Dr David Sergeant
Profiles

Dr David Sergeant

Lecturer in English post-1850

School of Humanities and Performing Arts (Faculty of Arts & Humanities)

Role

My research focuses on literature from the late nineteenth century to the present day. My first monograph, Kipling’s Art of Fiction, was published by Oxford University Press in 2013, and I have co-edited collections of essays on Robert Burns and Doris Lessing with Edinburgh University Press; I also have articles and book chapters published or forthcoming on Robert Louis Stevenson, Virginia Woolf, Ted Hughes and Ben Lerner. From January 2018 to January 2020 I will be an AHRC ECR Leadership Fellow, working on a project that will draw on ideas from utopian studies, the environmental humanities, and cognitive narratology to explore how the novel has been used since the late nineteenth century to imagine better forms of community, with particular reference to globalization and the issues it raises; ideas drawn from this research will also be fed into work with a partnering not-for-profit and local communities looking to reimagine the way they live now.

 

My own fiction and poetry has appeared in The Dublin Review, Poetry Review, PN Review, Poetry Ireland, Poetry Wales, Rialto, the Guardian, the Forward Book of Poetry and elsewhere; I have also published two collections of poetry, the most recent being The Pronoun Utopia (Green Bottle Press, 2017). A collaboration for Faber with the composer Martin Suckling was performed at the Royal Opera House in 2014.

Qualifications

I took a BA, MSt and DPhil from the University of Oxford, where I was also the Mary Ewart Junior Research Fellow at Somerville College from 2010-2013. I joined English and Creative Writing at Plymouth in 2013; since I grew up and went to school in Cornwall, this has also meant a return to my Westcountry educational roots …

Roles on external bodies


Teaching interests

 

Undergraduate Teaching

I have taught topics and authors at undergraduate and postgraduate level from the late eighteenth century to the present day. At Plymouth I have designed and lead an undergraduate module on Apocalypse and the Modern Novel, which is informed by my research interest in issues such as global capitalism and environmental crisis, the evolution of the genre novel, and the representation of “unthinkable” change in literature: texts we study range from H. G. Wells to Kurt Vonnegut to Margaret Atwood. Other undergraduate modules I have taught on include: 

·      Gothic Fictions: Villains, Virgins, Vampires

·      Victorian Literature and Culture

·      Modernism.


GraduateTeaching

I have designed and led a Masters module on Poetry and the Environment, which covers some of the major landmarks in recent “eco-critical” thinking through an extended focus on poetry, ranging from Wordsworth and the Romantics to postcolonial Australian poetries. 

I am currently Director of Studies for a PhD on Golden Age detective fiction and its relation to modernity, and have co-supervised several creative writing PhDs (fiction and poetry). I am always keen to hear from prospective doctoral students interested in topics and authors relating to my research interests, or in fiction or poetry creative projects.

 

 

Staff serving as external examiners

External examiner, University of Exeter (Penryn): 2016/17-19/20

Research interests

My doctoral thesis, published as a monograph by OUP, focused on Kipling's use and abuse of fictional form. More recently I have completed work (published or forthcoming) on R. L. Stevenson, Doris Lessing, Virginia Woolf, Kim Stanley Robinson and Ben Lerner. From January 2018 to January 2020 I will be an AHRC ECR Leadership Fellow, working on a project that will draw on ideas from utopian studies, the environmental humanities, and cognitive narratology to explore how the novel has been used since the late nineteenth century to imagine better forms of community, with particular reference to globalization and the issues it raises; ideas drawn from this research will also be fed into work with a partnering not-for-profit and communities looking to reimagine the way they live now.

 

My own poetry and fiction have appeared in numerous publications in the UK and internationally; I have also published two collections of poetry and a collaboration with the composer Martin Suckling, as well as essays on Ted Hughes and Robert Burns.

 

I lead the "Environment and Literature"research cluster in English and Creative Writing, and take part in the work of the Arts Institute. I am also a member of the Operations Team for the Sustainable Earth Institute, and regularly collaborate with Plymouth's Cognition Institute.

Single-Authored Books

·        The Pronoun Utopia. Poems. London: Green Bottle Press, 2017. 

·         Kipling’s Art of Fiction. Oxford University Press, 2013.

·         Talk Like Galileo. Poems. Exeter: Shearsman Books, 2010.

Edited Collections

·         Doris Lessing and the Forming of History  (with Kevin Brazil and Tom Sperlinger). Edinburgh University Press, 2016.

·         Burns and Other Poets (with Fiona Stafford). Edinburgh University Press, 2012 (paperback 2013).

Book Chapters

·         'Doris Lessing and the Scale of Environmental Crisis’ in Doris Lessing and the Forming of History. Kevin Brazil, David Sergeant, Tom Sperlinger (eds). Edinburgh UP, 2016.

·         Ted Hughes’s Inner Music’ in Ted Hughes: From Cambridge to Collected. Terry Gifford, Neil Roberts, Mark Wormald (eds). Palgrave, 2013.

·         ‘Burns and the Performance of Form’ in Burns and Other Poets. Sergeant and Stafford (eds). EUP, 2012.

Articles and Essays

·         ‘"The worst dreams that ever I have": Capitalism and the Romance in R. L. Stevenson's Treasure Island'. Victorian Literature and Culture. Forthcoming.

·         ‘Moortown (Diary)’, introductory essay for the Ted Hughes Society website (2012). http://www.thetedhughessociety.org/moortowndiary.htm

·         ‘Kipling’s Descriptions’.  Essays in Criticism, 59: 4 (October 2009), 324-47. 

·          ‘Changes in Rudyard Kipling’s Fiction on his Return to Britain’. English Literature in Transition, 52: 2 (2009), 144-59.

·         ‘Whispering to the Converted: Narrative Communication in Kipling’s Letters of Marque and Indian Fiction’.  Modern Language Review, 104: 1 (January 2009), 26-40. 

·         ‘Kipling’s Compositional Practice in Two Manuscripts’. Notes and Queries, 55: 4 (December, 2008), 465-7.

Reviews in: The Oxonian Review of Books, Notes and Queries, Eyewear, Modern Languages Review, Oxford Comparative Criticism and Translation Review.

Poems in: Acumen, Agenda, Ambit, Archipelago, Cake, Envoi, The Forward Book of Poetry, The Guardian, The London Magazine, New Welsh Review, NightTrain, the North, nthposition, Pen Pusher, Poetry Daily, Poetry Ireland Review, Poetry Review, PN Review, Poetry Wales, Prac Crit, The Reader, Rialto, Salzburg Review, Stand, Stride, the Warwick Review.

Creativecollaboration

·      Songs from a Bright September, poems set to music by Martin Suckling (FaberMusic, 2014). Premiered by the Angell Trio and Matthew Rose at BlackheathHalls, Hartley Whitney and the Royal Opera House.

·      Poetry installation inexhibition 'Unnatural Pleasures', Radiant Spring Gallery, Plymouth,27 Feb. - 17 April 2015 

·      Poem taken out to sea by the Sonic Kayaks project