- Room 302, The House, Drake Circus, Plymouth, PL4 8AA
- +44 1752 586255
- eduardo.miranda@plymouth.ac.uk
Profiles
Professor Eduardo Miranda
Professor in Computer Music
School of Society and Culture (Faculty of Arts, Humanities and Business)
Professor Eduardo Miranda can be contacted through arrangement with our Press Office, to speak to the media on these areas of expertise.
- Artificial intelligence
- Music technology
- Music composition
- Computer music
- Neuroscience of music
- Brain-computer interfaces
- Quantum computing
- Unconventional computing
- Neuroimaging
- Qualitative research
- Quantitative research
- Computational modelling
Email publicrelations@plymouth.ac.uk to enquire.
Biography
Biography
I am a composer and Professor in Computer Music. I have composed a number of symphonies and an opera and have had the privilege to share the stage with the BBC Concert Orchestra, BBC Singers, Jarvis Cocker, American beatboxer Butterscotch, and a few other great artists.
I am head of the Interdisciplinary Centre for Computer Music Research (ICCMR), which I created at the University of Plymouth in 2004.
Today ICCMR is internationally known for its pioneering research and for making a difference in the world.
I am an experienced researcher and PhD supervisor (Director of Studies).I have supervised 17 doctoral students to successful completion at the University of Plymouth within the last 10 years.
I have considerable experience with post-graduate external examinations, with 38 PhD theses examined worldwide within the last 10 years.
Should you wish to join ICCMR to study for a postgraduate degree under my supervision, please do not hesitate to contact me to discuss your interests.
Qualifications
- Computing
- MSc Music Technology
- PhD Music
Other Appointments:
2021–present: Visiting Researcher, Cambridge Quantum Computing, Oxford, UK
2019 – Inter_agency Artist-in-Residence, Institute of Electronic Music and Acoustic, University of the Arts, Graz, Austria
2016 – Visiting Professor, Laboratoire Bordelais de Recherche en Informatique (LaBRI), University of Bordeaux, Bordeaux, France
2010 – Visiting Research Fellow, Staatliches Institut fur Musikforschung (National Institute for Music Research), Berlin, Germany
Winter Semester of 2006–2007 – Edgar Varèse Visiting Professor of Computer Music, Electronic Music Studios, Institute of Communications Research, Technische Universität Berlin (TUB), Berlin, Germany
1998–2003 – Research Scientist, SONY Computer Science Laboratory, Paris, France
2002–2003 – Adjunct Associate Professor of Computer Science, American University of Paris, Paris, France
Roles on external bodies
Editor:
- Co-editor: Journal of Creative Music Systems, Huddersfield University Press. (http://jcms.org.uk/)
- Member of the Editorial Board: Organised Sound, Cambridge University Press.
- Member of the Editorial Board: Leonardo Music Journal, The MIT Press.
- Member of the Editorial Board: Contemporary Music Review, Routledge.
- Member of the Editorial Board: Leonardo Transactions, The MIT Press.
- Member of the Editorial Board: Journal of Sonic Studies.
- Member of the Editorial Board: International Journal of Unconventional Computing, Old City Publishing
- Member of the Reviewing Board: IEEE Multimedia.
- Member of the EditorialBoard: The Scientific World Journal.
- Member of the peer review college of the Austrian Science Foundation (FWF), Austria (appointed 2010–)
- Member of the peer review college of the Danish Council for Strategic Research, Denmark (appointed 2010–)
- Anonymous peer reviewing of numerous research grant proposals for Research Grants Council of Hong Kong, EPSRC, AHRC, The Wellcome Trust, Racomedi
- Member of the Review Panel for Alban Scholarships, European Union (2006–2009)
Highlights
Key publications
(2019) 'Electroencephalography reflects the activity of sub-cortical brain regions during approach-withdrawal behaviour while listening to music' Scientific Reports 9, (1) 0-0 , DOI Open access
(2018) 'Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music?' Computer Music Journal 42, (3) 28-46 , DOI Open access
(2017) 'Directed Motor-Auditory EEG Connectivity Is Modulated by Music Tempo' Frontiers in Human Neuroscience 11, , DOI Open access
(2021) Handbook of Artificial Intelligence for Music Foundations, Advanced Approaches, and Developments for Creativity. Springer Nature
Teaching
Teaching
Teaching interests
- Quantum computing and music
- Music composition with new technologies
- Electronic sound synthesisers
- Electroacoustic music composition
- Artificial Intelligence applied to musical creativity
- Evolutionary Computing / Artificial Life
- Brain-Computer Music Interfacing / Assistive Technology
Staff serving as external examiners
- External Examiner for BA Music Computing, Goldsmiths College (2011 – 2016)
- External Examiner for the MA/MSc in Music Technology, Dept of Music & Dept of Electronics, University of York (2007 – 2009)
- External Examiner for the BMus in Music with Computer Sound Design, Dept of Music and Sound Recording, University of Surrey (2007 – 2010)
- External Examiner for the BMus Honours (Tonmeister), Dept of Music and Sound Recordings, University of Surrey (2007 – 2010)
- External Examiner for the MSc Applied Artificial Intelligence, School of Engineering, Computer Science and Mathematics, University of Exeter (2006 –2010)
- External Examiner for the MSc Music Information Technology, City University (2006 – 2009)
- External examiners for 33 PhD awards to date at:
- University of Huddersfield (2017)
- University of Kent (2017)
- University College Cork (2016)
- University of Reading (2015)
- Sydney Conservatorium of Music (2014)
- University of Adelaide, Australia (2014)
- University of Edinburgh (2013)
- University of Oslo , Norway (2012)
- University of Surrey (2010)
- University of Essex (2010, 2014)
- University of York (2010)
- Queen's University Belfast (2010)
- Open University (2010, 2013, 2015)
- Birmingham Conservatoire (2009, 2011)
- University of the West of England (2008, 2021)
- University of East Anglia (2008)
- Edinburgh Napier University (2008)
- University College, London (2007, 2010)
- Goldsmiths College (2007)
- Queen Mary University of London (2007, 2010, 2011, 2015)
- Chalmers University of Technology, Sweden (2004)
- Federal University of Rio Grande do Sul, Brazil (2002)
- University of Coruña, Spain (2001)
Research
Research
Research interests
- Composition (including algorithmic and computer-aided)
- Electroacoustic Music Composition
- Sound Synthesis
- New Musical Interfaces
- Expressive Music Performance (by machines)
- Brain-Computer Music Interface
- Evolutionary Computer Music
- Music Neurotechnology
- Unconventional Computation (for music technology)
- Artificial Intelligence and Music
- Quantum Computing
Research groups
Other research
Patents
1) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Morphological categories for voice synthesis”, Europe: EP 1 160 764 A1, Publication 05/12/2001; Japan: P2002-23775A, Publication 04/06/2001.
2) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Expressivity of Voice Synthesis”, Europe: EP 1 160 766 A1, Publication: 05/12/2001, USA: US 2002/0026315 A1, Publication 28/02/2002.
3) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Vocal sounds granular synthesis by means of cellular automaton”, Europe: EP 1 160 765 A1, Publication 05/12/2001; Japan: P2002-6873A, Publication 04/06/2001.
4) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Synthesis of Ultra-Linguistic Utterances”, USA: US 22002/0029145 A1, Publication 07/03/2002.
5) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Sound characterisation and/or identification based on prosodic listening”, Europe: EP 1 246 164 A1, Publication 02/10/2002; PCT International: WO 02/070744 A2, Publication 10/10/2002.
Research degrees awarded to supervised students
Successful PhD completions:
2019, University of Plymouth, Nuria B. Filella. PhD Thesis: Data Sonification in Creative Practice.
2017, University of Plymouth, Aurelien Antoine. PhD Thesis: An Investigation into using Artificial Intelligence to Aid Composition of Timbre using Orchestral Instruments.
2016, University of Plymouth, Edward Braund. PhD Thesis: Unconventional Computing and Music: An Investigation into Harnessing Physarum polycephalum.
2016, University of Plymouth, Joel Eaton. PhD Thesis: Brain-Computer Music Interfacing: Designing Practical Systems for Creative Applications.
2014, University of Plymouth, Hans Holger Rutz. PhD Thesis: Tracing the Compositional Process.
2013, University of Plymouth, Nikolas Valsamakis. PhD Thesis: Non-Standard Sound Synthesis with Dynamic Models.
2013, University of Plymouth, Christian Dimpker. PhD Thesis: Extended Notation: The Depiction of the Unconventional.
2012, University of Plymouth, Noris Mohd Norowi. PhD Thesis: AnArtificial Intelligence Approach to Concatenative Sound Synthesis.
2012, University of Plymouth, Daniel Livingstone. PhD Thesis: Design Strategies for Adaptive Social Composition: Collaborative SoundEnvironments.
2012, University of Plymouth, Joao Martins. PhD Thesis: Emergent Rhythmic Structures asCultural Phenomena Driven by Social Pressure in a Society of Artificial Agents.
2011, University of Plymouth, Alexis Kirke. PhD Thesis: Application of Intermediate Multi-Agent Systems to IntegratedAlgorithmic Composition and Expressive Performance of Music.
2010, University of Plymouth, Peter Beyls. PhD Thesis: Music as Emergent Complex Behaviour.
2010, University of Plymouth, Leandro Costalonga. PhD Thesis: Biomechanical Modelling of Musical Performance: A Case Study of theGuitar
2009, University of Plymouth, Marcelo Gimenes. PhD Thesis: An Approach to Machine Development of Musical Ontogeny.
2001, University of Glasgow, Alexander Duncan. PhD Thesis: EEG Pattern Classification for the Brain-Computer Musical Interface.
1999, University of Glasgow, Kenneth McAlpine. PhD Thesis: Application of Dynamical Systems to Music Composition.
Publications
Publications
Key publications
(2019) 'Electroencephalography reflects the activity of sub-cortical brain regions during approach-withdrawal behaviour while listening to music' Scientific Reports 9, (1) 0-0 , DOI Open access
(2018) 'Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music?' Computer Music Journal 42, (3) 28-46 , DOI Open access
(2017) 'Directed Motor-Auditory EEG Connectivity Is Modulated by Music Tempo' Frontiers in Human Neuroscience 11, , DOI Open access
(2021) Handbook of Artificial Intelligence for Music Foundations, Advanced Approaches, and Developments for Creativity. Springer Nature
Key publications are highlighted
Journals
Articles
(2022) 'You Only Hear Once: A YOLO-like Algorithm for Audio Segmentation and Sound Event Detection' Applied Sciences 12, (7) , DOI Open access
(2022) 'An approach to interfacing the brain with quantum computers: practical steps and caveats' International Journal of Unconventional Computing 17, (3) Publisher Site Open access
(2021) 'Investigating the Effects of Training Set Synthesis for Audio Segmentation of Radio Broadcast' Electronics 10, (7) Publisher Site , DOI Open access
(2020) 'Neural and physiological data from participants listening to affective music' Scientific Data 7, (1) Publisher Site , DOI Open access
(2019) 'PhyBox: A Programmable Interface for Physarum Polycephalum-based Memristors' International Journal of Unconventional Computing Open access
(2019) 'Understanding biomechanical constraints for modelling expressive performance: A guitar case study' Journal of New Music Research 48, (4) 331-351 , DOI Open access
(2019) 'Understanding Biomechanical Constraints for Modelling Expressive Performance: A Guitar case study' Journal of New Music Research , DOI Open access
(2019) 'Electroencephalography reflects the activity of sub-cortical brain regions during approach-withdrawal behaviour while listening to music' Scientific Reports 9, (1) 0-0 , DOI Open access
(2019) 'i-Berlioz: Towards Interactive Computer-Aided Orchestration with Temporal Control' International Journal of Music Science, Technology and Art 1, (1) 15-23 Publisher Site Open access
(2018) 'Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music?' Computer Music Journal 42, (3) 28-46 , DOI Open access
(2018) 'Unconsciously interactive Films in a cinema environment—a demonstrative case study' Digital Creativity 29, (2-3) 1-17 , DOI Open access
(2018) 'Personalised, Multi-modal, Affective State Detection for Hybrid Brain-Computer Music Interfacing' IEEE Transactions on Affective Computing 1-1 , DOI Open access
(2018) 'Using agent-based models to understand the role of individuals in the song evolution of humpback whales ( Megaptera novaeangliae )' Music & Science 1, 205920431875702-205920431875702 , DOI Open access
(2017) 'A Method for Growing Bio-memristors from Slime Mold' Journal of Visualized Experiments (129) , DOI Open access
(2017) 'Directed Motor-Auditory EEG Connectivity Is Modulated by Music Tempo' Frontiers in Human Neuroscience 11, , DOI Open access
(2017) 'Harnessing Slime Mould Communication for Musical Computing' Interalia Magazine Publisher Site Open access
(2017) 'Parametric Factors Affecting Concatenative Sound Synthesis' Advanced Science Letters 23, (6) 5496-5500 , DOI Open access
(2017) 'Affective Calibration of Musical Feature Sets in an Emotionally Intelligent Music Composition System' ACM Transactions on Applied Perception 14, (3) 1-13 , DOI Open access
(2017) 'MUSICAL INSTRUMENTS, BODY MOVEMENT, SPACE, AND MOTION DATA: MUSIC AS AN EMERGENT MULTIMODAL CHOREOGRAPHY' Human Technology 13, (1) 58-81 Publisher Site , DOI Open access
(2017) 'Aiding Soundtrack Composer Creativity through Automated Film Script-profiled Algorithmic Composition' Journal of Creative Music Systems 1, (2) , DOI Open access
(2017) 'INTERACTIVE MUSICAL BIOCOMPUTER: AN UNCONVENTIONAL APPROACH TO RESEARCH IN UNCONVENTIONAL COMPUTING' Symmetry: Culture & Science Open access
(2016) 'On Building Practical Biocomputers for Real-World Applications: Receptacles for Culturing Slime Mould Memristors and Component Standardisation' Journal of Bionic Engineering , DOI Open access
(2016) 'Affective brain–computer music interfacing' Journal of Neural Engineering 13, (4) 046022-046022 , DOI Open access
(2016) 'A Hybrid Computer Case Study for Unconventional Virtual Computing' International Journal of Unconventional Computation Open access
(2015) 'Music-induced emotions can be predicted from a combination of brain activity and acoustic features' Brain and Cognition 101, 1-11 , DOI Open access
(2015) 'Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank' Computer Music Journal 39, (3) 59-70 , DOI
(2015) 'Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank' Computer Music Journal 39, (3) 59-70 , DOI Open access
(2015) 'Investigating Perceived Emotional Correlates of Rhythmic Density in Algorithmic Music Composition' ACM Transactions on Applied Perception 12, (3) 1-21 , DOI Open access
(2015) 'Real-Time Hallucination Simulation and Sonification through User-Led Development of an iPad Augmented Reality Performance' Leonardo 48, (3) 235-242 , DOI Open access
(2015) '<i>The Space Between Us</i>: Evaluating a multi-user affective brain-computer music interface' Brain-Computer Interfaces 2, (2-3) 103-116 , DOI Open access
(2015) 'Artificial Intelligence in<i>Organised Sound</i>' Organised Sound 20, (1) 76-81 , DOI Open access
(2015) 'Automated identification of neural correlates of continuous variables' JOURNAL OF NEUROSCIENCE METHODS 242, 65-71 , DOI Open access
(2015) 'Dynamic Time Warping for Music Conducting Gestures Evaluation' IEEE TRANSACTIONS ON MULTIMEDIA 17, (2) 243-255 , DOI
(2015) 'A Multi-Agent Emotional Society Whose Melodies Represent its Emergent Social Hierarchy and Are Generated by Agent Communications' Journal of Artificial Societies and Social Simulation 18, (2) , DOI Open access
(2015) 'Identifying the basis of auditory similarity in concatenative sound synthesis users: A study between musicians and non-musicians' ARPN Journal of Engineering and Applied Sciences 10, (23) 18039-18045
(2014) 'Histogram mapping synthesis: A cellular automata-based technique for flexible sound design' Computer Music Journal 38, (4) 38-52 , DOI
(2014) 'Investigating music tempo as a feedback mechanism for closed-loop BCI control' Brain-Computer Interfaces 1, (3-4) 158-169 , DOI
(2014) 'Investigating affect in algorithmic composition systems' Psychology of Music 43, (6) 831-854 , DOI
(2014) 'Pulsed Melodic Affective Processing: Musical structures for increasing transparency in emotional computation' SIMULATION-TRANSACTIONS OF THE SOCIETY FOR MODELING AND SIMULATION INTERNATIONAL 90, (5) 606-622 , DOI Open access
(2014) 'Harnessing the Intelligence of Physarum Polycephalum for Unconventional Computing-Aided Musical Composition' INTERNATIONAL JOURNAL OF UNCONVENTIONAL COMPUTING 10, (3) 251-268
(2014) 'Histogram Mapping Synthesis: A Cellular Automata-Based Technique for Flexible Sound Design' COMPUTER MUSIC JOURNAL 38, (4) 38-52 , DOI
(2014) 'Music and unconventional computing' International Journal of Unconventional Computing 10, (3)
(2014) 'Neural correlates of emotional responses to music: An EEG study' Neuroscience Letters 573, 52 - 57-52 - 57 Publisher Site , DOI
(2014) 'Towards Harmonic Extensions of Pulsed Melodic Affective Processing Further Musical Structures for Increasing Transparency in Emotional Computation' INTERNATIONAL JOURNAL OF UNCONVENTIONAL COMPUTING 10, (3) 199-217 Open access
(2014) 'Unconventional Computation and Teaching: Proposal for MUSIC, a Tone-Based Scripting Language for Accessibility, Computation and Education' INTERNATIONAL JOURNAL OF UNCONVENTIONAL COMPUTING 10, (3) 237-249 Open access
(2013) 'Cloud Chamber: A Performance with Real Time Two-Way Interaction Between Subatomic Particles and Violinist' Leonardo 46, (1)
(2012) 'Pulsed Melodic Affective Processing – Using Music for Natural Affective Computation and Increased Processing Transparency' Neural, Parallel, and Scientific Computations 20, 227-240
(2011) 'Brain-Computer Music Interfacing (BCMI): From Basic Research to the Real World of Special Needs' Music and Medicine 3, (3) 134-140 Publisher Site , DOI
(2011) 'Constraint Programming Systems for Modeling Music Theories and Composition' ACM COMPUTING SURVEYS 43, (4) , DOI
(2011) 'Constraint Programming Systems for Modeling Music Theories and Composition' ACM Computing Surveys 43, (4) Publisher Site , DOI
(2011) 'A Computational Model for Rule-Based Microtonal Music Theories and Composition' Perspectives of New Music 2, (48) 47-77 Publisher Site
(2011) 'Sounds Synthesis with Slime Mould of Physarum Polycephalum' JOURNAL OF BIONIC ENGINEERING 8, (2) 107-113 , DOI
(2010) 'Constraint Application with Higher-Order Programming for Modeling Music Theories' COMPUTER MUSIC JOURNAL 34, (2) 25-38 , DOI
(2010) 'Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach' COMPUTER MUSIC JOURNAL 34, (1) 80-96 , DOI
(2010) 'Plymouth brain-computer music interfacing project: from EEG audio mixers to composition informed by cognitive neuroscience' International Journal of Arts and Technology 3, (2/3) 154-176 Publisher Site , DOI
(2010) 'Organised Sound, Mental Imageries and the Future of Music Technology: a neuroscience outlook' ORGANISED SOUND 15, (1) 13-25 , DOI
(2010) 'Contextualizing eighteenth century Enlightenment through the lenses of contemporary science' Phys Life Rev 7, (1) 35-36 , DOI
(2009) 'GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison (vol 21, pg 161, 2009)' CONNECTION SCIENCE 21, (4) 383-383 , DOI
(2009) 'A Survey of Computer Systems for Expressive Music Performance' ACM COMPUT SURV 42, (1) , DOI
(2009) 'GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison' Connection Science 21, (2-3) 161-175 , DOI
(2009) 'Computer Music Meets Unconventional Computing: Towards Sound Synthesis with In Vitro Neuronal Networks' COMPUTER MUSIC JOURNAL 33, (1) 9-18 , DOI
(2009) 'Preface: Aesthetic Decisions in Computer-Aided Composition' CONTEMPORARY MUSIC REVIEW 28, (2) 129-132 , DOI
(2009) 'Music Neurotechnology for Sound Synthesis: Sound Synthesis with Spiking Neuronal Networks' LEONARDO 42, (5) 439-442 , DOI
(2009) 'Interfacing Manual and Machine Composition' Contemporary Music Journal 28, (2) 133-147 Publisher Site , DOI
(2008) 'Emergent songs by social robots' JOURNAL OF EXPERIMENTAL & THEORETICAL ARTIFICIAL INTELLIGENCE 20, (4) 319-334 , DOI
(2008) 'Gareth Loy
, Musimathics: the Mathematical Foundations of Music, <i>Vol. 1</i>.
MIT Press, Cambridge, MA, 2007. ISBN 978-0-262-12282-5' Organised Sound 13, (3) 271-271 , DOI
(2007) 'Spectral Fuzzy Sets and Markov Streaming for Granular Synthesis of Sound' Symmetry: Culture and Science 18, (2/3) 223-241 Publisher Site
(2006) 'Brain-computer music interface for composition and performance' International Journal on Disability and Human Development 5, (2) 119-125 Publisher Site
(2006) 'Idiomatic guitar synthesis' The Journal of the Acoustical Society of America 119, (5) 3441-3441 , DOI
(2005) 'Iterative sound synthesis by means of cross-coupled digital oscillators' DIGITAL CREATIVITY 16, (2) 90-98 , DOI
(2005) 'Interfacing the brain directly with musical systems: On developing systems for making music with brain signals' LEONARDO 38, (4) 331-336 , DOI
(2005) 'Artificial phonology: Disembodied humanoid voice for composing music with surreal languages' LEONARDO MUSIC JOURNAL 15, 8-16
(2005) 'Expressivity of voice synthesis by emphasizing source signal features' The Journal of the Acoustical Society of America 118, (2) 596-596 , DOI
(2004) 'A new model of sensorimotor coupling in the development of speech' BRAIN AND LANGUAGE 89, (2) 393-400 , DOI
(2004) 'On Generating EEG for Controlling Musical Systems' Biomedizinische Technik / Biomedical Engineering 49, (1) 75-76 Publisher Site
(2004) 'At the crossroads of evolutionary computation and music: self-programming synthesizers, swarm orchestras and the origins of melody' Evol Comput 12, (2) 137-158 , DOI
(2003) 'On Computational Models of the Evolution of Music: From the Origins of Musical Taste to the Emergence of Grammars' Contemporary Music Review 22, (3) 91-111 , DOI
(2003) 'On harnessing the electroencephalogram for the musical braincap' COMPUTER MUSIC JOURNAL 27, (2) 80-102 , DOI
(2003) 'On the evolution of music in a society of self-taught digital creatures' DIGITAL CREATIVITY 14, (1) 29-42 , DOI
(2003) 'On the music of emergent behavior: What can evolutionary computation bring to the musician?' LEONARDO 36, (1) 55-59 , DOI
(2002) 'Modelling the development of mirror neurons for auditory-motor integration' JOURNAL OF NEW MUSIC RESEARCH 31, (4) 367-375 , DOI
(2002) 'Generating Source Streams for Extralinguistic Utterances' Journal of the Audio Engineering Society 50, (3) 165-172 Publisher Site
(2002) 'Emergent Sound Repertoires in Virtual Societies' Computer Music Journal 26, (2) 77-90 Publisher Site , DOI
(1999) 'Making Music with Algorithms: A Case-Study System' Computer Music Journal 23, (2) 19-30 , DOI
(1998) 'The role of speech synthesis in <b>Requiem per una veu perduda</b>' Organised Sound 3, (3) 235-240 , DOI
(1998) 'Music, Machines, Intelligence and the Brain' Journal of Electroacoustic Music 31, (4) 32-33
(1995) 'An Artificial Intelligence Approach to Sound Design' Computer Music Journal 19, (2) 59-59 , DOI
(1995) 'Computer Music Studio in Porto Alegre, Brazil Seeks Donations' Computer Music Journal 19, (2) 8-8 , DOI
(1995) 'Granular Synthesis of Sounds by Means of a Cellular Automaton' Leonardo 28, (4) 297-297 , DOI
(1994) 'Music composition using cellular automata' Languages of Design 2, (2) 105-117
(1994) 'From symbols to sound: AI-based investigation of sound synthesis' Contemporary Music Review 10, (2) 211-232 , DOI
Books
(2021) Handbook of Artificial Intelligence for Music Foundations, Advanced Approaches, and Developments for Creativity. Springer Nature
(2013) Preface.
(2012) Guide to Computing for Expressive Music Performance. Springer
Miranda ER (2011) A-Life for Music: Music and Computer Models of Living Systems. Middleton, WI, USA A-R Editions Computer Music and Digital Audio Series 24Publisher Site
(2007) Evolutionary Computer Music. Springer Verlag
(2006) New Digital Musical Instruments. 21 A-R Editions, Inc. Computer Music and Digital Audio Series
(2002) Computer Sound Design. Focal Pr
(2001) Composing Music with Computers. Focal Pr
(2000) Readings in Music and Artificial Intelligence. Routledge
(1999) Musica y Nuevas Tecnologias: Perspectivas para el Siglo XXI. Barcelona L'Angelot
(1998) Computer Sound Synthesis for the Electronic Musician. Focal Pr
Chapters
(2021) 'Creative Quantum Computing: Inverse FFT Sound Synthesis, Adaptive Sequencing and Musical Composition' Handbook of Unconventional Computing World Scientific 493-523 , DOI Open access
(2021) 'AI Music Mixing Systems' in Miranda ER Handbook of Artifical Intelligence and Music Springer
(2021) 'Creative Music Neurotechnology' Handbook of Artificial Intelligence for Music Springer International Publishing 195-236 , DOI
(2021) 'On Growing Computers from Living Biological Cells' Handbook of Artificial Intelligence for Music Springer International Publishing 933-961 , DOI
(2021) 'Performance Creativity in Computer Systems for Expressive Performance of Music' Handbook of Artificial Intelligence for Music Springer International Publishing 521-584 , DOI
(2021) 'Quantum Computer: Hello, Music!' Handbook of Artificial Intelligence for Music Springer International Publishing 963-994 , DOI Open access
(2019) 'From Symbols to Sound: AI-based Investigation of Sound Synthesis' Timbre Composition in Electroacoustic Music Routledge 211-232 , DOI
(2019) 'A Nonlinear Approach to Generate Creative Data using Physarum polycephalum-based Memristors' Slime Mould in Arts and Architecture Deft, The Netherlands River Pubishing 39-59 Open access
(2018) 'A Universal Biocomputing Model for Creative Applications: A Nonlinear Approach Using Physarum polycephalum-based Memristors' in Adamatzky A Slime Mould in Arts and Architecture World Scientific
(2018) 'Artibiotics: An Artificial Biology Musical Experiment' in Schmidt M The Art of Antibiotics Vienna Biofaction KG 96-114 Publisher Site Open access
(2018) 'Music Neurotechnology: a natural progression' in Emmerson S The Routledge Research Companion to Electronic Music: Reaching out with Technology Oxford Taylor & Francis Publisher Site Open access
(2018) 'BCI for Music Making: Then, Now, and Next' in Nam CS; Nijholt A; Lotte F Brain–Computer Interfaces Handbook: Technological and Theoretical Advances Florence, KY CRC Press Publisher Site Open access
(2017) 'A Comparison of Fitness Functions in a Genetic Algorithm for
Acoustic–Articulatory Parameter Inversion of Vowels' in Bosman PAN New York, NY, USA ACM Open access
(2017) 'An Approach to Building Musical Bioprocessors with Physarum
polycephalum Memristors' in Miranda ER Guide to Unconventional Computing for Music Springer International Publishing Publisher Site , DOI Open access
(2017) 'Experiments in Sound and Music Quantum Computing' in Miranda E Guide to Unconventional Computing for Music Springer International Publishing Publisher Site , DOI Open access
(2017) 'On Unconventional Computing for Sound and Music' in Miranda E Guide to Unconventional Computing for Music Springer International Publishing Publisher Site , DOI Open access
(2016) 'Experiments in musical biocomputing: towards new kinds of processors for audio and music' in Adamatzky A Advances in Unconventional Computing. Volume 2: Prototypes, Models and Algorithms Springer, Cham 739-761 Publisher Site , DOI
(2016) 'Recomposing Beethoven with Music Neurotechnology' in Bresson J; Agon C; Assayag G The OM Composer's Book.3 Paris Delatour & IRCAM Centre Pompidou 173-192 Open access
(2016) 'On computer-aided composition, musical creativity and Brain Asymmetry' The Act of Musical Composition: Studies in the Creative Process 215-232
(2016) 'Physarum-Based Memristors for Computer Music' Advances in Physarum Machines Sensing and Computing with Slime Mould Springer 755-775 , DOI
(2014) 'On Mapping EEG Information into Music' in Miranda E; Castet J Guide to Brain-Computer Music Interfacing London Springer-Verlag London Publisher Site Open access
(2014) 'Creative Music Neurotechnology with Symphony of Minds Listening' in Miranda E; Castet J Guide to Brain-Computer Music Interfacing New York Springer 271-295 Open access
(2014) 'Brain-Computer Music Interfacing: Interdisciplinary Research at the Crossroads of Music, Science and Biomedical Engineering' in Castet J London Springer-Verlag London Publisher Site Open access
(2013) 'Pulsed Melodic Processing – the Use of Melodies in Affective Computations for Increased Processing Transparency' in Holland S; Mulholland A; Seago A Music and Human-Computer Interaction London Springer Publisher Site
(2013) 'Regarding music, machines, intelligence and the brain: An introduction to music and AI' Readings in Music and Artificial Intelligence 1-13 , DOI
(2012) 'On computer-aided composition, musical creativity and brain asymmetry' The Act of Musical Composition: Studies in the Creative Process 215-231
(2012) 'On Computer-aided Composition, Musical Creativity and Brain Asymmetry' The Act of Musical Composition: Studies in the Creative Process Farnham, UK Ashgate 52-58 Publisher Site
(2012) 'Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach' in Kirke A; Miranda ER Guide to Computing for Expressive Music Performance Springer 99-123 Publisher Site
(2012) 'An Overview of Computer Systems for Expressive Music Performance' in Kirke A; Miranda ER Guide to Computing for Expressive Music Performance Springer 1-48 Publisher Site
(2011) 'Evolutionary Morphing for Music Composition' in Miranda ER A-Life for Music A-R Editions, Inc. Publisher Site
(2011) 'An Ontomemetic Approach to Musical Intelligence' in Miranda ER A-Life for Music A-R Editions, Inc.
(2011) 'A Biophysically Constrained Multi-Agent Systems Approach to Algorithmic Composition with Expressive Performanc' in Miranda ER A-Life for Music A-R Editions, Inc. Publisher Site
(2010) 'Game of Life Music' in Adamatzky A Game of Life Cellular Automata Springer-Verlag 489-501
(2009) 'Digital Sound Synthesis for Multimedia Audio' in Wah BW Wiley Encyclopedia of Computer Science and Engineering Hoboken, NJ Wiley-Interscience
(2008) 'Cellular Automata Sound Synthesis: From
Histograms to Spectrograms' in Adamatzky A Automata-2008 Frome, UK Luniver Pr
(2006) 'Putting some (artificial) life into models of
musical creativity' in Deliège I; Wiggins GA Musical Creativity London Psychology Pr
(2006) 'On Making Music with Artificial Life Models' in Ascott R Engineering Nature Bristol Intellect Ltd
(2005) 'Musique de la Vie Artificiel' in Daubner E; Poissant L Art et Biotechnologies Montreal Université de Saint-Etienne
(2002) 'Integrating Perception and Production in
a Neural Network Model' in Bullinaria JA; Lowe W Connectionist Models of Cognition and Perception World Scientific Pub Co Inc
(2002) 'On the Origins and Evolution of Music in Virtual Worlds' Creative Evolutionary Systems Elsevier 189-204 , DOI
'Cellular Automata Music: From Sound Synthesis to Musical Forms' Evolutionary Computer Music Springer London 170-193 , DOI
'Experiments in Generative Musical Performance with a Genetic Algorithm' Evolutionary Computer Music Springer London 100-116 , DOI
Conference Papers
(2021) 'Mayflower and The Seven Seas: Sonification of The Ocean' Audio Engineering Society 16-19 Open access
(2021) 'Artificially Synthesising Data for Audio Classification and Segmentation to Improve Speech and Music Detection in Radio Broadcast' IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP) 6-/-0/20216-/-0/2021IEEE Publisher Site , DOI Open access
(2021) 'RadioMe: Challenges During the Development of a Real Time Tool to Support People With Dementia' CHI ’21 5-/-0/20215-/-0/2021ACM , DOI Open access
(2020) 'Composing, Recording and Producing with Historical Equipment and Instrument Models' Audio Engineering Society 149th Convention 0-/-1/20200-/-1/2020Publisher Site Open access
(2020) 'Composing Popular Music with Physarum polycephalum-based Memristors' International Conference on New Interfaces for Musical Expression (NIME) 7-/-0/20207-/-0/2020Birmingham City University 514-519 Publisher Site Open access
(2020) 'Designing Brain-computer Interfaces for Sonic Expression' International Conference on New Interfaces for Musical Expression (NIME) 7-/-0/20207-/-0/2020Birmingham City University 525-530 Publisher Site Open access
(2019) 'RadioMe: Artificially Intelligent Radio for People with Dementia' Digital Music Research Network One-day Workshop: DMRN+14 Open access
(2018) 'Generating Orchestral Sequences with Timbral Descriptors' Timbre 2018: Timbre Is a Many-Splendored Thing Montreal, Canada 7-/-0/20181-/-1/2018Open access
(2018) 'Dervish Sound Dress; a development of a musical interface garment which explores wearable technology using sound and haptic feedback for performance and interaction' Sound and Music Computing Conference Limassol, Cyprus 7-/-0/20187-/-0/2018Publisher Site , DOI Open access
(2018) 'Musical Acoustics, Timbre, and Computer–Aided Orchestration Challenges' International Symposium on Musical Acoustics Montreal, Canada 6-/-0/20176-/-0/2017Open access
(2018) 'i-Berlioz: Interactive Computer-Aided Orchestration with Temporal Control' in Della Ventura M 5th International Conference of New Musical Concepts Treviso, Italy 3-/-0/20183-/-0/2018Milan ABEditore 45-60 Open access
(2017) 'Computer Generated Orchestration: Towards Using Musical Timbre in Composition' 9th European Music Analysis Conference Strasbourg 6-/-0/20177-/-0/2017Université de Strasbourg Open access
(2017) 'A Comparison of Fitness Functions in a Genetic Algorithm for Acoustic–Articulatory Parameter Inversion of Vowels' Genetic and Evolutionary Computation Conference 2017 Berlin, Germany 7-/-0/20177-/-0/2017, DOI Open access
(2017) 'A Knowledge-based, Data-driven Method for Action-sound Mapping' NIME 2017 : New Interfaces for Musical Expression Copenhagen 5-/-0/20175-/-0/2017Open access
(2016) 'Towards a Timbral Classification System for Musical Excerpts' 2nd AES Workshop on Intelligent Music Production London 9-/-0/2016Open access
(2016) 'Frontiers: Expanding Musical Imagination With Audience Participation' New Interfaces for Musical Expression Conference (NIME 2016) Brisbrane, Australia Publisher Site Open access
(2016) 'Adapting a Computational Multi Agent Model for Humpback Whale Song Research for use as a Tool for Algorithmic Composition' Sound and Music Computing Conference Hamburg, Germany 8-/-0/20169-/-0/2016Open access
(2016) 'Factors Influencing Vocal Pitch in Articulatory Speech Synthesis: A Study Using PRAAT' Sound and Music Computing Conference (SMC 2016) Hamburg, Germany 8-/-0/20169-/-0/2016Open access
(2016) 'Sonification of Dark Matter: Challenges and Opportunities' Sound and Music Computing Conference Hamburg, Germany 8-/-0/20169-/-0/2016Open access
(2016) 'Using concatenation cost for unit selection of homosonic segments in concatenative sound synthesis' 2016 Third International Conference on Information Retrieval and Knowledge Management (CAMP) 8-/-0/20168-/-0/2016IEEE , DOI Open access
(2016) 'An affective brain-computer music interface' International Brain-Computer Interface (BCI) Meeting - 2106 Pacific Grove, California, USA
(2016) 'Blyth – Eastbourne – Wembury: Sonification as a compositional tool in electroacoustic music' 2nd International Conference on New Musical Concepts Treviso, Italy 3-/-0/20163-/-0/2016Open access
(2016) 'A User-Centric Algorithmic Composition System' 2nd International Conference on New Music Concepts Treviso, Italy Open access
(2016) '3CMS: An Interactive Decision System for Live Performance' Springer International Publishing 190-210 , DOI
(2016) 'Analysis of Mimed Violin Performance Movements of Neophytes' Springer International Publishing 88-108 , DOI
(2016) 'BioComputer Music: Generating Musical Responses with Physarum polycephalum-Based Memristors' Springer International Publishing 405-419 , DOI
(2016) 'Music with Unconventional Computing: Granular Synthesis with the Biological Computing Substrate Physarum Polycephalum' Springer International Publishing 271-280 , DOI
(2016) 'Preliminary Results From A Computational Multi Agent Modelling Approach To Study Humpback Whale Song Cultural Transmission' 11th International Conference on the Evolution of Language (EvoLang XI) New Orleans, USA , DOI Open access
(2016) 'The Hybrid Brain Computer Music Interface - Integrating Brainwave Detection Methods for Extended Control in Musical Performance Systems' Springer International Publishing 132-145 , DOI
(2015) 'Towards human-computer music interaction: Evaluation of an affectively-driven music generator via galvanic skin response measures' 2015 7th Computer Science and Electronic Engineering (CEEC) 9-/-0/20159-/-0/2015IEEE , DOI
(2015) 'Identifying music-induced emotions from EEG for use in brain-computer music interfacing' 2015 International Conference on Affective Computing and Intelligent Interaction (ACII) 9-/-0/20159-/-0/2015IEEE , DOI
(2015) 'Enhancing the Social Impact of Contemporary Music with Neurotechnology' ISIS Summit Vienna 2015—The Information Society at the Crossroads MDPI , DOI
(2015) 'Music and Dementia: Two Case-studies' in NA NA CMMR 2015 Plymouth
(2015) 'Music with Unconventional Computing: Towards a Step Sequencer from Plasmodium of Physarum Polycephalum' Springer International Publishing 15-26 , DOI
(2015) 'Towards an Evolutionary Computational Approach to Articulatory Vocal Synthesis with PRAAT' Springer International Publishing 62-70 , DOI
(2014) 'Q-MUSE: A QUANTUM COMPUTER MUSIC SYSTEM DESIGNED FOR A PERFORMANCE FOR ORCHESTRA, ELECTRONICS AND LIVE INTERNET-CONNECTED PHOTONIC QUANTUM COMPUTER' 9th Conference on Interdisciplinary Musicology – CIM14 Berlin, Germany Open access
(2014) 'An Immersive Media Model of Amyotrophic Lateral Sclerosis' Electronic Visualisation and the Arts (EVA 2014) BCS Learning & Development , DOI
(2014) 'Gesture in performance with traditional musical instruments and electronics' the 2014 International Workshop 6-/-0/20146-/-0/2014ACM Press , DOI
(2014) 'Affective jukebox: A confirmatory study of EEG emotional correlates in response to musical stimuli' 580-585
(2014) 'Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis' Springer International Publishing 175-189 , DOI
(2014) 'Effects of different bow stroke styles on body movements of a viola player: An exploratory study' 1368-1374
(2014) 'Evaluating perceptual separation in a pilot system for affective composition' 905-911
(2013) 'Emotional and multi-agent systems in computer-aided writing and poetry' 17-22
(2013) 'Harnessing the intelligence of physarum polycephalum for unconventional computing-aided musical composition' 153-169
(2013) 'Towards harmonic extensions of pulsed melodic affective processing - Further musical structures for increasing transparency in emotional computation' 87-111
(2013) 'Unconventional computation and teaching - Proposal for MUSIC, a tone-based scripting language for accessibility, computation and teaching' 50-67
(2013) 'Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control' 490-499
(2012) 'Emergent Construction of Melodic Pitch and Hierarchy Through Agents Communicating Emotion Without Melodic Intelligence' International Computer Music Conference (ICMC 2011) Huddersfield, UK
(2012) 'Application of Pulsed Melodic Affective Processing to Stock Market Algorithmic Trading and Analysis' 9th International Symposium on Computer Music Modeling and Retrieval (CMMR2010) London, UK
(2012) 'New Approaches in Brain-Computer Music Interfacing: Mapping EEG for Real-Time Musical Control' Music, Music and Invention Workshop College of New Jersey, Ewing NJ (USA)
(2011) 'Application of Multi-Agent Whale Modelling to an Interactive Saxophone and Whale Duet' International Computer Music Conference (ICMC 2011) Huddersfield, UK International Computer Music Association Publisher Site
(2011) 'Cellular Automata Dynamic Control for Sound Design with Histogram Mapping Synthesis and the Multitype Voter Model' International Computer Music Conference (ICMC 2011) Huddersfield, UK
(2011) 'Cloud Chamber: A Performance Involving Real Time Two-way Interaction Between Subatomic Radioactive Particles and Violinist' International Computer Music Conference (ICMC 2011) Huddersfield, UK International Computer Music Association Publisher Site
(2011) 'Combining EEG Frontal Asymmetry Studies with Affective Algorithmic Composition and Expressive Performance Model' International Computer Music Conference (ICMC 2011) Huddersfield, UK International Computer Music Association Publisher Site
(2011) 'Developing Methods for Computer Programming by Musical Performance and Composition' International Computer Music Conference (ICMC 2011) Huddersfield, UK International Computer Music Association Publisher Site
(2011) 'Prioritizing Audio Features Selection Using Analysis Hierarchy Process as a Mean to Extend User Control in Concatenative Sound Synthesis' International Computer Music Conference (ICMC 2011) Huddersfield, UK
(2011) 'Reproducibility and Random Access in Sound Synthesis' International Computer Music Conference (ICMC 2011) Huddersfield, UK
(2011) 'Towards using Expressive Performance Algorithms for Typist Emotion Detection' International Computer Music Conference (ICMC 2011) Huddersfield, UK International Computer Music Association Publisher Site
(2011) 'Order dependent feature selection in Concatenative Sound Synthesis using Analytical Hierarchy Process' IEEE EUROCON 2011 - International Conference on Computer as a Tool 4-/-0/20114-/-0/2011IEEE , DOI
(2011) 'Neurogranular Synthesis: Granular Synthesis Controlled by a Pulse-Coupled Network of Spiking Neurons' Springer Berlin Heidelberg 354-363 , DOI
(2010) 'Cellular automata sound synthesis with an extended version of the multitype voter model' 19-24
(2010) 'On the Traceability of the Compositional Process' Sound and Music Computing (SMC 2010) Barcelona, Spain 1-/-0/2010
(2010) 'Algorithmic Sound Composition using Coupled Cellular Automata' 3rd Chaotic Modeling and Simulation International Conference - (CHAO S2010) Chania, Greece 1-/-0/2010
(2010) 'Musical interaction patterns' the 28th ACM International Conference 9-/-0/20109-/-0/2010ACM Press , DOI
(2010) 'Evolutionary Sound Synthesis: Rendering Spectrograms from Cellular Automata Histograms' 381-390
(2010) 'Algorithmic Sound Composition using Coupled Cellular Automata'
(2009) 'A Computational Model that Generalises Schoenberg's Guidelines for Favourable Chord Progressions' 6th Sound and Music Computing Conference Porto, Portugal 1-/-0/2009
(2008) 'Multi-Agent Simulation for Generating Expressive Music Performance' World Congress on Social Simulation (WCSS2008) Fairfax, USA 1-/-0/2008
(2008) 'Activation in auditory cortex correlates with the distance of musical key change' 6th Forum of the Foundation of European Neuroscience Societies Geneva, Switzerland 1-/-0/2008
(2008) 'Hearing Thinking' Sixth European Workshop on Evolutionary and Biologically Inspired Music, Sound, Art and Design Napoli, Italy 1-/-0/2008
(2008) 'Mix-It-Yourself with a Brain-Computer Music Interface' 7th ICDVRAT with ArtAbilitation Maia/Porto, Portugal 1-/-0/2008
(2008) 'Breeding Rhythms with Artificial Life' 5th Sound and Music Computing Conference Berlin, Germany 1-/-0/2008
(2008) 'An A-Life Approach to Machine Learning of Musical Worldviews for Improvisation Systems' 5th Sound and Music Computing Conference Berlin, Germany 1-/-0/2008
(2008) 'An Instance Based Model for Generating Expressive Performance During Composition' International Computer Music Conference - (ICMC2008) Belfast, UK 1-/-0/2008International Computer Music Association Publisher Site
(2008) 'Autonomous Development of Singing-Like Intonations by Interacting Babbling Robots' International Computer Music Conference - ICMC 2008 Belfast, UK 1-/-0/2008International Computer Music Association Publisher Site
(2008) 'COMPER: Towards a Model for Generating Compositions from Expressive Music Performances' International Computer Music Conference - (ICMC 2008) Belfast, UK 1-/-0/2008International Computer Music Association Publisher Site
(2008) 'Constraint-Based Composition in Realtime' International Computer Music Conference - (ICMC 2008) Belfast, UK 1-/-0/2008International Computer Music Association Publisher Site
(2008) 'Higher-Order Constraint Applications for Music Constraint Programming' International Computer Music Conference - (ICMC 2008) Belfast, UK International Computer Music Association Publisher Site
(2008) 'Equipping Artificial Guitar Players with Biomechanical Constraints: A Case Study of Precision and Speed' International Computer Music Conference - (ICMC2008) Belfast International Computer Music Association Publisher Site
(2008) 'Spectral synthesis and control with cellular automata'
(2008) 'Towards Brain-Computer Music Interfaces: Progress and Challenges' International Symposium on Applied Sciences in Bio-Medical and Communication Technologies (ISABEL2008) Aalborg, Denmark Publisher Site
(2007) 'Non-Formal Rehabilitation via Immersive Interactive Music Environments' International Computer Music Conference (ICMC 2007) Copenhagen, Denmark 1-/-0/2007International Computer Music Association Publisher Site
(2007) 'Octopus Music API: Modellling Musical Performance' Simposio Brasileiro de Computacao Musical - SBCM 2007 Sao Paulo 1-/-0/2007Brazilian Computer Society Publisher Site
(2007) 'Musicianship for Robots with Style' New Interfaces for Musical Expression - (NIME 2007) New York, USA 1-/-0/2007
(2007) 'Commonalities between F2 distribution and musical timbre' Language and Music as Cognitive Systems Conference Cambridge, UK 5-/-0/20075-/-0/2007
(2007) 'Emergent Musical Environments: An Artificial Life Approach' ECAL 2007 Workshop on Music and Artificial Life (MusicAL 2007) Lisbon, Portugal 1-/-0/2007
(2007) 'Emergent rhythmic phrases in an A-Life environment' ECAL 2007 Workshop on Music and Artificial Life - MusicAL 2007 Lisbon, Portugal 1-/-0/2007
(2007) 'Evaluating Mappings for Cellular Automata Music' ECAL 2007 Workshop on Music and Artificial Life - MusicAL 2007 Lisbon, Portugal 1-/-0/2007
(2007) 'Neural Correlates of Tonality in Music' Music, Brain & Cognition Workshop - NIPS Conference Whistler, Canada 1-/-0/2007
(2007) 'Octopus Music API: Modellling Musical Performance' Brazilian Symposium on Computer Music Sao Paulo, Brazil 1-/-0/2007Publisher Site
(2007) 'Artabilitation ICMC panel paper Denmark 2007: Non-formal rehabilitation via immersive interactive music environments' 77-80
(2006) 'Brain-Computer Interface for Generative Music' International Conference Series on Disability, Virtual Reality and Associated Technologies (ICDVRAT 2006) Esbjerg, Denmark 1-/-0/2006
(2006) 'A Connectionist Architecture for the Evolution of Rhythms' EvoWorkshops 2006 Budapest, Hungary Berlin, Germany Springer Publisher Site
(2006) 'A connectionist architecture for the evolution of rhythms' 696-706
(2006) 'The development of musical styles in a society of software agents' International Conference on Music Perception and Cognition Bologna, Italy 1-/-0/2006
(2006) 'Towards an evolution model of expressive music performance' 1189-1194
(2006) 'Real-time granular synthesis with spiking neurons' Conscious Reframed - 8th International Conference Plymouth, UK 1-/-0/2006
(2006) 'Towards an Interaction and Evolution Model of Expressive Music Performance' Sixth International conference on Intelligent Systems Design and Applications (ISDA2006) Jinan, China 1-/-0/2006
(2006) 'An Idiomatic Plucked String Player' FLAIRS Conference - Special Track: Artificial Intelligence in Music and Art Miami, USA Publisher Site
(2006) 'Evolving Musical Performance Profiles using Genetic Algorithms with Structural Fitness' Genetic and Evolutionary Computation Conference (GECCO 2006) Seattle, USA Publisher Site
(2006) 'Music Knowledge Analysis: Towards an Efficient Representation for Composition' 11th Conference of the Spanish Association for Artificial Intelligence (CAEPIA 05) Santiago de Compostela, Spain Heidelberg, Germany Springer Publisher Site
(2005) 'Orb3 Adaptive Interface Design for Real time Sound Synthesis & Diffusion within Socially Mediated Spaces' International Conference on New Instruments for Musical Expression (NIME'05) Vancouver, Canada 1-/-0/2005
(2005) 'EV Ontology: Multilevel Knowledge Representation and Programming' 10th Brazilian Symposium on Computer Music Belo Horizonte, Brazil 1-/-0/2005Brazilian Computer Society Publisher Site
(2005) 'Societies of rhythmic agents: A neural representation of rhythm' 10th Rhythm Perception and Production Workshop (RPPW2005) Bilzen, Belgium 1-/-0/2005
(2005) 'Composition As Game Strategy: Making Music by Playing Board Games Against Evolved Artificial Neural Networks' International Computer Music Conference - (ICMC 2005) Barcelona, Spain 1-/-0/2005International Computer Music Association Publisher Site
(2005) 'ORB3 - Musical Robots within an Adaptive Social Composition System' International Computer Music Conference - (ICMC 2005) Barcelona, Spain 1-/-0/2005International Computer Music Association Publisher Site
(2005) 'Plymouth Brain-Computer Music Interface Project: Intelligent Assistive Technology for Music-Making' International Computer Music Conference - (ICMC 2005) Barcelona, Spain 1-/-0/2005
(2005) 'Steering Generative Rules with the EEG: An Approach to Brain-Computer Music Interfacing' Sound and Music Computing 05 Salerno, Italy 1-/-0/2005Sound and Music Computing Network Publisher Site
(2005) 'Toward Direct-Computer Musical Interfaces' International Conference on New Instruments for Musical Expression (NIME05) Vancouver, Canada 1-/-0/2005
(2005) 'Granular sampling using a pulse-coupled network of spiking neurons' 539-544
(2005) 'A Memetic Approach to the Evolution of Rhythms in a Society of Software Agents' 10th Brazilian Symposium on Computer Music - SBCM 2005 Belo Horizonte, Brazil 1-/-0/2005Brazilian Computer Society Publisher Site
(2005) 'A framework for comparison of process in algorithmic music systems' Generative Arts Practice - A Creativity & Cognitinion Symposium Sydney, Australia 1-/-0/2005
(2005) 'On the Learning Stages of an Intelligent Rhythmic Generator' Sound and Music Computing 2005 Salerno, Italy 1-/-0/2005
(2005) 'Musical Composition by an Autonomous Robot: An Approach to AIBO Interaction' Towards Autonomous Robotic Systems - 2005 London, UK 1-/-0/2005
(2005) 'Evolving Emotional Behaviour for Expressive Performance of Music' Intelligent Virtual Agents 2005 Kos, Greece 1-/-0/2005Heidelberg, Germany Springer - LNCS 3661-0497 Publisher Site
(2005) 'Artificial Singing with a Webcam Mouth-Controller' Sound and Music Computing 2005 Salerno, Italy Publisher Site
(2005) 'Evolving Emotional Behaviour for Expressive Performance of Music' Intelligent Virtual Agents 2005 Kos, Greece Heidelberg, Germany Springer - LNCS 3661-0497 Publisher Site
(2005) 'Extended waveform segment synthesis, a nonstandard synthesis model for microsound composition'
(2005) 'Granular synthesis of sounds through Markov Chains with Fuzzy control'
(2005) 'Towards a Model for Embodied Emotions' Workshop on Affective Computing: Towards Affective Intelligent Systems (AC 2005) Covilha, Portugal Publisher Site
(2004) 'Composition for Ubiquitous Responsive Environments' International Computer Music Conference - (ICMC 2004) Miami, USA 1-/-0/2004International Computer Music Association Publisher Site
(2004) 'Cellular Automata in MIDI based Computer Music' International Computer Music Conference - (ICMC 2004) Miami, USA 1-/-0/2004International Computer Music Association Publisher Site
(2003) 'A-Life and Musical Composition: A Brief Survey' IX Brazilian Symposium on Computer Music Campinas, Brazil 1-/-0/2003Brazilian Computer Society Publisher Site
(1997) 'Who composed Entre l'Absurde et le Mystère?' XVII Annual Congress of the Brazilian Computing Society / IV Brazilian Symposium on Computer Music Brasilia, Brazil Brazilian Computer Society Publisher Site
(1996) 'Machine Learning and Musical Invention: A Case Study' 7th International Symposium on Electronic Arts (ISEA) Rotterdam, The Netherlands 1-/-0/1996
(1996) 'Computer-Assistance in Concept Formation and Musical Invention' International Computer Music Conference - (ICMC 1996) Hong Kong 1-/-0/1996International Computer Music Association Publisher Site
(1993) 'Music Representation: Between the Musician and the Computer' Artificial Intelligence in Music Education Workshop / World Conference on Artificial Intelligence in Education Edinburgh, UK 1-/-0/1993
'An Instance Based Model for Generating Expressive Performance During Composition' International Computer Music Conference - (ICMC2008) Belfast, UK 1-/-0/2008International Computer Music Association Publisher Site
'COMPER: Towards a Model for Generating Compositions from Expressive Music Performances' International Computer Music Conference - (ICMC2008) Belfast, UK 1-/-0/2008
'Equipping Artificial Guitar Players with Biomechanical Constraints: A Case Study of Precision and Speed' International Computer Music Conference - (ICMC2008) Belfast 1-/-0/2008International Computer Music Association Publisher Site
'Towards Brain-Computer Music Interfaces: Progress and Challenges' International Symposium on Applied Sciences in Bio-Medical and Communication Technologies (ISABEL2008) Aalborg, Denmark 1-/-0/2008
'An Idiomatic Plucked String Player' FLAIRS Conference - Special Track: Artificial Intelligence in Music and Art Miami, USA 1-/-0/2006
'Evolving Musical Performance Profiles using Genetic Algorithms with Structural Fitness' Genetic and Evolutionary Computation Conference (GECCO 2006) Seattle, USA 1-/-0/2006
'Music Knowledge Analysis: Towards an Efficient Representation for Composition' 11th Conference of the Spanish Association for Artificial Intelligence (CAEPIA 05) Santiago de Compostela, Spain 1-/-0/2006Heidelberg, Germany Springer Publisher Site
'Artificial Singing with a Webcam Mouth-Controller' Sound and Music Computing 2005 Salerno, Italy 1-/-0/2005
'Evolving Emotional Behaviour for Expressive Performance of Music' Intelligent Virtual Agents 2005 Kos, Greece 1-/-0/2005Heidelberg, Germany Springer - LNCS 3661-0497 Publisher Site
'Towards a Model for Embodied Emotions' Workshop on Affective Computing: Towards Affective Intelligent Systems (AC 2005) Covilha, Portugal 1-/-0/2005
'Changes in music tempo entrain movement related brain activity' Publisher Site
'The art of rendering sounds from emergent behaviour: cellular automata granular synthesis' Euromicro Workshop on Multimedia and Telecommunications IEEE Comput. Soc , DOI
Personal
Personal
Reports & invited lectures
|
2021: Invited Speaker: QHack - Quantum Machine Learning, Toronto, Canada. 2020: Invited Speaker: Google Quantum AI, Santa Barbara, USA. 2019: Invited Speaker: Rigetti Computing, Berkeley, CA, USA. 2018: Invited Speaker: Beyond Festival – Future Design, ZKM | Center for Art and Media, Karlsruhe, Germany. 2017: Invited Lecture: Royal Institution of Great Britain, Patron Open Evening: The cognitive neuroscience of music, London, UK. 2017: Invited Speaker: London LASER 19: Interspecies Creativity, University of the Arts, London, UK. 2017: Invited Speaker: Mainly Mozart Festival, Mozart & the Mind, San Diego, USA. 2016: Invited Speaker: NeuroTechX, London, UK. 2016: Invited Speaker: EG Conference, Carmel-by-the-Sea, CA, USA. 2015: Invited Speaker: Mainly Mozart Festival, Mozart & the Mind, San Diego, USA. 2015. Invited Speaker: Technarte – International Festival on Art and Technology, Bizkaia Aretoa UPV-EHU, Bilbao, UK. 2014. Invited Speaker: Medicine Unboxed, Cheltenham, UK. 2012: Invited Speaker: Plymouth International Book Festival, Plymouth, UK. 2012: Invited Speaker: The Institution of Engineering and Technology (IET), Plymouth University, Plymouth, UK. 2006: Invited Speaker: Sonic Fusion Festival – North Edinburgh Arts Centre, Edinburgh, UK. 2009: Invited Speaker: Man Made, Dana Centre – Science Museum, London, UK. 2005: Invited Speaker: British Computer Society (BCS), Plymouth, UK. 2005: Invited Speaker: Plymouth City Museum & Art Gallery, Lunchtime Lectures, Plymouth, UK. 2003: Invited Speaker: British Embassy, The Hague, The Netherlands. 2003: Invited Speaker: Festival Música Viva, Coimbra, Portugal. 2001: Invited Speaker: Experimenta 2001: Thought as Design, Lisbon, Portugal. 2000: Invited Speaker: Festival Música Viva, Lisbon, Portugal. Guest Lectures at Universities Worldwide
2019: Laboratorio di Informatica Musicale, Università degli Studi di Milano, Milan, Italy. 2019: University of Berkeley, Centre for New Music and Audio Technologies, Berkeley, CA, USA. 2019: University of Oxford, Department of Computer Science, Oxford, UK. 2019: University of Milan, Department of Materials Science, Milan, Italy. 2017: Tufts University, Department of Music, Medford, MA, USA. 2017: University of Regensburg, Institute of Medical Microbiology and Hygiene, Regensbug, Germany. 2016: Harvard University, Department of Music, Cambridge, MA, USA. 2016: MIT Media Lab, Cambridge, MA, USA. 2016: University of the Basque Country, Faculty of Fine Arts, Bilbao, Spain. 2016: Juan Crisóstomo de Arriaga Music Conservatoire, Bilbao, Spain. 2016: University of Bordeaux, LaBRI (Laboratoire Bordelais de Recherche en Informatique), Bordeaux, France. 2016: NOTAM (Norwegian Center for Technology in Music and Art), Oslo, Norway. 2015: IRCAM / Centre Georges Pompidou, Paris, France. 2013: Electronics Department, University of York, York, UK. 2012: Music Department, University of Aberdeen, UK. 2012: fourMs Lab & Departmant of Musicology, University of Oslo, Norway. 2009: Cybernetics, School of Systems Engineering, University of Reading, Reading, UK. 2009: Institute for Musical Research, Directions in Music Research Seminars, University of London, School of Advanced Study, London, UK. 2009: Music Department Research Forum, University of Bristol, UK. 2008: Music, Informatics and Cognition Seminars, University of Edinburgh, UK. 2007: Medical Physics & Bioengineering Department, Royal United Hospital, Bath, UK. 2007: Electronic Music Studio, Technical University of Berlin, Germany. 2007: Department of Computer Science, University of Essex, Colchester, UK. 2006: Department of Informatics, University of Western Britany, Brest, France. 2005: Department of Music, National University of Ireland, Maynooth (NUIM), Ireland. 2005: Institute of Informatics, Federal University of Rio Grande do Sul (UFRGS), Brazil. 2005: Department of Electronic Engineering, Queen Mary University of London, London, UK. 2005: Department of Computer Science, University of Exeter, Exeter, UK. 2004: School of Music, Napier University, Edinburgh, UK. 2004: Department of Innovative Design, Chalmers University of Technology, Göteborg, Sweden. 2004: Department of Music, Institute of Fine Arts, Federal University of Rio Grande do Sul (UFRGS), Porto Alegre, Brazil. 2003: Slade College of Arts, UCL, London, UK. 2003: School of Cognitive and Computing Sciences, University of Sussex, Brighton, UK. 2002: Departamento de Computación, Universidad da Coruña, La Coruña, Spain. 2001: Departamento de Informática, UNISINOS, São Leopoldo, Brazil. 2001: Institut des Sciences Cognitives, CNRS – Université Claude Bernard, Lyon, France. 2001: Faculty of Music, University of Edinburgh, UK. 2000: Institute for Communication, University of Calabria, Cosenza, Italy. 2000: School of Music, University of Vienna, Austria. 1999: Kytano Symbiotic Systems Lab, University of Tokyo, Tokyo, Japan. 1999: Department of Computer Systems and Engineering, University of Kobe, Kobe, Japan. 1999: L’Atelier Ina-GRM, Maison de la Radio France, Paris, France. 1998: Laboratoire d'Informatique de Paris 6, Université Pierre et Marie Curie, Paris, France. 1998: Department of Artificial Intelligence, Free University of Brussels, Brussels, Belgium. 1996: IEE South East Section, Edinburgh, UK. |
Conferences organised
- 1st International Symposium on Quantum Computing and Musical Creativity. Plymouth and Oxford, UK. (2021)
- 11th International Symposium on Computer Music Multidisciplinary Research: Music Mind and Embodiment. Plymouth, UK. (2015)
- 1st International Workshop on Brain-Computer Music Interfacing. Plymouth, UK. (2015)
- Symposiumon Music and Unconventional Computing, part of AISB Convention, University of Exeter, UK (2013). [co-organiser]
- NeuroArts Conference , Plymouth, UK (2011). [co-organiser]
- Brain-Computer Interfaces for Music , Plymouth, UK (2011).
- Music Technology in Education for the Young at Risk of Social Exclusion , Plymouth, UK (2010).
- PRISMA International Conference on Aesthetic Decisions in Computer-Aided Composition, Plymouth, UK (2010).
- Music, Science and the Brain , Plymouth, UK (2008). [co-organiser]
- Music-AL Workshop , Workshop of Music and Artificial Life part of European Conference on Artificial Life (ECAL), Lisbon, Portugal (2007).
- 6th European Conference onArtificial Life / 1st Workshop on Artificial Life Models for Musical Applications , Prague, Czech Republic (2001). [co-organiser]
- XV Annual Congress of the Brazilian Computer Science Society / II Brazilian Symposium on Computer Music , Canela, Brazil (1995).
- World Conference on Artificial Intelligence in Education / Artificial Intelligence in Music Education Workshop , Edinburgh, UK (1993). [co-organiser]
Other academic activities
My new book, Thinking Music, telling the inside story to my choral and orchestral work Sound to Sea, is now available: https://www.scoop.it/topic/eduardo-r-miranda-impact-press
Samples of my music and scientific research work are available online at SoundCloud and through my Vimeo video channel.
A selection of interviews and news articles from the the international press are available on-line with Scoop.It.
Click on the links below to see these:
- Go to my SoundCloud to listen.
- Go to my Vimeo channel to watch.
- Go to Scoop.It to read the international news on the impact of my work.
Additional information
Performances of Compositions at Music Festivals Worldwide (a selection): 2018: Beyond Festival – Future Design, Karlsruhe, Germany. 2017: Mainly Mozart, Marriott La Jolla, San Diego, California, USA. 2016: Symmetry Festival, Concert Hall of the Collegium Hungaricum Vienna, Vienna. Austria. 2016: Sunset Center, Carmel-by-the-Sea, California, USA. 2016: Peninsula Arts Contemporary Music Festival, The House, Plymouth, UK. 2015: Mainly Mozart, Brendan Nguyen (piano), Atkinson Hall, La Jolla, San Diego, California, USA. 2015: Mainly Mozart, Hausmann Quartet, The Auditorium at TSRI, La jolla, San Diego, USA. 2015: Festsaal of TU Wien, Vienna, Austria. 2015: Peninsula Arts Contemporary Music Festival, The House, Plymouth, UK. 2015: Das Musikinstrumenten-Museum, Curt Sachs-Saal, Berlin, Germany. 2015: Music Tech Festival - London, LSO St Luke's, London, UK. 2014: Peninsula Arts Contemporary Music Festival, Plymouth, UK. 2013: La Friche la Belle de Mai, Orchestre de la Cité de la Musique de Marseille, Marseille, France. 2013: Difusão Sonora de Música Eletroacústica, Porto Alegre, Brazil. 2013: Peninsula Arts Contemporary Music Festival, Plymouth, UK. 2012: New Resonances Festival, Wilton's Music Hall, London, UK. 2012: Sond'Ar-te Electric Ensemble, Cascais Cultural Centre, Cascais, Portugal. 2012: Jornadas de Música Electroacustica, Montevidéo, Uruguay. 2012: Sound to Sea, St Andrew's Minster, Plymouth, UK. 2011: EarZoom Festival, Cankarjev Dom, Ljubljana, Slovenia. 2011: Música Eletroacústica, Sala dos Sons, Porto Alegre, Brazil. 2011: Electronica III, BBC Concert Orchestra, Queen Elizabeth Hall (South Bank Centre), London, UK. 2011: Electric Voice Theatre with Frances Lynch, Kettle's Yard, Cambridge, UK. 2011: Going North, Luciane Cardassi (piano), Peel Hall, University of Salford, UK. 2011: Peninsula Arts Contemporary Music Festival, Plymouth, UK. 2011: Going North, Luciane Cardassi (piano), Rolston recital Hall, Banff, Canada. 2010: Uma viagem musical do Brasil ao Canadá, Luciane Cardassi (piano), T-Son 61, Studio PANaroma. Teatro Maria de Lourdes Sekeff. Instituto de Arts da UNESP, Sao Paulo, SP, Brazil. 2009: … onde serene…, Piano and electronics, Luciane Cardassi (piano), Banff Centre Rolston Recital Hall, Banff, Canada. 2009: Baghdad Lullabies, Illios Happening, Frances M Lynch (voice), Harstad, Norway. 2007: Ultraschall Festival, Deutchlandradio Kultur, Sophiensaele, Berlin, Gemany. 2007: Konzert Elektroakustischer Musik, Universtität Bremem Theatersaal, Germany. 2006: Sonic Fusion Festival, Edinburgh, UK. 2006: Jornadas de Música Electroacustica, Montevidéo, Uruguay. 2005: UNYASI Festival, South African Electro-Acoustic Music Festival, Johannesburg, South Africa. 2005: Encuentros / Encounters at DePaul, DePaul University, Chicago, USA. 2004: St Andrew’s Church, Ten Tors Orchestra, Plymouth, UK. 2004: Porto 60, Salão Mourisco, Catarina Domenici (Piano), Porto Alegre, Brazil. 2003: Festival Música Viva, Coimbra, Portugal. 2003: Ipem40!, Instituut voor Psychoacustica en Elektronische Muziek, Gent, Belgium. 2003: X Jornadas de Informatica y Electronica Musical, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain. 2003: Ciclo Internacional de Música Electroacustica, Santiago de Chile, Chile. 2003: Jornadas de Música Electroacustica, Montevidéo, Uruguay. 2002: International Computer Music Conference ICMC, Göteborg, Sweden. 2002: Multiplex 2002: Música, Tecnologia e Artes Visuais, Goethe Institut, Porto Alegre, Brazil. 2001: 3a. Galeria Sonora de Compositores Latinoamericanos, Denton TX, USA. 2001: Seoul International Computer Music Festival, Seoul, South Korea. 2001: Synthèse Festival, Bourges, France. 2000: Musique et Art Visuel, Notre Dame de Monts, France. 2000: Festival Música Viva, Lisbon, Portugal. 1999: Temporada de Conciertos 1999 del la Casa de las Americas, Ciudad de la Habana, Cuba. 1999: Seoul International Computer Music Festival, Seoul, South Korea. 1999: Synthèse Festival, Bourges, France. 1998: Sala Hal, computer music series, Barcelona, Spain. 1998: Série Concertos do Século XX, Belo Horizonte, Brazil. 1998: Buenos Aires no dorme, Buenos Aires, Argentina. 1998: Festival Forfest Kromeriz, Kromeriz, Czech Republic. 1997: X Bienal de Música Brasileira, Rio de Janeiro, Brazil. 1996: Festival Elektronischer Frühling, Vienna, Austria. 1996: International Computer Music Conference ICMC, Hong Kong, China. 1995: OSPA (Porto Alegre Symphony Orchestra), Official Concert series, Porto Alegre, Brazil. 1995: XI Bienal de Música Brasileira Contemporânea, Rio de Janeiro, Brazil. 1995: Ciclo Acusmatico, Bogotá, Colombia. 1995: Synthèse Festival, Bourges, France.
Starring with Research on TV Documentaries, Radio and Podcasts (a selection): |
Film:
20 Aug 2017, Sky Atlantic. Volvo Cars UK Series Defiant Pioneers. Chapter 5: Music of the Mind.
[ https://www.volvocars.com/uk/about/humanmade/discover-volvo/music-of-the-mind ]
TV:
12 Feb 2016, BBC 1. Programme: Breakfast Show. Presenter: Tim Muffett.
04 May 2018, EBS TV South Korea. Programme: HUMANITY 4.0. Presenter: Dennis Hong.
[ https://www.scoop.it/topic/eduardo-r-miranda-impact-press ]
18 Feb 2016, France 5. Programme: Le magazine de la santé. Presenter: Jean-Marie Leau.
22 Sep 2015, Fox 5 – San Diego, USA. Programme: Fox News. Presenter K. Bade
[ https://fox5sandiego.com/2015/09/22/learn-about-your-brain-with-music/ ]
05 Jun 2015, EITB TV – Bilbao, Spain. Programme: EITB Kultura. Presenter: Jon Astorquiza.
[ https://www.eitb.eus/es/television/programas/eitb-kultura/videos/detalle/3266240/video-technarte/ ]
26 Nov 2014, BBC World. Programme: BBC Click. Presenter: L JRich.
[ https://www.bbc.co.uk/news/av/technology-30182600/the-computer-circuits-made-of-slime-mould ]
08 Feb 2014, BBC World. Programme: BBC Click. Presenter: L J Rich.
[ https://www.bbc.co.uk/news/technology-26081451 ]
Radio:
11 Dec 2017: BBC Radio 3. Programme: Music Matters. Presenter: Tom Service.
[ https://www.bbc.co.uk/programmes/b09hr3w6#playt=0h34m56s ]
27 Feb 2017: BBC Radio 3. Programme: Music Matters. Presenter: Tom Service.
[ https://www.bbc.co.uk/programmes/b08g47yt ]
20 Feb 2016: NPR Washington. Programme: Weekend Edition. Presenter: Linda Wertheimer.
26 Feb 2015: BBC Radio 4. Programme: Inside Science. Presenter: Adam Rutherford.
[ https://www.bbc.co.uk/programmes/b053bxy1 ]
27 Feb 2015: BBC World Service. Programme: BBC News. Presenter: Roland Pease.
[ https://www.bbc.co.uk/news/science-environment-31655846 ]
20 Feb 2013: BBC Radio 3. Programme: In Tune. Presented: Sean Rafferty.
[ https://www.bbc.co.uk/programmes/b01qqsf1 ]
20 Dec 2012: BBC Radio. Programme: The World at One. Presenter: Neil Bowdler.
[ https://www.bbc.co.uk/news/av/uk-20799961/classical-music-s-all-in-the-mind ]
22 Sep 2012: BBC Radio 4. Programme: Today. Presenter: Justin Webb.
[ http://news.bbc.co.uk/today/hi/today/newsid_9753000/9753970.stm ]
22 Jan 2012 BBC World Service. Programme: The Forum. Presenter: BBC diplomatic correspondent, Bridget Kendall.
[ https://www.bbc.co.uk/programmes/p00n1xxg ]
23 Dec 2010, BBC Radio 3. Programme: A Mozart Mash-Up. Presenter: Patrick Bailey.
[ https://www.bbc.co.uk/programmes/p00dgbx7 ]
07 Dec 2004, BBC Radio 4. Programme: All in The Mind. Presenter: Raj Persaud.
[ http://www.bbc.co.uk/radio4/science/allinthemind_20041207.shtml ]
Podcasts:
27 Feb 2015: Geek Chic’s Weird Science. Programme: Episode 23 – Biomusic Special.
[ http://geekchic.libsyn.com/episode-23-biomusic-special ]
Links
Research: