Profiles
Dr Nuria Bonet
Lecturer in Music
School of Society and Culture (Faculty of Arts, Humanities and Business)
Biography
Biography
Lecturer in Music
Qualifications
Professional membership
Associate Fellowship - Advance HE
Member - Independent Society of Musicians
Roles on external bodies
Council Member - Royal Musical Association
Teaching
Teaching
Teaching interests
Research
Research
Research interests
Music and Science
Other research
pubsofgreenbank.co.uk
Creative practice & artistic projects
Radio Sunshine, All that is left (2021) - LP: https://kappkino.bandcamp.com/album/radio-sunshine-all-that-is-left
For all compositions and projects: nuriabo.net
Publications
Publications
Key publications
Key publications are highlighted
Journals'Mechanised Shawms: The Case of the Chinese Suona', Galpin Society Journal, Vol. 75 (2022), pp. 145-56.
‘The Development of the Tenora’, Galpin Society Journal, Vol. 70 (2017), pp. 169-78.
‘Fort Greene (for two toy pianos)’, Women & Music: A Journal of Gender and Culture, Vol. 21 (2017), pp. 66-71.
‘The Metal Tenora’, American Musical Instrument Society Newsletter (Fall 2016), pp. 13-17.
'Creating and Evaluating Aesthetics in Sonification', in Filimowicz, M. (ed.), Doing Research in Sound Design (Focal Press), pp. 269-282.
'Pub jukeboxes: Music, democracy and the hyperlocal', RMA Annual Conference, University of Newcastle; 14-16 September 2021.
'Musical Democracy in Chilean Prisons During Pinochet’s Dictatorship (1973-1990)', Music and Political Democratisation in Late Twentieth Century Study Day, University of Huddersfield; 5-6 November 2020.
'The 2017 Catalan Independence Referendum in Catalan Popular Music', RMA Annual Conference, Goldsmiths; 8-10 September 2020.
‘Humour as resistance: the songs and chants of the Catalan independence referendum’, RMA Annual Conference, University of Bristol; 13-15 September 2018.
‘Humour as resistance: the songs and chants of the Catalan independence referendum’, Mediating the Catalan Independence Movement, QMUL; 12-13 September 2018.
‘The Voice of the Sea’, BFE/RMA Research Students’ Conference, University of Huddersfield, UK; 4-6 January 2018.
‘But does it sound nice? Evaluating the success of sonification as a compositional tool’, Digital Research in the Humanities Conference, University of Plymouth, UK; 10-13 September 2017.
‘But does it sound nice? Evaluating the success of sonification as a compositional tool’, RMA Annual Conference, University of Liverpool, UK: 7-9 September 2017.
‘Mechanised Shawms: Comparing the Tenora, Suona and Jangsaenap’,Conference on Musical Instruments (Galpin Society and AMIS joint conference), University of Edinburgh, UK: 1-4 June 2017. Awarded Frederick R. Selch Award for best student paper.
‘Echoing our Environment: Sonification in Electroacoustic Music as part of a Musical Tradition’, BFE/RMA Research Students’ Conference, Canterbury Christ Church University, UK: 5-7 January 2017.
‘Sonification of Dark Matter: Challenges and Opportunities’, 13th Sound and Music Computing Conference, Hamburg, Germany: 31 August – 3 September 2016.
‘The Scientist-Composer: Dark Matter Sonification as Music Composition’, Symposium on Music Composition on Interdisciplinary Practice, University of York, UK: 28-29 June 2016.
‘Sonification as a Compositional Tool: Blyth-Eastbourne-Wembury’, Conference on New Music Concepts, Treviso, Italy: 3-5 March 2016.
Personal
Personal
Links
nuriabo.net