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Eduardo Miranda

 

Personal photograph uploaded by Eduardo Miranda

Eduardo Miranda

  • Job title: Professor in Computer Music, School of Humanities and Performing Arts (Faculty of Arts)


Roles on external bodies
Editorial Boards:

  • Regional Editor: Organised Sound, Cambridge University Press, UK
  • Member of the Editorial Board: Leonardo Music Journal, The MIT Press, USA
  • Member of the Editorial Board: Contemporary Music Review, Routledge, UK
  • Member of the Editorial Review Board: Leonardo Transactions, The MIT Press, USA
  • Member of the Editorial Review Board: New Sound, Department ofMusicology, Faculty of Music, Belgrade

Peer Reviews:

  • Member of the peer review college of the Austrian Science Foundation (FWF), Austria (appointed 2010 - )
  • Member of the peer review college of the Danish Council for Strategic Research, Denmark (appointed 2010 - )
  • Anonymous peer reviewing of numerous research grant proposals for Research Grants Council of Hong Kong, EPSRC, AHRC, The Wellcome Trust, Racomedi 
  • Member of the Review Panel for Alban Scholarships, European Union (2006-2009)

 


Teaching interests

  • Music Composition
  • Computer Music
  • Electroacoustic Music
  • Artificial Intelligence
  • Evolutionary Computing / Artificial Life

 

Staff serving as external examiners

  • Examiner for the MA/MSc in Music Technology, Dept of Music & Dept of Electronics, University of York (2007 – 2009)
  • External Examiner for the BMus in Music with Computer Sound Design, Dept of Music and Sound Recording, University of Surrey (2007 – 2010)
  • External Examiner for the BMus Honours (Tonmeister), Dept of Music and Sound Recordings, University of Surrey (2007 – 2010)
  • External Examiner for the MSc Applied Artificial Intelligence, School of Engineering, Computer Science and Mathematics, University of Exeter (2006 –2010)
  • External Examiner for the MSc Music Information Technology, City University (2006 – 2009)
  • External examiners for PhD awards at: 
    • University of Surrey (2010)
    • University of Essex (2010)
    • University of York (2010)
    • Queen's University Belfast (2010)
    • Open University (2010)
    • Birmingham Conservatoire (2009)
    • University of the West of England (2008)
    • University of East Anglia (2008)
    • Edinburgh Napier University (2008)
    • University College, London (2007, 2010)
    • Goldsmiths College (2007)
    • Queen Mary University of London (2007, 2010)
    • Chalmers University of Technology, Sweden (2004)
    • Federal University of Rio Grande do Sul, Brazil (2002)
    • University of Coruña, Spain (2001)
 


Research interests

  • Composition (including algorithmic and computer-aided)
  • Electroacoustic Music Composition
  • Sound Synthesis
  • New Musical Interfaces
  • Expressive Music Performance (by machines)
  • Brain-Computer Music Interface
  • Evolutionary Computer Music
  • Music Neurotechnology
  • Unconventional Computation (for music technology)
  • Artificial Intelligence and Music
 




Links

Research:

http://cmr.soc.plymouth.ac.uk