Professor Eduardo Miranda
Profiles

Professor Eduardo Miranda

Professor in Computer Music

School of Humanities and Performing Arts (Faculty of Arts & Humanities)

Role

I am Professor in Computer Music and head of the Interdisciplinary Centre for Computer Music Research (ICCMR). 

I am an experienced researcher and PhD supervisor (Director of Studies). 

I have supervised 12 doctoral students to successful completion at Plymouth University within the last 10 years. 

Should you wish to join ICCMR to study for a post-graduate degree under my supervision, please do not hesitate to contact the Graduate School for admissions information:

https://www.plymouth.ac.uk/student-life/your-studies/the-graduate-school

Also, I have considerable experience with post-graduate external examinations, with 32 PhD theses examined worldwide within the last 10 years. Should you be interested in appointing me to conduct an examination at your institution, please do not hesitate to contacting me to check availability.

My academic duties include:
  • Director of Peninsula Arts Contemporary Music Festival
  • Member of Peninsula Arts' steering committee for music
  • Programme Manager of Res.M Computer Music
  • Member of the steering committee of the Centre for High Performance Computing
  • School research co-ordinator for music

Qualifications

Other Appointments (last 4 only):


Visiting Professor
Laboratoire Bordelais de Recherche en Informatique (LaBRI)
University of Bordeaux, 
Bordeaux, France
2016

Visiting Research Fellow
Staatliches Institut fur Musikforschung (National Institute for Music Research)
Berlin, Germany
2010

Edgar Varèse Visiting Professor of Computer Music
Electronic Music Studios, Institute of Communications Research
Technische Universität Berlin (TUB)
Berlin, Germany
Winter Semester of 2006 - 2007

Research Scientist
SONY Computer Science Laboratory
Paris, France
1998 – 2003

Adjunct Associate Professor of Computer Science
American University of Paris
Paris, France
2002 – 2003

Roles on external bodies

Editor:
  • Co-editor: Journal of Creative Music Systems, Huddersfield University Press. (http://jcms.org.uk/)
Editorial Boards:
  • Member of the Editorial Board: Organised Sound, Cambridge University Press.
  • Member of the Editorial Board: Leonardo Music Journal, The MIT Press.
  • Member of the Editorial Board: Contemporary Music Review, Routledge.
  • Member of the Editorial Board: Leonardo Transactions, The MIT Press.
  • Member  of the Editorial Board: Journal of Sonic Studies.
  • Member of the Editorial Board: International Journal of Unconventional Computing, Old City Publishing
  • Member of the Reviewing Board: IEEE Multimedia.
  • Member of the EditorialBoard: The Scientific World Journal.

Peer Reviews:

  • Member of the peer review college of the Austrian Science Foundation (FWF), Austria (appointed 2010 - )
  • Member of the peer review college of the Danish Council for Strategic Research, Denmark (appointed 2010 - )
  • Anonymous peer reviewing of numerous research grant proposals for Research Grants Council of Hong Kong, EPSRC, AHRC, The Wellcome Trust, Racomedi 
  • Member of the Review Panel for Alban Scholarships, European Union (2006-2009)

Teaching interests

  • Music Composition
  • Computer Music / Music Technology
  • Electroacoustic Music
  • Artificial Intelligence
  • Evolutionary Computing / Artificial Life
  • Brain-Computer Interfacing / Assistive Technology

Staff serving as external examiners

  • External Examiner for BA Music Computing, Goldsmiths College (2011 – 2016)
  • External Examiner for the MA/MSc in Music Technology, Dept of Music & Dept of Electronics, University of York (2007 – 2009)
  • External Examiner for the BMus in Music with Computer Sound Design, Dept of Music and Sound Recording, University of Surrey (2007 – 2010)
  • External Examiner for the BMus Honours (Tonmeister), Dept of Music and Sound Recordings, University of Surrey (2007 – 2010)
  • External Examiner for the MSc Applied Artificial Intelligence, School of Engineering, Computer Science and Mathematics, University of Exeter (2006 –2010)
  • External Examiner for the MSc Music Information Technology, City University (2006 – 2009)
  • External examiners for 31 PhD awards to date at: 
    • University of Huddersfield (2017)
    • University of Kent (2017)
    • University College Cork (2016)
    • University of Reading (2015)
    • Sydney Conservatorium of Music (2014)
    • University of Adelaide, Australia (2014)
    • University of Edinburgh (2013)
    • University of Oslo , Norway (2012)
    • University of Surrey (2010)
    • University of Essex (2010, 2014)
    • University of York (2010)
    • Queen's University Belfast (2010)
    • Open University (2010, 2013, 2015)
    • Birmingham Conservatoire (2009, 2011)
    • University of the West of England (2008)
    • University of East Anglia (2008)
    • Edinburgh Napier University (2008)
    • University College, London (2007, 2010)
    • Goldsmiths College (2007)
    • Queen Mary University of London (2007, 2010, 2011, 2015)
    • Chalmers University of Technology, Sweden (2004)
    • Federal University of Rio Grande do Sul, Brazil (2002)
    • University of Coruña, Spain (2001)

Research interests

  • Composition (including algorithmic and computer-aided)
  • Electroacoustic Music Composition
  • Sound Synthesis
  • New Musical Interfaces
  • Expressive Music Performance (by machines)
  • Brain-Computer Music Interface
  • Evolutionary Computer Music
  • Music Neurotechnology
  • Unconventional Computation (for music technology)
  • Artificial Intelligence and Music

Other research

Patents

1) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Morphological categories for voice synthesis”, Europe: EP 1 160 764 A1, Publication 05/12/2001; Japan: P2002-23775A, Publication 04/06/2001.

2) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Expressivity of Voice Synthesis”, Europe: EP 1 160 766 A1, Publication: 05/12/2001, USA: US 2002/0026315 A1, Publication 28/02/2002.

3) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Vocal sounds granular synthesis by means of cellular automaton”, Europe: EP 1 160 765 A1, Publication 05/12/2001; Japan: P2002-6873A, Publication 04/06/2001.

4) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Synthesis of Ultra-Linguistic Utterances”, USA: US 22002/0029145 A1, Publication 07/03/2002.

5) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Sound characterisation and/or identification based on prosodic listening”, Europe: EP 1 246 164 A1, Publication 02/10/2002; PCT International: WO 02/070744 A2, Publication 10/10/2002.


Research degrees awarded to supervised students

Successful PhD completions:

2017, University of Plymouth, Aurelien Antoine. PhD Thesis: An Investigation into using Artificial Intelligence to Aid Composition of Timbre using Orchestral Instruments.

2016, University of Plymouth, Edward Braund. PhD Thesis: Unconventional Computing and Music: An Investigation into Harnessing Physarum polycephalum.

2016, University of Plymouth, Joel Eaton. PhD Thesis: Brain-Computer Music Interfacing: Designing Practical Systems for Creative Applications.

2014, University of Plymouth, Hans Holger Rutz. PhD Thesis: Tracing the Compositional Process.

2013, University of Plymouth, Nikolas Valsamakis. PhD Thesis: Non-Standard Sound Synthesis with Dynamic Models.

2013, University of Plymouth, Christian Dimpker. PhD Thesis: Extended Notation: The Depiction of the Unconventional.

2012, University of Plymouth, Noris Mohd Norowi. PhD Thesis: AnArtificial Intelligence Approach to Concatenative Sound Synthesis.

2012, University of Plymouth, Daniel Livingstone. PhD Thesis: Design Strategies for Adaptive Social Composition: Collaborative SoundEnvironments.

2012, University of Plymouth, Joao Martins. PhD Thesis:  Emergent Rhythmic Structures asCultural Phenomena Driven by Social Pressure in a Society of Artificial Agents.

2011, University of Plymouth, Alexis Kirke. PhD Thesis: Application of Intermediate Multi-Agent Systems to IntegratedAlgorithmic Composition and Expressive Performance of Music.

2010, University of Plymouth, Peter Beyls. PhD Thesis: Music as Emergent Complex Behaviour.

2010, University of Plymouth, Leandro Costalonga. PhD Thesis: Biomechanical Modelling of Musical Performance: A Case Study of theGuitar

2009, University of Plymouth, Marcelo Gimenes. PhD Thesis: An Approach to Machine Development of Musical Ontogeny.

2001, University of Glasgow, Alexander Duncan. PhD Thesis: EEG Pattern Classification for the Brain-Computer Musical Interface.

1999, University of Glasgow, Kenneth McAlpine. PhD Thesis: Application of Dynamical Systems to Music Composition.

Key publications are highlighted

Journals
Articles
Kirke A, Williams D, Miranda E, Bluglass A, Whyte C, Pruthi R & Eccleston A 2018 'Unconsciously interactive Films in a cinema environment—a demonstrative case study' Digital Creativity 1-17 , DOI PEARL
Daly I, Williams D, Malik A, Weaver J, Kirke A, Hwang F, Miranda E & Nasuto SJ 2018 'Personalised, Multi-modal, Affective State Detection for Hybrid Brain-Computer Music Interfacing' IEEE Transactions on Affective Computing 1-1 , DOI
Nicolaou N, Malik A, Daly I, Weaver J, Hwang F, Kirke A, Roesch E, Willilams D, Miranda ER & Nasuto S 2017 'Directed Motor-Auditory EEG Connectivity Is Modulated by Music Tempo' Frontiers in Human Neuroscience 11, , DOI PEARL
Miranda ER 2017 'Harnessing Slime Mould Communication for Musical Computing' Interalia Magazine Publisher Site PEARL
Miranda ER, Norowi NM & Hussin M 2017 'Parametric Factors Affecting Concatenative Sound Synthesis' Advanced Science Letters 23, (6) 5496-5500 , DOI PEARL
Williams D, Kirke A, Miranda E, Daly I, Hwang F, Weaver J & Nasuto S 2017 'Affective Calibration of Musical Feature Sets in an Emotionally Intelligent Music Composition System' ACM Transactions on Applied Perception 14, (3) 1-13 , DOI PEARL
Visi F, Coorevits E, Schramm R & Miranda ER 2017 'MUSICAL INSTRUMENTS, BODY MOVEMENT, SPACE, AND MOTION DATA: MUSIC AS AN EMERGENT MULTIMODAL CHOREOGRAPHY' Human Technology 13, (1) 58-81 Author Site Publisher Site , DOI PEARL
Miranda ER & Braund EW 2017 'INTERACTIVE MUSICAL BIOCOMPUTER: AN UNCONVENTIONAL APPROACH TO RESEARCH IN UNCONVENTIONAL COMPUTING' Symmetry: Culture & Science PEARL
Miranda ER & Braund EW 2017 'On Building Practical Biocomputers for Real-World Applications: Receptacles for Culturing Slime Mould Memristors and Component Standardisation' Journal of Bionic Engineering , DOI PEARL
Miranda ER & Braund E 2017 'A Method for Growing Bio-memristors from Slime Mold' Journal of Visualized Experiments (129) , DOI PEARL
Miranda ER 2016 'Music: The music of particle collisions' Nature Physics 12, (8) 721-721 , DOI PEARL
Daly I, Williams D, Kirke A, Weaver J, Malik A, Hwang F, Miranda E & Nasuto SJ 2016 'Affective brain–computer music interfacing' Journal of Neural Engineering 13, (4) 046022-046022 , DOI PEARL
Kirke A, Shadbolt P, Neville A & Miranda E 2016 'A Hybrid Computer Case Study for Unconventional Virtual Computing' International Journal of Unconventional Computation PEARL
Daly I, Williams D, Hallowell J, Hwang F, Kirke A, Malik A, Weaver J, Miranda E & Nasuto SJ 2015 'Music-induced emotions can be predicted from a combination of brain activity and acoustic features' Brain and Cognition 101, 1-11 , DOI PEARL
Williams D, Kirke A, Miranda ER, Roesch E, Daly I & Nasuto S 2015 'Investigating affect in algorithmic composition systems' Psychology of Music 43, (6) 831-854 , DOI
Kirke A, Freeman S & Miranda ER 2015 'Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank' Computer Music Journal 39, (3) 59-70 , DOI PEARL
Williams D, Nasuto S, Kirke A, Miranda E, Daly I, Hallowell J, Weaver J, Malik A, Roesch E & Hwang F 2015 'Investigating Perceived Emotional Correlates of Rhythmic Density in Algorithmic Music Composition' ACM Transactions on Applied Perception 12, (3) 1-21 , DOI PEARL
Kirke A, Eaton J & Miranda E 2015 'Real-Time Hallucination Simulation and Sonification through User-Led Development of an iPad Augmented Reality Performance' Leonardo 48, (3) 235-242 , DOI PEARL
Eaton J, Williams D & Miranda E 2015 'The Space Between Us : Evaluating a multi-user affective brain-computer music interface' Brain-Computer Interfaces 2, (2-3) 103-116 , DOI PEARL
Miranda ER & Williams D 2015 'Artificial Intelligence in Organised Sound' Organised Sound 20, (01) 76-81 , DOI PEARL
Daly I, Hwang F, Kirke A, Malik A, Weaver J, Williams D, Miranda E & Nasuto SJ 2015 'Automated identification of neural correlates of continuous variables' Journal of Neuroscience Methods 242, 65-71 , DOI PEARL
Schramm R, Jung CR & Miranda ER 2015 'Dynamic Time Warping for Music Conducting Gestures Evaluation' IEEE TRANSACTIONS ON MULTIMEDIA 17, (2) 243-255 Author Site , DOI
Kirke A & Miranda E 2015 'A Multi-Agent Emotional Society Whose Melodies Represent its Emergent Social Hierarchy and Are Generated by Agent Communications' Journal of Artificial Societies and Social Simulation 18, (2) , DOI PEARL
Norowi NM, Miranda ER & Madzin H 2015 'Identifying the basis of auditory similarity in concatenative sound synthesis users: A study between musicians and non-musicians' ARPN Journal of Engineering and Applied Sciences 10, (23) 18039-18045
Kirke A, Freeman S & Miranda ER 2015 'Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank' Computer Music Journal 39, (3) 59-70 , DOI
Kirke A & Miranda E 2014 'Pulsed Melodic Affective Processing: Musical structures for increasing transparency in emotional computation' SIMULATION 90, (5) 606-622 , DOI PEARL
Miranda ER 2014 'Harnessing the Intelligence of Physarum Polycephalum for Unconventional Computing-Aided Musical Composition' INTERNATIONAL JOURNAL OF UNCONVENTIONAL COMPUTING 10, (3) 251-268 Author Site
Serquera J & Miranda ER 2014 'Histogram Mapping Synthesis: A Cellular Automata-Based Technique for Flexible Sound Design' COMPUTER MUSIC JOURNAL 38, (4) 38-52 Author Site , DOI
Serquera J & Miranda ER 2014 'Histogram mapping synthesis: A cellular automata-based technique for flexible sound design' Computer Music Journal 38, (4) 38-52 , DOI
Daly I, Malik A, Hwang F, Roesch E, Weaver J, Kirke A, Williams D, Miranda E & Nasuto SJ 2014 'Neural correlates of emotional responses to music: An EEG study' Neuroscience Letters 573, 52 - 57-52 - 57 Publisher Site , DOI
Kirke AJ & Miranda ER 2014 'Towards Harmonic Extensions of Pulsed Melodic Affective Processing Further Musical Structures for Increasing Transparency in Emotional Computation' INTERNATIONAL JOURNAL OF UNCONVENTIONAL COMPUTING 10, (3) 199-217 Author Site PEARL
Kirke AJ & Miranda ER 2014 'Unconventional Computation and Teaching: Proposal for MUSIC, a Tone-Based Scripting Language for Accessibility, Computation and Education' INTERNATIONAL JOURNAL OF UNCONVENTIONAL COMPUTING 10, (3) 237-249 Author Site PEARL
Kirke A, Miranda E, Chiaramonte A, Troisi A, Matthias J, Fry N, McCabe C, Radtke J & Bull M 2013 'Cloud Chamber: A Performance with Real Time Two-Way Interaction Between Subatomic Particles and Violinist' Leonardo 46, (1) Author Site
Fernandez de Vega F, Cotta C & Miranda ER 2012 'Special issue on evolutionary music' SOFT COMPUTING 16, (12) 1995-1996 Author Site , DOI
Kirke A & Miranda ER 2012 'Pulsed Melodic Affective Processing – Using Music for Natural Affective Computation and Increased Processing Transparency' Neural, Parallel, and Scientific Computations 20, 227-240
Miranda ER, Magee WL, Wilson JJ, Eaton J & Palaniappan R 2011 'Brain-Computer Music Interfacing (BCMI): From Basic Research to the Real World of Special Needs' Music and Medicine 3, (3) 134-140 Publisher Site , DOI
Anders T & Miranda ER 2011 'Constraint Programming Systems for Modeling Music Theories and Composition' ACM COMPUTING SURVEYS 43, (4) Author Site , DOI
Anders T & Miranda ER 2011 'Constraint Programming Systems for Modeling Music Theories and Composition' ACM Computing Surveys 43, (4) Publisher Site , DOI
Anders T & Miranda ER 2011 'A Computational Model for Rule-Based Microtonal Music Theories and Composition' Perspectives of New Music 2, (48) 47-77 Publisher Site
Miranda ER, Adamatzky A & Jones J 2011 'Sounds Synthesis with Slime Mould of Physarum Polycephalum' JOURNAL OF BIONIC ENGINEERING 8, (2) 107-113 Author Site , DOI
Anders T & Miranda ER 2010 'Constraint Application with Higher-Order Programming for Modeling Music Theories' COMPUTER MUSIC JOURNAL 34, (2) 25-38 Author Site , DOI
Miranda ER, Kirke A & Zhang Q 2010 'Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach' COMPUTER MUSIC JOURNAL 34, (1) 80-96 Author Site , DOI
Miranda ER 2010 'Plymouth brain-computer music interfacing project: from EEG audio mixers to composition informed by cognitive neuroscience' International Journal of Arts and Technology 3, (2/3) 154-176 Publisher Site , DOI
Miranda ER 2010 'Organised Sound, Mental Imageries and the Future of Music Technology: a neuroscience outlook' ORGANISED SOUND 15, (1) 13-25 Author Site , DOI
Miranda ER 2010 'Contextualizing eighteenth century Enlightenment through the lenses of contemporary science' Phys Life Rev 7, (1) 35-36 , DOI
Durrant S, Hardoon DR, Brechmann A, Shawe-Taylor J, Miranda ER & Scheich H 2009 'GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison (vol 21, pg 161, 2009)' CONNECTION SCIENCE 21, (4) 383-383 Author Site , DOI
Kirke A & Miranda ER 2009 'A Survey of Computer Systems for Expressive Music Performance' ACM COMPUT SURV 42, (1) , DOI
Durrant S, Hardoon DR, Brechmann A, Shawe-Taylor J, Miranda ER & Scheich H 2009 'GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison' Connection Science 21, (2-3) 161-175 , DOI
Miranda ER & Overy K 2009 'Preface: The Neuroscience of Music' CONTEMPORARY MUSIC REVIEW 28, (3) 247-250 Author Site , DOI
Miranda ER, Bull L, Gueguen F & Uroukov IS 2009 'Computer Music Meets Unconventional Computing: Towards Sound Synthesis with In Vitro Neuronal Networks' COMPUTER MUSIC JOURNAL 33, (1) 9-18 Author Site , DOI
Miranda ER 2009 'Preface: Aesthetic Decisions in Computer-Aided Composition' CONTEMPORARY MUSIC REVIEW 28, (2) 129-132 Author Site , DOI
Miranda ER & Matthias J 2009 'Music Neurotechnology for Sound Synthesis: Sound Synthesis with Spiking Neuronal Networks' LEONARDO 42, (5) 439-442 Author Site , DOI
Anders T & Miranda ER 2009 'Interfacing Manual and Machine Composition' Contemporary Music Journal 28, (2) 133-147 Publisher Site , DOI
Miranda ER 2008 'Emergent songs by social robots' JOURNAL OF EXPERIMENTAL & THEORETICAL ARTIFICIAL INTELLIGENCE 20, (4) 319-334 Author Site , DOI
Miranda ER & Maia Jr A 2007 'Spectral Fuzzy Sets and Markov Streaming for Granular Synthesis of Sound' Symmetry: Culture and Science 18, (2/3) 223-241 Publisher Site
Miranda ER 2006 'Brain-computer music interface for composition and performance' International Journal on Disability and Human Development 5, (2) 119-125 Publisher Site
Valsamakis N & Miranda ER 2005 'Iterative sound synthesis by means of cross-coupled digital oscillators' DIGITAL CREATIVITY 16, (2) 90-98 Author Site , DOI
Miranda ER & Brouse A 2005 'Interfacing the brain directly with musical systems: On developing systems for making music with brain signals' LEONARDO 38, (4) 331-336 Author Site , DOI
Miranda ER 2005 'Artificial phonology: Disembodied humanoid voice for composing music with surreal languages' LEONARDO MUSIC JOURNAL 15, 8-16
Westermann G & Miranda ER 2004 'A new model of sensorimotor coupling in the development of speech' BRAIN AND LANGUAGE 89, (2) 393-400 Author Site , DOI
Miranda ER 2004 'At the crossroads of evolutionary computation and music: self-programming synthesizers, swarm orchestras and the origins of melody' Evol Comput 12, (2) 137-158 Author Site , DOI
Miranda ER, Roberts S & Stokes M 2004 'On Generating EEG for Controlling Musical Systems' Biomedizinische Technik / Biomedical Engineering 49, (1) 75-76 Publisher Site
Miranda ER 2003 'Contemporary Music Review: Preface' Contemporary Music Review 22, (3) 1-3 , DOI
Miranda ER, Kirby S & Todd P 2003 'On Computational Models of the Evolution of Music: From the Origins of Musical Taste to the Emergence of Grammars' Contemporary Music Review 22, (3) 91-111 , DOI
Miranda ER, Sharman K, Kilborn K & Duncan A 2003 'On harnessing the electroencephalogram for the musical braincap' COMPUTER MUSIC JOURNAL 27, (2) 80-102 Author Site , DOI
Miranda ER 2003 'On the evolution of music in a society of self-taught digital creatures' DIGITAL CREATIVITY 14, (1) 29-42 Author Site , DOI
Miranda ER 2003 'On the music of emergent behavior: What can evolutionary computation bring to the musician?' LEONARDO 36, (1) 55-59 Author Site , DOI
Westerman G & Miranda ER 2002 'Modelling the development of mirror neurons for auditory-motor integration' JOURNAL OF NEW MUSIC RESEARCH 31, (4) 367-375 Author Site , DOI
Miranda ER 2002 'Generating Source Streams for Extralinguistic Utterances' Journal of the Audio Engineering Society 50, (3) 165-172 Publisher Site
Bilotta E, Miranda ER, Pantano P & Todd PM 2002 'Artificial Life for Musical Applications: Workshop Report' Artificial Life 8, 83-86 , DOI
Miranda ER 2002 'Emergent Sound Repertoires in Virtual Societies' Computer Music Journal 26, (2) 77-90 Publisher Site , DOI
MIRANDA ER, CORREA J & WRIGHT J 2000 'Categorising complex dynamic sounds' Organised Sound 5, (02) , DOI
McAlpine K, Miranda E & Hoggar S 1999 'Making Music with Algorithms: A Case-Study System' Computer Music Journal 23, (2) 19-30 , DOI
Miranda ER 1998 'Music, Machines, Intelligence and the Brain' Journal of Electroacoustic Music 31, (4) 32-33
Miranda ER 1998 'The role of speech synthesis in Requiem per una veu perduda' Organised Sound 3, (3)
Miranda ER 1995 'Artificial intelligence approach to sound design' Computer Music Journal 19, (2) 59-75
Miranda ER 1994 'Music composition using cellular automata' Languages of Design 2, (2) 105-117
Miranda ER 1994 'From symbols to sound: AI-based investigation of sound synthesis' Contemporary Music Review 10, (2) 211-232 , DOI
Books
Miranda ER 2016 Mind Pieces. New York Intelligent Arts Author Site Publisher Site PEARL
Miranda ER 2014 Thinking Music. Plymouth University of Plymouth Press Author Site Publisher Site
Miranda ER & Castet J 2014 Guide to Brain-Computer Music Interfacing. Springer
Kirke A & Miranda ER 2013 Guide to Computing for Expressive Music Performance. London Springer Publisher Site
Kirke A & Miranda ER 2012 Guide to Computing for Expressive Music Performance. Springer
Miranda ER 2011 A-Life for Music: Music and Computer Models of Living Systems. Middleton, WI, USA A-R Editions Computer Music and Digital Audio Series 24 Publisher Site
Miranda ER & Biles A 2007 Evolutionary Computer Music. Springer Verlag
Miranda ER & Wanderley MM 2006 New Digital Musical Instruments. 21 A-R Editions, Inc. Computer Music and Digital Audio Series
Miranda ER 2002 Computer Sound Design. Focal Pr
Miranda ER 2001 Composing Music with Computers. Focal Pr
Miranda ER 2000 Readings in Music and Artificial Intelligence. Routledge
Miranda ER 1999 Musica y Nuevas Tecnologias: Perspectivas para el Siglo XXI. Barcelona L'Angelot
Miranda ER 1998 Computer Sound Synthesis for the Electronic Musician. Focal Pr
Chapters
Venkatesh S, Braund E & Miranda ER 2018 'A Universal Biocomputing Model for Creative Applications: A Nonlinear Approach Using Physarum polycephalum-based Memristors' in Adamatzky A Slime Mould in Arts and Architecture World Scientific
Miranda ER & Eaton J 2018 'Music Neurotechnology: a natural progression' in Emmerson S The Routledge Research Companion to Electronic Music: Reaching out with Technology Oxford Taylor & Francis Publisher Site
Williams D & Miranda ER 2018 'BCI for Music Making: Then, Now, and Next' in Nam CS; Nijholt A; Lotte F Brain–Computer Interfaces Handbook: Technological and Theoretical Advances Florence, KY CRC Press Publisher Site PEARL
Eaton J & Miranda ER 2018 'On Mapping EEG Information into Music' in Miranda E; Castet J Guide to Brain-Computer Music Interfacing London Springer-Verlag London Publisher Site PEARL
Braund E & Miranda ER 2017 'An Approach to Building Musical Bioprocessors with Physarum polycephalum Memristors' in Miranda ER Guide to Unconventional Computing for Music Springer International Publishing Publisher Site , DOI PEARL
Kirke A & Miranda ER 2017 'Experiments in Sound and Music Quantum Computing' in Miranda E Guide to Unconventional Computing for Music Springer International Publishing Publisher Site , DOI PEARL
Miranda ER, Kirke A, Braund E & Antoine A 2017 'On Unconventional Computing for Sound and Music' in Miranda E Guide to Unconventional Computing for Music Springer International Publishing Publisher Site , DOI PEARL
Miranda ER & Braund E 2017 'Experiments in musical biocomputing: towards new kinds of processors for audio and music' in Adamatzky A Advances in Unconventional Computing Springer, Cham 739-761 Publisher Site
Drayton J, Miranda ER & Kirke A 2017 'A Comparison of Fitness Functions in a Genetic Algorithm for Acoustic–Articulatory Parameter Inversion of Vowels' in Bosman PAN New York, NY, USA ACM PEARL
Miranda ER & Vinjar A 2016 'Recomposing Beethoven with Music Neurotechnoly' in Bresson J; Agon C; Assayag G The OM Composer's Book.3 Paris Delatour & IRCAM Georges Pompidou 173-192 Author Site PEARL
Miranda ER 2014 'Brain-Computer Music Interfacing: Interdisciplinary Research at the Crossroads of Music, Science and Biomedical Engineering' in Castet J London Springer-Verlag London Publisher Site PEARL
Miranda E, Lloyd D, Josipovic Z & Williams D 2014 'Creative Music Neurotechnology with Symphony of Minds Listening' in Miranda E; Castet J Guide to Brain-Computer Music Interfacing New York Springer 271-295 PEARL
Kirke A & Miranda ER 2013 'Pulsed Melodic Processing – the Use of Melodies in Affective Computations for Increased Processing Transparency' in Holland S; Mulholland A; Seago A Music and Human-Computer Interaction London Springer Publisher Site
Miranda ER 2012 'On computer-aided composition, musical creativity and brain asymmetry' The Act of Musical Composition: Studies in the Creative Process 215-231
Miranda ER 2012 'On Computer-aided Composition, Musical Creativity and Brain Asymmetry' The Act of Musical Composition: Studies in the Creative Process Farnham, UK Ashgate 52-58 Publisher Site
Kirke A & Miranda ER 2012 'An Overview of Computer Systems for Expressive Music Performance' in Kirke A; Miranda ER Guide to Computing for Expressive Music Performance Springer 1-48 Publisher Site
Miranda ER, Kirke A & Zhang Q 2012 'Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach' in Kirke A; Miranda ER Guide to Computing for Expressive Music Performance Springer 99-123 Publisher Site
Brown AR, Wooller R & Miranda ER 2011 'Evolutionary Morphing for Music Composition' in Miranda ER A-Life for Music A-R Editions, Inc. Publisher Site
Gimenes M & Miranda ER 2011 'An Ontomemetic Approach to Musical Intelligence' in Miranda ER A-Life for Music A-R Editions, Inc.
Kirke A & Miranda ER 2011 'A Biophysically Constrained Multi-Agent Systems Approach to Algorithmic Composition with Expressive Performanc' in Miranda ER A-Life for Music A-R Editions, Inc. Publisher Site
Miranda ER 2010 'Game of Life Music' in Adamatzky A Game of Life Cellular Automata Springer-Verlag 489-501
Miranda ER 2009 'Digital Sound Synthesis for Multimedia Audio' in Wah BW Wiley Encyclopedia of Computer Science and Engineering Hoboken, NJ Wiley-Interscience
Serquera J & Miranda ER 2008 'Cellular Automata Sound Synthesis: From Histograms to Spectrograms' in Adamatzky A Automata-2008 Frome, UK Luniver Pr
Miranda ER 2007 'Cellular automata music: From sound synthesis to musical forms' Evolutionary Computer Music 170-193 , DOI
Miranda ER & Todd PM 2007 'Computational evolutionary musicology' Evolutionary Computer Music 218-249 , DOI
Zhang Q & Miranda ER 2007 'Experiments in generative musical performance with a genetic algorithm' Evolutionary Computer Music 100-116 , DOI
Todd P & Miranda ER 2006 'Putting some (artificial) life into models of musical creativity' in Deliège I; Wiggins GA Musical Creativity London Psychology Pr
Miranda ER 2006 'On Making Music with Artificial Life Models' in Ascott R Engineering Nature Bristol Intellect Ltd
Miranda ER 2005 'Musique de la Vie Artificiel' in Daubner E; Poissant L Art et Biotechnologies Montreal Université de Saint-Etienne
Westerman G & Miranda ER 2002 'Integrating Perception and Production in a Neural Network Model' in Bullinaria JA; Lowe W Connectionist Models of Cognition and Perception World Scientific Pub Co Inc
Performances
20110211 20130629 Cloud Chamber. [California Academy of Sciences, Golden Gate Park, San Francisco, USA] - [ISIS Neutron and Muon Source, Rutherford-Appleton Labs, Didcot, UK] - [Theatre 1, Roland Levinsky Building, Plymouth University, Plymouth UK[ Publisher Site

Other academic activities

My  new book ,  Thinking Music, telling the inside story to my choral and orchestral work Sound to Sea , is now available. Click [ HERE ] for more information.

Samples of my music and scientific research work are available online at SoundCloud and through my Vimeo video channel. 

A selection of interviews and news articles from the the international press are available on-line with Scoop.It. 

Click on the links below to see these:

GO TO my SoundCloud to listen.


GO TO Scoop.It to read the international news on the impact of my work.






Additional information

No info added

Links

Research:

http://cmr.soc.plymouth.ac.uk