Michael is an actor, director and writer. Well known for his roles as Moff Jerjerrod in Return of the Jedi (1983) and Michael Foot in The Iron Lady (2011), he founded the English Shakespeare Company in 1989 with director Michael Bogdanov. He has performed many memorable roles on stage and screen and is Honorary Associate Artist of the Royal Shakespeare Company. Here he talks to us ahead of his appearance at the 2017 Plymouth Festival of Words.
Michael Pennington on the importance of classical writers in modern culture:
"They are an essential lifeline to understanding and celebrating human nature in all its depth and contradictoriness. As you say, in this soundbite culture it is very important to hold on to the values of original thought and the recognition of what complex beings we are"
Q. What first inspired your love of the written word and performance?
A. I was taken (very reluctantly) aged 11 to see Macbeth, my first Shakespeare (I already loved pantomime), and it changed my life in a single evening.
Q. Your career path to this point has been a rich and varied one – when you first started out, did you have a plan of how you wanted it to develop?
A. You can’t really make plans like that in such a crowded profession, though I always hoped to do some of the great Shakespeares such as the above. It depends what directors offer you, and things went well for me in that respect.
Q. A lot of people will remember you for Star Wars – is that something you look back on with a lot of pride, having been involved with such an icon of the big screen?
A. I have no pride in it at all. By the time I did three or four days on Star Wars in 1981 I had already played many leading parts at the RSC, toured in the us and elsewhere, done plenty of TV and been nominated for awards for my theatre work. I continued on that path after those few days on Star Wars. The film was a very unimportant part of my career and I don’t usually include it in my CV.
Q. How did you get from Star Wars to classical writers such as Shakespeare and now Chekhov, and what challenges has that posed you?
A.I have always a great admiration and affection for Chekhov, both for his plays, his fiction and for him as a man. That’s why I’ve now done two solo shows illustrating his life, including this reading I am doing in Plymouth about a part of his life that is very little known.
Q. In an age where people want things instantly at their fingertips and, in many cases briefly, why do you believe these classical authors still have a place in our society and culture?
A. They are an essential lifeline to understanding and celebrating human nature in all its depth and contradictoriness. As you say, in this soundbite culture it is very important to hold on to the values of original thought and the recognition of what complex beings we are.
Q. What can people expect at your performance at the Plymouth Festival of Words?
A. The performance deals with an extraordinary journey Chekhov undertook across Russia to investigate the injustices of their prison system and the difficult lives being led by people outside the capital cities. Being a great comic writer, his account is not only vivid, moving and entertaining, but in places very funny as well.
Q. What do you hope they take away from that performance?
A. A sense of well-being and of having learned something new about a great writer.
Building on the success of the Plymouth International Book Festival, Plymouth Festival of Words celebrates words in all their forms including literature, poetry, theatre and more. Launching Plymouth History Month, it showcases an eclectic blend of nationally and internationally renowned writers and artists, alongside a rich community programme coordinated by WonderZoo, involving literary groups
from across the city and region, and the announcement of the 2017 Plymouth Mayflower Young City Laureate.
The Festival includes celebrated film director and screenwriter, Peter Greenaway – and his stunning film, The Cook, The Thief, His Wife and Her Lover; highly acclaimed writer, Michèle Roberts who will introduce her new novel, A Walworth Beauty, set in Victorian London; international writers Fereshteh Ahmadi and Irenosen Okojie; performances from Helen Chadwick Song Theatre, Joan Ellis and Star Wars actor, Michael Pennington; workshops by Sunday Times EFG Short Story Award creator, Cathy Galvin and a celebration of the South West writer, Charles Causley.
You can purchase tickets online here, or via Peninsula Arts Box Office:
Peninsula Arts Gallery
Roland Levinsky building
Plymouth PL4 8AA
Tickets can be posted to you, collected from the Box Office or provided as an e-ticket. We accept all major credit cards. Tickets cannot be reserved without payment. Seats are unreserved; a first come first served basis is in operation. We regret that it is not possible to offer a refund once a ticket has been purchased, unless an event has been cancelled by the organisers.
Concessions apply to Plymouth University students and staff, over 60s, unwaged, full-time students and children under the age of 16. Proof of eligibility may be requested.
SPiA (Student Participation in Arts Scheme) is exclusive to Plymouth University students.
Box Office opening hours
Monday - Friday 13:00-17:00
Festival event days:
4 May: 13:00-19:30
5 May: 13:00-20:00
6 May: 11:00-20:30
7 May: 13:00-19:30
Admittance may be restricted after the published commencement time of the event. Plymouth Festival of Words reserves the right to change the programme without prior notice.
Free parking is available on the Plymouth University campus after 16:00 (limited spaces and parking must be in a designated bay). Paid-for parking is available at Drake Circus Shopping Centre.