kirke A (2017) 'A Comparison of Fitness Functions in a Genetic Algorithm for Acoustic–Articulatory Parameter Inversion of Vowels' Genetic and Evolutionary Computation Conference 2017 Berlin, Germany 7-/-0/20177-/-0/2017, DOI Open access

Visi F, Caramiaux B, Miranda ER & Mcloughlin M (2017) 'A Knowledge-based, Data-driven Method for Action-sound Mapping' NIME 2017 : New Interfaces for Musical Expression Copenhagen 5-/-0/20175-/-0/2017Open access

Miranda ER, Antoine A & Williams D (2016) 'Towards a Timbral Classification System for Musical Excerpts' 2nd AES Workshop on Intelligent Music Production London 9-/-0/2016Open access

Gimenes M, Largeron P-E & Miranda ER (2016) 'Frontiers: Expanding Musical Imagination With Audience Participation' New Interfaces for Musical Expression Conference (NIME 2016) Brisbrane, Australia Publisher Site Open access

Miranda ER, McLoughlin M, Lamoni L, Garland E, Ingram S, Noad M, Rendell L & Kirke A (2016) 'Adapting a Computational Multi Agent Model for Humpback Whale Song Research for use as a Tool for Algorithmic Composition' Sound and Music Computing Conference Hamburg, Germany 8-/-0/20169-/-0/2016Open access

Miranda ER, Meenakshisundaram S & Kaimi I (2016) 'Factors Influencing Vocal Pitch in Articulatory Speech Synthesis: A Study Using PRAAT' Sound and Music Computing Conference (SMC 2016) Hamburg, Germany 8-/-0/20169-/-0/2016Open access

Bonet N, Kirke A & Miranda ER (2016) 'Sonification of Dark Matter: Challenges and Opportunities' Sound and Music Computing Conference Hamburg, Germany 8-/-0/20169-/-0/2016Open access

Norowi NM, Mustaffa MR & Miranda ER (2016) 'Using concatenation cost for unit selection of homosonic segments in concatenative sound synthesis' 2016 Third International Conference on Information Retrieval and Knowledge Management (CAMP) 8-/-0/20168-/-0/2016IEEE , DOI Open access

Miranda ER, Daly I, Williams D, Kirke A, Weaver J, Malik A, Hwang F, Eaton J & Nasuto SJ (2016) 'An affective brain-computer music interface' International Brain-Computer Interface (BCI) Meeting - 2106 Pacific Grove, California, USA

Bonet N, Miranda ER & Kirke A (2016) 'Blyth – Eastbourne – Wembury: Sonification as a compositional tool in electroacoustic music' 2nd International Conference on New Musical Concepts Treviso, Italy 3-/-0/20163-/-0/2016Open access

Miranda ER & Antoine A (2016) 'A User-Centric Algorithmic Composition System' 2nd International Conference on New Music Concepts Treviso, Italy Open access

Schramm R, Nunes HDS, Nunes LDA, Visi F & Miranda ER (2016) '3CMS: An Interactive Decision System for Live Performance' Springer International Publishing 190-210 , DOI

Visi F, Coorevits E, Schramm R & Miranda ER (2016) 'Analysis of Mimed Violin Performance Movements of Neophytes' Springer International Publishing 88-108 , DOI

Braund E & Miranda ER (2016) 'BioComputer Music: Generating Musical Responses with Physarum polycephalum-Based Memristors' Springer International Publishing 405-419 , DOI

Braund E & Miranda ER (2016) 'Music with Unconventional Computing: Granular Synthesis with the Biological Computing Substrate Physarum Polycephalum' Springer International Publishing 271-280 , DOI

Mcloughlin M, Lamoni L, Garland E, Ingram S, Kirke A, Noad M, Rendell L & Miranda ER (2016) 'Preliminary Results From A Computational Multi Agent Modelling Approach To Study Humpback Whale Song Cultural Transmission' 11th International Conference on the Evolution of Language (EvoLang XI) New Orleans, USA , DOI Open access

Eaton J & Miranda ER (2016) 'The Hybrid Brain Computer Music Interface - Integrating Brainwave Detection Methods for Extended Control in Musical Performance Systems' Springer International Publishing 132-145 , DOI

Daly I, Malik A, Weaver J, Hwang F, Nasuto SJ, Williams D, Kirke A & Miranda E (2015) 'Towards human-computer music interaction: Evaluation of an affectively-driven music generator via galvanic skin response measures' 2015 7th Computer Science and Electronic Engineering (CEEC) 9-/-0/20159-/-0/2015IEEE , DOI

Daly I, Malik A, Weaver J, Hwang F, Nasuto SJ, Williams D, Kirke A & Miranda E (2015) 'Identifying music-induced emotions from EEG for use in brain-computer music interfacing' 2015 International Conference on Affective Computing and Intelligent Interaction (ACII) 9-/-0/20159-/-0/2015IEEE , DOI

Kirke A, Dixon B & Miranda E (2015) 'Music and Dementia: Two Case-studies' in NA NA CMMR 2015 Plymouth

Braund E & Miranda E (2015) 'Music with Unconventional Computing: Towards a Step Sequencer from Plasmodium of Physarum Polycephalum' Springer International Publishing 15-26 , DOI

Drayton J & Miranda E (2015) 'Towards an Evolutionary Computational Approach to Articulatory Vocal Synthesis with PRAAT' Springer International Publishing 62-70 , DOI

Kirke A, Shadbolt P, Neville A, Antoine A & Miranda E (2014) 'Q-MUSE: A QUANTUM COMPUTER MUSIC SYSTEM DESIGNED FOR A PERFORMANCE FOR ORCHESTRA, ELECTRONICS AND LIVE INTERNET-CONNECTED PHOTONIC QUANTUM COMPUTER' 9th Conference on Interdisciplinary Musicology – CIM14 Berlin, Germany Open access

Visi F, Schramm R & Miranda E (2014) 'Gesture in performance with traditional musical instruments and electronics' the 2014 International Workshop 6-/-0/20146-/-0/2014ACM Press , DOI

Braund E & Miranda E (2014) 'Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis' Springer International Publishing 175-189 , DOI

Eaton J, Williams D & Miranda E (2014) 'Affective jukebox: A confirmatory study of EEG emotional correlates in response to musical stimuli' 580-585

Visi F, Miranda E, Coorevits E & Leman M (2014) 'Effects of different bow stroke styles on body movements of a viola player: An exploratory study' 1368-1374

Williams D, Kirke A, Miranda E, Daly I, Roesch EB, Weaver JCE & Nasuto SJ (2014) 'Evaluating perceptual separation in a pilot system for affective composition' 905-911

Kirke A & Miranda E (2013) 'Emotional and multi-agent systems in computer-aided writing and poetry' 17-22

Miranda ER (2013) 'Harnessing the intelligence of physarum polycephalum for unconventional computing-aided musical composition' 153-169

Kirke AJ & Miranda ER (2013) 'Towards harmonic extensions of pulsed melodic affective processing - Further musical structures for increasing transparency in emotional computation' 87-111

Kirke AJ & Miranda ER (2013) 'Unconventional computation and teaching - Proposal for MUSIC, a tone-based scripting language for accessibility, computation and teaching' 50-67

Kirke A, Miranda ER & Nasuto SJ (2013) 'Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control' 490-499

Kirke A & Miranda ER (2012) 'Emergent Construction of Melodic Pitch and Hierarchy Through Agents Communicating Emotion Without Melodic Intelligence' International Computer Music Conference (ICMC 2011) Huddersfield, UK

Kirke A & Miranda ER (2012) 'Application of Pulsed Melodic Affective Processing to Stock Market Algorithmic Trading and Analysis' 9th International Symposium on Computer Music Modeling and Retrieval (CMMR2010) London, UK

Eaton J & Miranda ER (2012) 'New Approaches in Brain-Computer Music Interfacing: Mapping EEG for Real-Time Musical Control' Music, Music and Invention Workshop College of New Jersey, Ewing NJ (USA)

Kirke A, Freeman S, Miranda ER & Ingram S (2011) 'Application of Multi-Agent Whale Modelling to an Interactive Saxophone and Whale Duet' International Computer Music Conference (ICMC 2011) Huddersfield, UK International Computer Music Association Publisher Site

Serquera J & Miranda ER (2011) 'Cellular Automata Dynamic Control for Sound Design with Histogram Mapping Synthesis and the Multitype Voter Model' International Computer Music Conference (ICMC 2011) Huddersfield, UK

Kirke A, Miranda ER, Chiaramonte A, Troisi A, Matthias J, Radtke J, Fry N, McCabe C & Bull M (2011) 'Cloud Chamber: A Performance Involving Real Time Two-way Interaction Between Subatomic Radioactive Particles and Violinist' International Computer Music Conference (ICMC 2011) Huddersfield, UK International Computer Music Association Publisher Site

Kirke A & Miranda ER (2011) 'Combining EEG Frontal Asymmetry Studies with Affective Algorithmic Composition and Expressive Performance Model' International Computer Music Conference (ICMC 2011) Huddersfield, UK International Computer Music Association Publisher Site

Miranda ER (2011) 'Developing Methods for Computer Programming by Musical Performance and Composition' International Computer Music Conference (ICMC 2011) Huddersfield, UK International Computer Music Association Publisher Site

Norowi N & Miranda ER (2011) 'Prioritizing Audio Features Selection Using Analysis Hierarchy Process as a Mean to Extend User Control in Concatenative Sound Synthesis' International Computer Music Conference (ICMC 2011) Huddersfield, UK

Rutz H, Miranda ER & Eckel G (2011) 'Reproducibility and Random Access in Sound Synthesis' International Computer Music Conference (ICMC 2011) Huddersfield, UK

Kirke A, Miranda ER & Bonnot M (2011) 'Towards using Expressive Performance Algorithms for Typist Emotion Detection' International Computer Music Conference (ICMC 2011) Huddersfield, UK International Computer Music Association Publisher Site

Norowi NM & Miranda ER (2011) 'Order dependent feature selection in Concatenative Sound Synthesis using Analytical Hierarchy Process' IEEE EUROCON 2011 - International Conference on Computer as a Tool 4-/-0/20114-/-0/2011IEEE , DOI

McCracken K, Matthias J & Miranda E (2011) 'Neurogranular Synthesis: Granular Synthesis Controlled by a Pulse-Coupled Network of Spiking Neurons' Springer Berlin Heidelberg 354-363 , DOI

Serquera J & Miranda ER (2010) 'Cellular automata sound synthesis with an extended version of the multitype voter model' 19-24

Rutz HH, Miranda ER & Eckel G (2010) 'On the Traceability of the Compositional Process' Sound and Music Computing (SMC 2010) Barcelona, Spain 1-/-0/2010

Serquera J & Miranda ER (2010) 'Algorithmic Sound Composition using Coupled Cellular Automata' 3rd Chaotic Modeling and Simulation International Conference - (CHAO S2010) Chania, Greece 1-/-0/2010

Flores L, Miletto E, Pimenta M, Miranda E & Keller D (2010) 'Musical interaction patterns' the 28th ACM International Conference 9-/-0/20109-/-0/2010ACM Press , DOI

Serquera J & Miranda ER (2010) 'Evolutionary Sound Synthesis: Rendering Spectrograms from Cellular Automata Histograms' 381-390

Serquera J & Miranda ER (2010) 'Algorithmic Sound Composition using Coupled Cellular Automata'

Anders T & Miranda ER (2009) 'A Computational Model that Generalises Schoenberg's Guidelines for Favourable Chord Progressions' 6th Sound and Music Computing Conference Porto, Portugal 1-/-0/2009

Zhang Q & Miranda ER (2008) 'Multi-Agent Simulation for Generating Expressive Music Performance' World Congress on Social Simulation (WCSS2008) Fairfax, USA 1-/-0/2008

Brechmann A, Durrant S, Scheich H & Miranda ER (2008) 'Activation in auditory cortex correlates with the distance of musical key change' 6th Forum of the Foundation of European Neuroscience Societies Geneva, Switzerland 1-/-0/2008

Grant J, Matthias J, Hodgson T & Miranda ER (2008) 'Hearing Thinking' Sixth European Workshop on Evolutionary and Biologically Inspired Music, Sound, Art and Design Napoli, Italy 1-/-0/2008

Miranda ER & Soucaret V (2008) 'Mix-It-Yourself with a Brain-Computer Music Interface' 7th ICDVRAT with ArtAbilitation Maia/Porto, Portugal 1-/-0/2008

Martins J & Miranda ER (2008) 'Breeding Rhythms with Artificial Life' 5th Sound and Music Computing Conference Berlin, Germany 1-/-0/2008

Gimenes M & Miranda ER (2008) 'An A-Life Approach to Machine Learning of Musical Worldviews for Improvisation Systems' 5th Sound and Music Computing Conference Berlin, Germany 1-/-0/2008

Kirke A & Miranda ER (2008) 'An Instance Based Model for Generating Expressive Performance During Composition' International Computer Music Conference - (ICMC2008) Belfast, UK 1-/-0/2008International Computer Music Association Publisher Site

Miranda ER (2008) 'Autonomous Development of Singing-Like Intonations by Interacting Babbling Robots' International Computer Music Conference - ICMC 2008 Belfast, UK 1-/-0/2008International Computer Music Association Publisher Site

Kirke A & Miranda ER (2008) 'COMPER: Towards a Model for Generating Compositions from Expressive Music Performances' International Computer Music Conference - (ICMC 2008) Belfast, UK 1-/-0/2008International Computer Music Association Publisher Site

Anders T & Miranda ER (2008) 'Constraint-Based Composition in Realtime' International Computer Music Conference - (ICMC 2008) Belfast, UK 1-/-0/2008International Computer Music Association Publisher Site

Anders T & Miranda ER (2008) 'Higher-Order Constraint Applications for Music Constraint Programming' International Computer Music Conference - (ICMC 2008) Belfast, UK International Computer Music Association Publisher Site

Costalonga L & Miranda ER (2008) 'Equipping Artificial Guitar Players with Biomechanical Constraints: A Case Study of Precision and Speed' International Computer Music Conference - (ICMC2008) Belfast International Computer Music Association Publisher Site

Miranda ER, Durrant S & Anders T (2008) 'Towards Brain-Computer Music Interfaces: Progress and Challenges' International Symposium on Applied Sciences in Bio-Medical and Communication Technologies (ISABEL2008) Aalborg, Denmark Publisher Site

Serquera J & Miranda ER (2008) 'Spectral synthesis and control with cellular automata'

Brooks A, Eaglestone B, Ellis P, Gehlhaar R, Girao LM, Magee W, Miranda ER, Peterson E & Rodrigues P (2007) 'Non-Formal Rehabilitation via Immersive Interactive Music Environments' International Computer Music Conference (ICMC 2007) Copenhagen, Denmark 1-/-0/2007International Computer Music Association Publisher Site

Costalonga L, Miranda ER & Miletto E (2007) 'Octopus Music API: Modellling Musical Performance' Simposio Brasileiro de Computacao Musical - SBCM 2007 Sao Paulo 1-/-0/2007Brazilian Computer Society Publisher Site

Gimenes M, Miranda ER & Johnson C (2007) 'Musicianship for Robots with Style' New Interfaces for Musical Expression - (NIME 2007) New York, USA 1-/-0/2007

Knast A, Miranda ER & Denham S (2007) 'Commonalities between F2 distribution and musical timbre' Language and Music as Cognitive Systems Conference Cambridge, UK 5-/-0/20075-/-0/2007

Gimenes M, Miranda ER & Johnson C (2007) 'Emergent Musical Environments: An Artificial Life Approach' ECAL 2007 Workshop on Music and Artificial Life (MusicAL 2007) Lisbon, Portugal 1-/-0/2007

Martins J & Miranda ER (2007) 'Emergent rhythmic phrases in an A-Life environment' ECAL 2007 Workshop on Music and Artificial Life - MusicAL 2007 Lisbon, Portugal 1-/-0/2007

Kirke A & Miranda ER (2007) 'Evaluating Mappings for Cellular Automata Music' ECAL 2007 Workshop on Music and Artificial Life - MusicAL 2007 Lisbon, Portugal 1-/-0/2007

Durrant S, Miranda ER, Hardoon D, Shawe-Taylor J, Brechmann A & Scheich H (2007) 'Neural Correlates of Tonality in Music' Music, Brain & Cognition Workshop - NIPS Conference Whistler, Canada 1-/-0/2007

Costalonga L, Miranda ER & Miletto E (2007) 'Octopus Music API: Modellling Musical Performance' Brazilian Symposium on Computer Music Sao Paulo, Brazil 1-/-0/2007Publisher Site

Brooks A, Eaglestone B, Ellis P, Gehlhaar R, Girão LM, Magee W, Miranda E, Petersson E & Rodrigues P (2007) 'Artabilitation ICMC panel paper Denmark 2007: Non-formal rehabilitation via immersive interactive music environments' 77-80

Miranda ER (2006) 'Brain-Computer Interface for Generative Music' International Conference Series on Disability, Virtual Reality and Associated Technologies (ICDVRAT 2006) Esbjerg, Denmark 1-/-0/2006

Martins J & Miranda ER (2006) 'A Connectionist Architecture for the Evolution of Rhythms' EvoWorkshops 2006 Budapest, Hungary Berlin, Germany Springer Publisher Site

Martins JM & Miranda ER (2006) 'A connectionist architecture for the evolution of rhythms' 696-706

Gimenes M, Miranda ER & Johnson C (2006) 'The development of musical styles in a society of software agents' International Conference on Music Perception and Cognition Bologna, Italy 1-/-0/2006

Zhang Q & Miranda ER (2006) 'Towards an evolution model of expressive music performance' 1189-1194

Murray J, Miranda ER & Matthias J (2006) 'Real-time granular synthesis with spiking neurons' Conscious Reframed - 8th International Conference Plymouth, UK 1-/-0/2006

Zhang Q & Miranda ER (2006) 'Towards an Interaction and Evolution Model of Expressive Music Performance' Sixth International conference on Intelligent Systems Design and Applications (ISDA2006) Jinan, China 1-/-0/2006

Costalonga L, Miranda ER, Viccari R & Matthias J (2006) 'An Idiomatic Plucked String Player' FLAIRS Conference - Special Track: Artificial Intelligence in Music and Art Miami, USA Publisher Site

Zhang Q & Miranda ER (2006) 'Evolving Musical Performance Profiles using Genetic Algorithms with Structural Fitness' Genetic and Evolutionary Computation Conference (GECCO 2006) Seattle, USA Publisher Site

Alvaro J, Miranda ER & Barros B (2006) 'Music Knowledge Analysis: Towards an Efficient Representation for Composition' 11th Conference of the Spanish Association for Artificial Intelligence (CAEPIA 05) Santiago de Compostela, Spain Heidelberg, Germany Springer Publisher Site

Livingstone D & Miranda ER (2005) 'Orb3 Adaptive Interface Design for Real time Sound Synthesis & Diffusion within Socially Mediated Spaces' International Conference on New Instruments for Musical Expression (NIME'05) Vancouver, Canada 1-/-0/2005

Alvaro J, Miranda ER & Barros B (2005) 'EV Ontology: Multilevel Knowledge Representation and Programming' 10th Brazilian Symposium on Computer Music Belo Horizonte, Brazil 1-/-0/2005Brazilian Computer Society Publisher Site

Martins J & Miranda ER (2005) 'Societies of rhythmic agents: A neural representation of rhythm' 10th Rhythm Perception and Production Workshop (RPPW2005) Bilzen, Belgium 1-/-0/2005

Miranda ER & Zhang Q (2005) 'Composition As Game Strategy: Making Music by Playing Board Games Against Evolved Artificial Neural Networks' International Computer Music Conference - (ICMC 2005) Barcelona, Spain 1-/-0/2005International Computer Music Association Publisher Site

Livingstone D & Miranda ER (2005) 'ORB3 - Musical Robots within an Adaptive Social Composition System' International Computer Music Conference - (ICMC 2005) Barcelona, Spain 1-/-0/2005International Computer Music Association Publisher Site

Miranda ER, Brouse A, Boskamp B & Mullaney H (2005) 'Plymouth Brain-Computer Music Interface Project: Intelligent Assistive Technology for Music-Making' International Computer Music Conference - (ICMC 2005) Barcelona, Spain 1-/-0/2005

Miranda ER (2005) 'Steering Generative Rules with the EEG: An Approach to Brain-Computer Music Interfacing' Sound and Music Computing 05 Salerno, Italy 1-/-0/2005Sound and Music Computing Network Publisher Site

Miranda ER & Brouse A (2005) 'Toward Direct-Computer Musical Interfaces' International Conference on New Instruments for Musical Expression (NIME05) Vancouver, Canada 1-/-0/2005

Miranda ER & Matthias J (2005) 'Granular sampling using a pulse-coupled network of spiking neurons' 539-544

Gimenes M, Miranda ER & Johnson C (2005) 'A Memetic Approach to the Evolution of Rhythms in a Society of Software Agents' 10th Brazilian Symposium on Computer Music - SBCM 2005 Belo Horizonte, Brazil 1-/-0/2005Brazilian Computer Society Publisher Site

Wooller R, Brown A & Miranda ER (2005) 'A framework for comparison of process in algorithmic music systems' Generative Arts Practice - A Creativity & Cognitinion Symposium Sydney, Australia 1-/-0/2005

Gimenes M, Miranda ER & Johnson C (2005) 'On the Learning Stages of an Intelligent Rhythmic Generator' Sound and Music Computing 2005 Salerno, Italy 1-/-0/2005

Coutinho E, Gimenes M, Martins JM & Miranda ER (2005) 'Computational musicology: An Artificial Life approach' 85-93 , DOI

Miranda ER & Tikhanoff V (2005) 'Musical Composition by an Autonomous Robot: An Approach to AIBO Interaction' Towards Autonomous Robotic Systems - 2005 London, UK 1-/-0/2005

Coutinho E, Miranda ER & da Silva P (2005) 'Evolving Emotional Behaviour for Expressive Performance of Music' Intelligent Virtual Agents 2005 Kos, Greece 1-/-0/2005Heidelberg, Germany Springer - LNCS 3661-0497 Publisher Site

Hapipis A & Miranda ER (2005) 'Artificial Singing with a Webcam Mouth-Controller' Sound and Music Computing 2005 Salerno, Italy Publisher Site

Coutinho E, Miranda ER & da Silva P (2005) 'Evolving Emotional Behaviour for Expressive Performance of Music' Intelligent Virtual Agents 2005 Kos, Greece Heidelberg, Germany Springer - LNCS 3661-0497 Publisher Site

Miranda ER & Junior AM (2005) 'Granular synthesis of sounds through Markov Chains with Fuzzy control'

Coutinho E, Miranda ER & Cangelosi A (2005) 'Towards a Model for Embodied Emotions' Workshop on Affective Computing: Towards Affective Intelligent Systems (AC 2005) Covilha, Portugal Publisher Site

Valsamakis N & Miranda ER (2005) 'Extended waveform segment synthesis, a nonstandard synthesis model for microsound composition'

Livingstone D & Miranda ER (2004) 'Composition for Ubiquitous Responsive Environments' International Computer Music Conference - (ICMC 2004) Miami, USA 1-/-0/2004International Computer Music Association Publisher Site

Burraston D, Edmonds E, Livingstone D & Miranda ER (2004) 'Cellular Automata in MIDI based Computer Music' International Computer Music Conference - (ICMC 2004) Miami, USA 1-/-0/2004International Computer Music Association Publisher Site

Miranda ER & Todd PM (2003) 'A-Life and Musical Composition: A Brief Survey' IX Brazilian Symposium on Computer Music Campinas, Brazil 1-/-0/2003Brazilian Computer Society Publisher Site

Miranda ER (2002) 'Sounds of artificial life' the fourth conference 0-/-1/20020-/-1/2002ACM Press , DOI

Miranda ER (2002) 'Mimetic Development of Intonation' Springer Berlin Heidelberg 107-118 , DOI

Miranda ER (1997) 'Who composed Entre l'Absurde et le Mystère?' XVII Annual Congress of the Brazilian Computing Society / IV Brazilian Symposium on Computer Music Brasilia, Brazil Brazilian Computer Society Publisher Site

Miranda ER (1996) 'Machine Learning and Musical Invention: A Case Study' 7th International Symposium on Electronic Arts (ISEA) Rotterdam, The Netherlands 1-/-0/1996

Miranda ER (1996) 'Computer-Assistance in Concept Formation and Musical Invention' International Computer Music Conference - (ICMC 1996) Hong Kong 1-/-0/1996International Computer Music Association Publisher Site

Smaill A, Wiggins G & Miranda ER (1993) 'Music Representation: Between the Musician and the Computer' Artificial Intelligence in Music Education Workshop / World Conference on Artificial Intelligence in Education Edinburgh, UK 1-/-0/1993

Kirke A & Miranda ER 'An Instance Based Model for Generating Expressive Performance During Composition' International Computer Music Conference - (ICMC2008) Belfast, UK 1-/-0/2008International Computer Music Association Publisher Site

Kirke A & Miranda ER 'COMPER: Towards a Model for Generating Compositions from Expressive Music Performances' International Computer Music Conference - (ICMC2008) Belfast, UK 1-/-0/2008

Costalonga L & Miranda ER 'Equipping Artificial Guitar Players with Biomechanical Constraints: A Case Study of Precision and Speed' International Computer Music Conference - (ICMC2008) Belfast 1-/-0/2008International Computer Music Association Publisher Site

Miranda ER, Durrant S & Anders T 'Towards Brain-Computer Music Interfaces: Progress and Challenges' International Symposium on Applied Sciences in Bio-Medical and Communication Technologies (ISABEL2008) Aalborg, Denmark 1-/-0/2008

Costalonga L, Miranda ER, Viccari R & Matthias J 'An Idiomatic Plucked String Player' FLAIRS Conference - Special Track: Artificial Intelligence in Music and Art Miami, USA 1-/-0/2006

Zhang Q & Miranda ER 'Evolving Musical Performance Profiles using Genetic Algorithms with Structural Fitness' Genetic and Evolutionary Computation Conference (GECCO 2006) Seattle, USA 1-/-0/2006

Alvaro J, Miranda ER & Barros B 'Music Knowledge Analysis: Towards an Efficient Representation for Composition' 11th Conference of the Spanish Association for Artificial Intelligence (CAEPIA 05) Santiago de Compostela, Spain 1-/-0/2006Heidelberg, Germany Springer Publisher Site

Hapipis A & Miranda ER 'Artificial Singing with a Webcam Mouth-Controller' Sound and Music Computing 2005 Salerno, Italy 1-/-0/2005

Coutinho E, Miranda ER & da Silva P 'Evolving Emotional Behaviour for Expressive Performance of Music' Intelligent Virtual Agents 2005 Kos, Greece 1-/-0/2005Heidelberg, Germany Springer - LNCS 3661-0497 Publisher Site

Coutinho E, Miranda ER & Cangelosi A 'Towards a Model for Embodied Emotions' Workshop on Affective Computing: Towards Affective Intelligent Systems (AC 2005) Covilha, Portugal 1-/-0/2005

Daly SJ 'Changes in music tempo entrain movement related brain activity' Publisher Site

Miranda ER 'The art of rendering sounds from emergent behaviour: cellular automata granular synthesis' Euromicro Workshop on Multimedia and Telecommunications IEEE Comput. Soc , DOI

Performances

11/02/201129/06/2013Cloud Chamber. [California Academy of Sciences, Golden Gate Park, San Francisco, USA] - [ISIS Neutron and Muon Source, Rutherford-Appleton Labs, Didcot, UK] - [Theatre 1, Roland Levinsky Building, Plymouth University, Plymouth UK[ Publisher Site

Compositions

'Mozart Reloaded' Publisher Site

'Mozart Reloaded'

Personal

Reports & invited lectures

2021: Invited Speaker: QHack - Quantum Machine Learning, Toronto, Canada.

2020: Invited Speaker: Google Quantum AI, Santa Barbara, USA.

2019: Invited Speaker: Rigetti Computing, Berkeley, CA, USA.

2018: Invited Speaker: Beyond Festival – Future Design, ZKM | Center for Art and Media, Karlsruhe, Germany.

2017: Invited Lecture: Royal Institution of Great Britain, Patron Open Evening: The cognitive neuroscience of music, London, UK.

2017: Invited Speaker: London LASER 19: Interspecies Creativity, University of the Arts, London, UK.

2017: Invited Speaker: Mainly Mozart Festival, Mozart & the Mind, San Diego, USA.

2016: Invited Speaker: NeuroTechX, London, UK.

2016: Invited Speaker: EG Conference, Carmel-by-the-Sea, CA, USA.

2015: Invited Speaker: Mainly Mozart Festival, Mozart & the Mind, San Diego, USA.

2015. Invited Speaker: Technarte – International Festival on Art and Technology, Bizkaia Aretoa UPV-EHU, Bilbao, UK.

2014. Invited Speaker: Medicine Unboxed, Cheltenham, UK.

2012: Invited Speaker: Plymouth International Book Festival, Plymouth, UK.

2012: Invited Speaker: The Institution of Engineering and Technology (IET), Plymouth University, Plymouth, UK.

2006: Invited Speaker: Sonic Fusion Festival – North Edinburgh Arts Centre, Edinburgh, UK.

2009: Invited Speaker: Man Made, Dana Centre – Science Museum, London, UK.

2005: Invited Speaker: British Computer Society (BCS), Plymouth, UK.

2005: Invited Speaker: Plymouth City Museum & Art Gallery, Lunchtime Lectures, Plymouth, UK.

2003: Invited Speaker: British Embassy, The Hague, The Netherlands.

2003: Invited Speaker: Festival Música Viva, Coimbra, Portugal.

2001: Invited Speaker: Experimenta 2001: Thought as Design, Lisbon, Portugal.

2000: Invited Speaker: Festival Música Viva, Lisbon, Portugal.

Guest Lectures at Universities Worldwide

2019: Laboratorio di Informatica Musicale, Università degli Studi di Milano, Milan, Italy.

2019: University of Berkeley, Centre for New Music and Audio Technologies, Berkeley, CA, USA.

2019: University of Oxford, Department of Computer Science, Oxford, UK.

2019: University of Milan, Department of Materials Science, Milan, Italy.

2017: Tufts University, Department of Music, Medford, MA, USA.

2017: University of Regensburg, Institute of Medical Microbiology and Hygiene, Regensbug, Germany.

2016: Harvard University, Department of Music, Cambridge, MA, USA.

2016: MIT Media Lab, Cambridge, MA, USA.

2016: University of the Basque Country, Faculty of Fine Arts, Bilbao, Spain.

2016: Juan Crisóstomo de Arriaga Music Conservatoire, Bilbao, Spain.

2016: University of Bordeaux, LaBRI (Laboratoire Bordelais de Recherche en Informatique), Bordeaux, France.

2016: NOTAM (Norwegian Center for Technology in Music and Art), Oslo, Norway.

2015: IRCAM / Centre Georges Pompidou, Paris, France.

2013: Electronics Department, University of York, York, UK.

2012: Music Department, University of Aberdeen, UK.

2012: fourMs Lab & Departmant of Musicology, University of Oslo, Norway.

2009: Cybernetics, School of Systems Engineering, University of Reading, Reading, UK.

2009: Institute for Musical Research, Directions in Music Research Seminars, University of London, School of Advanced Study, London, UK.

2009: Music Department Research Forum, University of Bristol, UK.

2008: Music, Informatics and Cognition Seminars, University of Edinburgh, UK.

2007: Medical Physics & Bioengineering Department, Royal United Hospital, Bath, UK.

2007: Electronic Music Studio, Technical University of Berlin, Germany.

2007: Department of Computer Science, University of Essex, Colchester, UK.

2006: Department of Informatics, University of Western Britany, Brest, France.

2005: Department of Music, National University of Ireland, Maynooth (NUIM), Ireland.

2005: Institute of Informatics, Federal University of Rio Grande do Sul (UFRGS), Brazil.

2005: Department of Electronic Engineering, Queen Mary University of London, London, UK.

2005: Department of Computer Science, University of Exeter, Exeter, UK.

2004: School of Music, Napier University, Edinburgh, UK.

2004: Department of Innovative Design, Chalmers University of Technology, Göteborg, Sweden.

2004: Department of Music, Institute of Fine Arts, Federal University of Rio Grande do Sul (UFRGS), Porto Alegre, Brazil.

2003: Slade College of Arts, UCL, London, UK.

2003: School of Cognitive and Computing Sciences, University of Sussex, Brighton, UK.

2002: Departamento de Computación, Universidad da Coruña, La Coruña, Spain.

2001: Departamento de Informática, UNISINOS, São Leopoldo, Brazil.

2001: Institut des Sciences Cognitives, CNRS – Université Claude Bernard, Lyon, France.

2001: Faculty of Music, University of Edinburgh, UK.

2000: Institute for Communication, University of Calabria, Cosenza, Italy.

2000: School of Music, University of Vienna, Austria.

1999: Kytano Symbiotic Systems Lab, University of Tokyo, Tokyo, Japan.

1999: Department of Computer Systems and Engineering, University of Kobe, Kobe, Japan.

1999: L’Atelier Ina-GRM, Maison de la Radio France, Paris, France.

1998: Laboratoire d'Informatique de Paris 6, Université Pierre et Marie Curie, Paris, France.

1998: Department of Artificial Intelligence, Free University of Brussels, Brussels, Belgium.

1996: IEE South East Section, Edinburgh, UK.

Conferences organised

1st International Symposium on Quantum Computing and Musical Creativity. Plymouth and Oxford, UK. (2021)
11th International Symposium on Computer Music Multidisciplinary Research: Music Mind and Embodiment. Plymouth, UK. (2015)
1st International Workshop on Brain-Computer Music Interfacing. Plymouth, UK. (2015)
Symposiumon Music and Unconventional Computing, part of AISB Convention, University of Exeter, UK (2013). [co-organiser]
NeuroArts Conference , Plymouth, UK (2011). [co-organiser]
Brain-Computer Interfaces for Music , Plymouth, UK (2011).
Music Technology in Education for the Young at Risk of Social Exclusion , Plymouth, UK (2010).
PRISMA International Conference on Aesthetic Decisions in Computer-Aided Composition, Plymouth, UK (2010).
Music, Science and the Brain , Plymouth, UK (2008). [co-organiser]
Music-AL Workshop , Workshop of Music and Artificial Life part of European Conference on Artificial Life (ECAL), Lisbon, Portugal (2007).
6th European Conference onArtificial Life / 1st Workshop on Artificial Life Models for Musical Applications , Prague, Czech Republic (2001). [co-organiser]
XV Annual Congress of the Brazilian Computer Science Society / II Brazilian Symposium on Computer Music , Canela, Brazil (1995).
World Conference on Artificial Intelligence in Education / Artificial Intelligence in Music Education Workshop , Edinburgh, UK (1993). [co-organiser]

Other academic activities

My new book, Thinking Music, telling the inside story to my choral and orchestral work Sound to Sea, is now available: https://www.scoop.it/topic/eduardo-r-miranda-impact-press

Samples of my music and scientific research work are available online at SoundCloud and through my Vimeo video channel.

A selection of interviews and news articles from the the international press are available on-line with Scoop.It.

Click on the links below to see these:

Go to my SoundCloud to listen.
Go to my Vimeo channel to watch.
Go to Scoop.It to read the international news on the impact of my work.

Additional information

Performances of Compositions at Music Festivals Worldwide (a selection):

2018: Beyond Festival – Future Design, Karlsruhe, Germany.

2017: Mainly Mozart, Marriott La Jolla, San Diego, California, USA.

2016: Symmetry Festival, Concert Hall of the Collegium Hungaricum Vienna, Vienna. Austria.

2016: Sunset Center, Carmel-by-the-Sea, California, USA.

2016: Peninsula Arts Contemporary Music Festival, The House, Plymouth, UK.

2015: Mainly Mozart, Brendan Nguyen (piano), Atkinson Hall, La Jolla, San Diego, California, USA.

2015: Mainly Mozart, Hausmann Quartet, The Auditorium at TSRI, La jolla, San Diego, USA.

2015: Festsaal of TU Wien, Vienna, Austria.

2015: Peninsula Arts Contemporary Music Festival, The House, Plymouth, UK.

2015: Das Musikinstrumenten-Museum, Curt Sachs-Saal, Berlin, Germany.

2015: Music Tech Festival - London, LSO St Luke's, London, UK.

2014: Peninsula Arts Contemporary Music Festival, Plymouth, UK.

2013: La Friche la Belle de Mai, Orchestre de la Cité de la Musique de Marseille, Marseille, France.

2013: Difusão Sonora de Música Eletroacústica, Porto Alegre, Brazil.

2013: Peninsula Arts Contemporary Music Festival, Plymouth, UK.

2012: New Resonances Festival, Wilton's Music Hall, London, UK.

2012: Sond'Ar-te Electric Ensemble, Cascais Cultural Centre, Cascais, Portugal.

2012: Jornadas de Música Electroacustica, Montevidéo, Uruguay.

2012: Sound to Sea, St Andrew's Minster, Plymouth, UK.

2011: EarZoom Festival, Cankarjev Dom, Ljubljana, Slovenia.

2011: Música Eletroacústica, Sala dos Sons, Porto Alegre, Brazil.

2011: Electronica III, BBC Concert Orchestra, Queen Elizabeth Hall (South Bank Centre), London, UK.

2011: Electric Voice Theatre with Frances Lynch, Kettle's Yard, Cambridge, UK.

2011: Going North, Luciane Cardassi (piano), Peel Hall, University of Salford, UK.

2011: Peninsula Arts Contemporary Music Festival, Plymouth, UK.

2011: Going North, Luciane Cardassi (piano), Rolston recital Hall, Banff, Canada.

2010: Uma viagem musical do Brasil ao Canadá, Luciane Cardassi (piano), T-Son 61, Studio PANaroma. Teatro Maria de Lourdes Sekeff. Instituto de Arts da UNESP, Sao Paulo, SP, Brazil.

2009: … onde serene…, Piano and electronics, Luciane Cardassi (piano), Banff Centre Rolston Recital Hall, Banff, Canada.

2009: Baghdad Lullabies, Illios Happening, Frances M Lynch (voice), Harstad, Norway.

2007: Ultraschall Festival, Deutchlandradio Kultur, Sophiensaele, Berlin, Gemany.

2007: Konzert Elektroakustischer Musik, Universtität Bremem Theatersaal, Germany.

2006: Sonic Fusion Festival, Edinburgh, UK.

2006: Jornadas de Música Electroacustica, Montevidéo, Uruguay.

2005: UNYASI Festival, South African Electro-Acoustic Music Festival, Johannesburg, South Africa.

2005: Encuentros / Encounters at DePaul, DePaul University, Chicago, USA.

2004: St Andrew’s Church, Ten Tors Orchestra, Plymouth, UK.

2004: Porto 60, Salão Mourisco, Catarina Domenici (Piano), Porto Alegre, Brazil.

2003: Festival Música Viva, Coimbra, Portugal.

2003: Ipem40!, Instituut voor Psychoacustica en Elektronische Muziek, Gent, Belgium.

2003: X Jornadas de Informatica y Electronica Musical, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain.

2003: Ciclo Internacional de Música Electroacustica, Santiago de Chile, Chile.

2003: Jornadas de Música Electroacustica, Montevidéo, Uruguay.

2002: International Computer Music Conference ICMC, Göteborg, Sweden.

2002: Multiplex 2002: Música, Tecnologia e Artes Visuais, Goethe Institut, Porto Alegre, Brazil.

2001: 3a. Galeria Sonora de Compositores Latinoamericanos, Denton TX, USA.

2001: Seoul International Computer Music Festival, Seoul, South Korea.

2001: Synthèse Festival, Bourges, France.

2000: Musique et Art Visuel, Notre Dame de Monts, France.

2000: Festival Música Viva, Lisbon, Portugal.

1999: Temporada de Conciertos 1999 del la Casa de las Americas, Ciudad de la Habana, Cuba.

1999: Seoul International Computer Music Festival, Seoul, South Korea.

1999: Synthèse Festival, Bourges, France.

1998: Sala Hal, computer music series, Barcelona, Spain.

1998: Série Concertos do Século XX, Belo Horizonte, Brazil.

1998: Buenos Aires no dorme, Buenos Aires, Argentina.

1998: Festival Forfest Kromeriz, Kromeriz, Czech Republic.

1997: X Bienal de Música Brasileira, Rio de Janeiro, Brazil.

1996: Festival Elektronischer Frühling, Vienna, Austria.

1996: International Computer Music Conference ICMC, Hong Kong, China.

1995: OSPA (Porto Alegre Symphony Orchestra), Official Concert series, Porto Alegre, Brazil.

1995: XI Bienal de Música Brasileira Contemporânea, Rio de Janeiro, Brazil.

1995: Ciclo Acusmatico, Bogotá, Colombia.

1995: Synthèse Festival, Bourges, France.

Starring with Research on TV Documentaries, Radio and Podcasts (a selection):

Film:

20 Aug 2017, Sky Atlantic. Volvo Cars UK Series Defiant Pioneers. Chapter 5: Music of the Mind.

[ https://www.volvocars.com/uk/about/humanmade/discover-volvo/music-of-the-mind ]

TV:

12 Feb 2016, BBC 1. Programme: Breakfast Show. Presenter: Tim Muffett.

[ https://www.bbc.co.uk/news/av/science-environment-35557908/disabled-musicians-create-music-from-brainwaves ]

04 May 2018, EBS TV South Korea. Programme: HUMANITY 4.0. Presenter: Dennis Hong.

[ https://www.scoop.it/topic/eduardo-r-miranda-impact-press ]

18 Feb 2016, France 5. Programme: Le magazine de la santé. Presenter: Jean-Marie Leau.

[ https://www.allodocteurs.fr/emissions/le-magazine-de-la-sante/le-magazine-de-la-sante-du-18-02-2016_25724.html ]

22 Sep 2015, Fox 5 – San Diego, USA. Programme: Fox News. Presenter K. Bade

[ https://fox5sandiego.com/2015/09/22/learn-about-your-brain-with-music/ ]

05 Jun 2015, EITB TV – Bilbao, Spain. Programme: EITB Kultura. Presenter: Jon Astorquiza.

[ https://www.eitb.eus/es/television/programas/eitb-kultura/videos/detalle/3266240/video-technarte/ ]

26 Nov 2014, BBC World. Programme: BBC Click. Presenter: L JRich.

[ https://www.bbc.co.uk/news/av/technology-30182600/the-computer-circuits-made-of-slime-mould ]

08 Feb 2014, BBC World. Programme: BBC Click. Presenter: L J Rich.

[ https://www.bbc.co.uk/news/technology-26081451 ]

Radio:

11 Dec 2017: BBC Radio 3. Programme: Music Matters. Presenter: Tom Service.

[ https://www.bbc.co.uk/programmes/b09hr3w6#playt=0h34m56s ]

27 Feb 2017: BBC Radio 3. Programme: Music Matters. Presenter: Tom Service.

[ https://www.bbc.co.uk/programmes/b08g47yt ]

20 Feb 2016: NPR Washington. Programme: Weekend Edition. Presenter: Linda Wertheimer.

[ https://www.npr.org/2016/02/20/467468440/how-brainwaves-allow-paralyzed-musicians-to-continue-playing?t=1543415806625&t=1574248477500 ]

26 Feb 2015: BBC Radio 4. Programme: Inside Science. Presenter: Adam Rutherford.

[ https://www.bbc.co.uk/programmes/b053bxy1 ]

27 Feb 2015: BBC World Service. Programme: BBC News. Presenter: Roland Pease.

[ https://www.bbc.co.uk/news/science-environment-31655846 ]

20 Feb 2013: BBC Radio 3. Programme: In Tune. Presented: Sean Rafferty.

[ https://www.bbc.co.uk/programmes/b01qqsf1 ]

20 Dec 2012: BBC Radio. Programme: The World at One. Presenter: Neil Bowdler.

[ https://www.bbc.co.uk/news/av/uk-20799961/classical-music-s-all-in-the-mind ]

22 Sep 2012: BBC Radio 4. Programme: Today. Presenter: Justin Webb.

[ http://news.bbc.co.uk/today/hi/today/newsid_9753000/9753970.stm ]

22 Jan 2012 BBC World Service. Programme: The Forum. Presenter: BBC diplomatic correspondent, Bridget Kendall.

[ https://www.bbc.co.uk/programmes/p00n1xxg ]

23 Dec 2010, BBC Radio 3. Programme: A Mozart Mash-Up. Presenter: Patrick Bailey.

[ https://www.bbc.co.uk/programmes/p00dgbx7 ]

07 Dec 2004, BBC Radio 4. Programme: All in The Mind. Presenter: Raj Persaud.

[ http://www.bbc.co.uk/radio4/science/allinthemind_20041207.shtml ]

Podcasts:

27 Feb 2015: Geek Chic’s Weird Science. Programme: Episode 23 – Biomusic Special.

[ http://geekchic.libsyn.com/episode-23-biomusic-special ]

Links

Research:

http://cmr.soc.plymouth.ac.uk

Profiles

Professor in Computer Music

School of Humanities and Performing Arts (Faculty of Arts, Humanities and Business)

Qualifications

Roles on external bodies

Key publications

Teaching interests

Staff serving as external examiners

Research interests

Research groups

Other research

Research degrees awarded to supervised students

Reports & invited lectures

Conferences organised

Other academic activities

Additional information

Links