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Sarah Chapman![]() Sarah Chapman
Role
Qualifications & background MA Sequential Design, Brighton University, 2002 BA Design Arts, 1st class hons, Plymouth University, 1997 Roles on external bodies Editorial / Management Board, Nom de Strip (www.nomdestrip.co.uk) Chair, River Tamar Project Management Board (www.tamarproject.org.uk) Plymouth International Book Festival Management Board Teaching interests
Research interests
Other research A TFAS award (teaching fellowship) that examines the beneficial role public arts can play within the student learning experience (both formal and informally) across a range of art and science disciplines. Creative practice & artistic projects
2012 - 2013 Executive Producer www.mobydickbigread.com Working with curators Philip Hoare and Angela Cockayne the Moby-Dick Big Read aimed to represent and reinvigorate the classic 19thCentury novel Moby-Dick by Herman Melville for a 21st Century audience. Hugely ambitious in scope the project invited well known luminaries, from arts and science, stage and screen, to contribute a reading, and included: Tilda Swinton, John Waters, Sir David Attenborough, Stephen Fry, Simon Callow, UK Prime Minister David Cameron, Blake Morrison, Hugh Fearnley-Whittingstall, Christopher Frayling, Tania Kovats, China Mieville, Dorothy Cross, Will Self, Benedict Cumberbatch, alongside an equally illustrious list of artists who also contributed or made new work specially for the project: Gavin Turk, Richard Long, Michael Landy, Frank Stella, Susan Hiller, Marcus Harvey. Under the banner of 'making great literature accessible to everyone' the Moby-Dick Big Read reached an audience of 2.5 million and receiving world wide critical reviews.
Curated Exhibitions 2012 Knowledge Museum Kit and News After News joint exhibition featuring Dan and Lia Perjovschi (Peninsula Arts Gallery, November - December 2012 ). 2010 Ben Hartley: A retrospective, Co-curated by Bernard Samuels and Sarah Chapman, featuring paintings, drawings and never before exhibited journals and notebooks (Peninsula Arts Gallery, November - December 2010). 2009 (re)sounding signs: Polish Chopin Posters 1955-2006, Co-curator. Featuring posters from 1950's to the present day, including Henryk Tomaszewski, the Wroclaw Four group, Rafal Olbinski and Waldemar Swierzy. Part of the Plymouth Polish Festival and in partnership with the Museum Frydereyka Chopina, Warsaw with the support of Adam Mickiewicz Institute (March - April 2009). 2008 Art & Insects, an exhibition featuring over 20 national and international artists inspired by insects. Supported by the Royal Entomological Society (Cube3 Gallery, Plymouth University, September-October 2008). 2008 Beryl Cook 1926-2008, A Retrospective. Co-curated by Jess Wilder and Sarah Chapman, (Peninsula Arts Gallery, November - December 2008). Publications 2012 Dominion: A Whale Symposium, ed Angela Cockayne and Philip Hoare, (Bath: Wunderkammer Press, January 2012) p 18-20. 2011 What Can University Galleries Offer? in Cabinet: Changing Perceptions, ed P Quinn, (Plymouth University Press), 20-21. 2008 Beryl Cook:1926-2008, ed Jess Wilder and Sarah Chapman, (Plymouth University Press). Alongside curating the first major retrospective of Beryl Cook's work in the Peninsula Arts Gallery, following her death, the publication brought together academics and critical commentators who questioned and examined the division between the huge popularity of Cook's work and the art establishment's resistance in recognising her success whilst she was alive.
Art Direction / Design 2012 Crowley, D., Dan & Lia Perjovschi, The Art of Marginalia (Plymouth University Press). Author and Art Direction.2009 - 2012 Twenty Romanian Writer series (Plymouth University Press). 2007 - 2011 Short Fiction, series 1-5 (Plymouth University Press).
Conferences organised 2011 May Future Visions (Film Festival) Roland Levinsky Building, Plymouth University This week-long celebration of film, included talks from film-makers and critics and was programmed in anticipation of the curatorial theme 'In the Days of the Comet' underpinning the British Art Show 7, Peninsula Arts Gallery and across Plymouth (September-December 2011). The festival questioned how contemporary uncertainties manifest themselves into a dystopian vision of the future as seen through film. 2011 February Whale Festival Roland Levinsky Building, Plymouth University Inspired by the Dominion exhibition in Peninsula Arts Gallery, the three day Festival celebrated the iconographic image of the whale and it's place in literature, biology and history. Bringing together international artists and scientists the festival included performances, film screenings, poetry readings, talks and music, the hugely popular festival attracted both an academic and public audience. 2010 - 2011 November Romanian Festival, Peninsula Arts, Plymouth University. A three day festival across two years celebrating Romanian Art, Performance, Film, Literature and Music (in partnership with the Romanian Cultural Institute) 2009 February Disposable People, Co-organisor, Peninsula Arts, Plymouth University. A symposium exploring the ethics of Documentary Photography and Journalism (in partnership with Hayward Touring, Autograph ABP, Magnum Photographers) 2009 May Animal Gaze, Co-organisor, Peninsula Arts, Plymouth University. A symposium which examined how artists are responding to the changing relationship between animal and human in the light of recent medical advancements. Programmed in response to the 200th anniversary of Darwin. (Supported by PVAC and Centre of Contemporary Art and the Natural World) 2008 May Exploring Consciousness, Co-organisor, Peninsula Arts, Plymouth University. A symposium which explored a range of Art & Science collaborations, in response to Scribing the Soul exhibition by Susan Aldworth (Peninsula Arts Gallery) Other academic activities 2012 Peninsula Arts team shortlisted for a Vice-Chancellor's Enterprise Award for Creative Initiative. Recognising the success and impact of bringing the British Art Show 7 to Plymouth, working in conjunction with the Hayward Gallery and as a leading member of the Plymouth Visual Arts Consortium, supported by Plymouth City Council and Arts Council England, Peninsula Arts co-delivered the 7th British Art Show 'In the Days of the Comet' for the final leg of its year-long country wide tour. BAS7 ran for three months across five venues throughout the City including the Peninsula Arts Gallery. As a high profile major contemporary arts event 74,790 visits were made to the city wide exhibition, providing access to contemporary arts to the local and regional audiences, including specifically focused opportunities for 67 Schools to connect directly with the work, academics and students of the University. 2011 Shortlisted for Times Higher Education Award, Excellence and Innovation in the Arts, Peninsula Arts Contemporary Music Festival 2009 Awarded a Vice-Chancellor's Enterprise Award for International Engagement. Paul Honeywill, Anthony Caleshu, Sarah Chapman & Simon Ible, University of Plymouth Press and Peninsula Arts. Additional information
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