Ms Kayla Parker
Qualifications & background
Postgraduate Certificate in Learning and Teaching in Higher Education (LTHE), University of Plymouth, 2008
Member of Association Internationale du Film d'Animation (ASIFA)
Roles on external bodies
UoP Research group membershipLand/Water and the Visual Arts
Grants & contracts
AWARDS, GRANTS & COMMISSIONS selected
2012 ICCI commission, Welcome to the Treasuredome artists' moving image festival, for Maritime Mix - London 2012 Cultural Olympiad by the Sea programme, Weymouth (with Stuart Moore); funded by Creative England.
2010 Research award from MADr: the Centre for Media, Art and Design Research at University of Plymouth, for Brighton Road Movie.
2010 Research award from MADr: the Centre for Media, Art and Design Research at University of Plymouth, for Measure.
2009 Animate Projects commission for the Sea Change initiative of CABE, the Commission for Architecture and the Built Environment, and the government's advisor on architecture, urban design and public space
2009 CEPPL Award: Supporting Learning in the Workplace (Centre for Excellence in Professional Placement Learning, University of Plymouth)
2009 Media Innovation Award: Collaboration between Business + Young People for There 2 Care: The Voice of Young Carers; a Sundog Media production with young people at The Zone, Young Carers Project, Plymouth
2008 Research award, Plymouth College of Art and Design, for Immersion exhibition by Locate research group
2008 Hold, large scale 16mm film projection, Peninsula Arts, University of Plymouth
2007 Travel bursary: Plymouth Media-Partnership
2007 Definitive Stories, National Review of Live Art Screening Programme, New Moves International, Glasgow
2005 First Light Movies/The UK Film Council
2005 RIFE Lottery Award, South West Screen
2004 Wild Ideas, Bristol Natural History Consortium and Innovations South West, SWERDA
2004 no.w.here, London
2003 Awards for All Project Award, the Barefoot Project and the National Lottery
2002 Living City Project Award, Plymouth Arts Centre, South West Arts and the National Lottery
2001 Filmwaves, LUX, London
2001 Dartmoor Lives and Landscapes, Aune Head Arts, Princetown, Devon
2000 Miniature Film, Poetry International, Royal Festival Hall
2000 Women of Achievement Award (Nominated: finalist)
2000 TX 2000, Film Production Award, South West Media Development Agency and Carlton Broadcasting
2000 Year of the Artist Project Award, South West Arts
1999 Film and Video Production Award, South West Media Development Agency
1999 Arts Grant, Plymouth City Council
1998 Exhibition Initiatives Award, South West Media Development Agency
1997 Silver Award, Hamburg Short Film Festival
1997 One Minute Film, London Film-Makers‘ Co-op, Lux and National Lottery
1997 Awards for All Project Award, National Lottery
1997 The Award for Outstanding Contribution to Art, from the City of Plymouth
1996 Film and Video Art Production Award, the Arts Council
1994 Animated Poem, Poetry International, Royal Festival Hall
1994 Animate! Award, the Arts Council and Channel 4
1994 Production Projects Fund Award, British Film Institute
1993 Film and Video Production Award, South West Arts
1993 One Minute Television, Arts Council and BBC2’s The Late Show
1993 The Dick Award (Nominated: finalist)
1993 Cinewomen Award (Nominated: Highly Commended)
1991 Canan nan Gaidhael (The Language of the Gael), Scottish TV
1991 Animate! Award, the Arts Council and Channel 4
1990 Artists’ Film, Video and Broadcasting Award, the Arts Council
1990 Award of Merit, Cork Film Festival
1989 Television South West and South West Arts Film Award
1988 Film and Video Award, South West Arts
Creative practice & artistic projects
FILM DISTRIBUTION: SCREENINGS & SALES
The principal distributors and sales agents are Sundog Media (all titles) contact email@example.com or firstname.lastname@example.org
LUX distributes and is a sales agent for 9 titles, contact Mike Sperlinger +44 (0)20 7503 3977 email@example.com
The 35mm film Sunset Strip is on AnimateTV: 20 years of experimental animation from the UK (2010) [DVD] from Animate Projects and LUX
Sunset Strip with production notes is also on Into animation: a video compilation and teaching guide (2003) [VHS, CD-ROM and booklet] from BFI Education ISBN 1-903786-10-X
Sunset Strip is distributed by Animate Projects in its touring programmes Animate Retrospective and Themed programme 2: Marking Time; contact: firstname.lastname@example.org
Physic is included on Dartmoor Lives and Landscapes (2001) [DVD] from Aune Head Arts
The BFI distributes Night Sounding as a 16mm print
The films As Yet Unseen and Unknown Woman are also available from EMAF (European Media Arts Festival) email@example.com Tel: 00 49 / (0)541 / 2 16 58
Animate Projects distributes Teign Spirit, which is also available for download from iTunes
Teign Spirit is one of four moving image artworks selected by Tate Youth Forum for the Paintings in Hospitals Children and Young People’s Collection, and is available for loan to all healthcare environments in the UK, including hospitals, GP surgeries, hospices and mental health facilities.
Several films are included in the One Minute collections of artists’ moving image curated by Kerry Baldry:
One Minute volume 3: White Body and Verge: Nocturne
One Minute volume 4: Twenty Foot Square
One Minute volume 5: Flora
One Minute volume 6: Yessling
Bookings, contact firstname.lastname@example.org
White Body is available on the Screenworks volume 2 DVD: the AVPhD Issue, published in association with Intellect Books' Journal of Media Practice (volume 9 issue 3, November 2008), as the silent loop presented as a floor projection in the Immersion exhibition at the Land/Water and the Visual Arts annual research symposium with Plymouth University; to buy the DVD contact email@example.com
Published online 2011: JMP Screenworks
White Body is also included on the DVD of the exhibition HerStory held at the Link Gallery, University of Winchester 8 June - 8 July 2011 to reflect the narrative of women's lives; produced by Women's Work
Public collections and archives
Animation Research Centre (ARC) Archive, University for the Creative Arts, Farnham, UK
ASIFA Archive, Cinematheque, Lausanne, Switzerland
British Council London, UK
British Film and Video Artists' Study Collection University of the Arts London, Central Saint Martins, London, UK
European Media Art Festival (EMAF) Archive, Osnabrück, Germany
Mediawave Archive, Győr, Hungary
National Museum of Photography, Film and Television, Bradford, UK
NFTVA (National Film and Television Archive), BFI Collections, British Film Institute, London, UK
National Review of Live Art Archive University of Bristol, UK
Short Film Archive KurzFilmAgentur, Hamburg, Germany
Southbank Centre Poetry Library, London, UK
South West Film and Television Archive (SWFTA) Plymouth, UK
Sydney College of Arts, the University of Sydney, Australia
Videoteca de la Fundación Provincial de Cultura, Cádiz, Spain
The Children’s Film Library, the Whitechapel Gallery, London, UK
Women's Art Library (MAKE) Goldsmiths, University of London, UK
FILMOGRAPHY selected artistic works
2008 Heirloom Super 16mm film (loop)
2007 Small World* HD film, commissoned by Stephen Littman University for the Creative Arts and Peter Richardson University of Dundee, and New Moves International for the 'Definitive Stories' section of the National Review of Live Art screening programme at the Tramway Gallery in Glasgow. The ‘Definitive Stories’ project "investigates the deployment of High Definition technologies in an exhibition context. The research posed the question: Will HD technology deployed in an exhibition context, generate new forms of expression for artist/filmmakers?" (Megapixel programme notes: Anglia Ruskin University conference held at Cambridge Arts Picturehouse, Cambridge, 10 -11 October 2007). 'Definitive Stories' collection held in NRLA archive, Bristol University.
2006 Poppies Super 16mm film (silent), with triptych of photographs printed from 16mm film frames
2005 Verge* Super 16mm film (diptych), installation [DVD]; commission Salt Gallery, Hayle, Cornwall
2002 Life in the Bus Lane* DV film (site-specific installation on urban screens, Plymouth city centre: Panasonic store, Debenhams and other locations); commissioned by Plymouth Arts Centre
2001 Inner City DV film (site-specific screening Plymouth city centre: Panasonic store + Plymouth Arts Centre); Year of the Artist residency with Attik Dance (director: Lois Taylor); Arts Council/South West Media Development Agency.
2000 Walking Out 16mm film, for Arts Council/South West Arts
1997 Project* DV film (Super 8mm and BetaSP), for Lux launch, National Lottery/London Filmmakers' Co-op
1996 Sunset Strip 35mm film, Channel 4/Arts Council Animate Award
1994 Elemental* Super 8mm film, Plymouth City Museum and Art Galley commission for Strandline exhibition
1993 Night Sounding 16mm film, One Minute Television for BBC2's The Late Show (BBC and Arts Council)
1992 Cage of Flame 16mm film, Channel 4/Arts Council Animate Award
1991 Unknown Woman 16mm film, for Arts Council/South West Arts
1989 Lighter Hands U-Matic video, for Electro Acoustic Sound and Moving Image residency, Plymouth Arts Centre
1986 Adult Day Return 16mm film, for Chapter Arts Centre, Cardiff
* collaborative moving image artworks with film-maker and sound artist Stuart Moore
Marine Screen outdoor cinema screening presented by Plymouth Arts Centre and curated by Anna Navas for Marine City Festival, Royal William Yard, Plymouth (15 September 2012)
One Minute volume 5 international touring programme of artists' moving image, curated by Kerry Baldry:
Listen! Soundwaves Festival Sallis Benney Theatre, Brighton. Shorts a la Carte programme of 8 films, screened 'silently' while each member of the audience curates their own soundtrack 'live'. Presented by London Short Film Festival (17 July 2011)
Plymouth Arts Centre’s Mobile Cinema, at various locations around Plymouth; 7 films in the Sensing Place programme, with 2 films from the 1950s. Thanks to Anna Navas and Bryony Gillard (4 - 8 July 2011)
Fest Anca, City Theatre Zilina, Bratislava, Slovac Republic (2 July 2011)
Melbourne International Animation Festival, Cinema 1, ACMI, Melbourne, Australia (24 June 2011)
Making Tracks presented by Whirlygig Cinema and the Cabinet of Living Cinema:
Shorts a la Carte London Short Film Festival Special Event, Inamo Restaurant Soho, London, UK (9 January 2011)
Abertoir Short Film Competition Aberystwyth, Ceredigion, Cymru, UK (13 November 2010)
Brisbane International Film Festival Animate Retrospective, curated by Malcolm Turner, Australia (6 and 10 November 2010)
Visions in the Nunnery exhibition, the Nunnery Gallery, London, UK (2 - 17 October 2010)
Haifa International Film Festival Start Making Sense programme presented by Animate Projects for The British Council; Haifa, Israel (23 - 30 September 2010)
ICCI 360 Festival the Piazza, Plymouth, UK (14 - 18 September 2010)
public//domain a festival of digital art, music, interaction and screenings, Lower Gardens, Bournemouth, UK (16 - 18 July 2010)
The Purpose of Drawing exhibition curated by Patrick Lowry and Jacqui Knight, Cube Gallery, University of Plymouth, UK. The Purposes of Drawing (7 June - 2 July 2010)
The Falmouth Convention Annexinema film programme, The Poly cinema, Falmouth, Kernow, UK (22 May 2010)
One Minute volume 4 international touring programme of artists' moving image, curated by Kerry Baldry:
Spring Screen: Artists' Film at Spacex, Exeter, UK (30 April 2010)
The Women's Art Show 2010 exhibition Fairfields Arts Centre Basingstoke, UK (27 February - 1 April 2010)
Experiment Week: IDA 360 (Immersive Digtal Arena); Igloo Vision and ICCI (Innovation for the Creative and Cultural Industries), University of Plymouth (15 - 19 February 2010)
Kinetic Animation curated by Jayne Pilling to complement the Mind Over Matter exhibition at Animated Exeter, Exeter Phoenix, Exeter, UK. Other films include: Patrick Bokanowski’s Solar Beasts (Batterments Solaires) (2007); George Griffin’s Flying Fur (1981); Stuart Hilton’s 6 weeks in June (1998); and Semiconductor’s Magnetic Movie (2007) (13 February 2010).
Finding Place Scott Building, University of Plymouth, UK (3 - 26 February 2010) BBC Devon: Plymouth exhibition focuses on time, place and memory (12 February 2010)
Big Screen, Piazza, Plymouth, UK (12 January - 12 February, and through March 2010)
Exchange, Avenue Gallery, University of Northampton, UK. Exhibition by Land/Water and the Visual Arts research group; the second half of a two-way exchange between research groups at The Universities of Northampton and Plymouth, which saw staff from The University of Northampton's School of the Arts showing their work concerned with arts and landscape in the Scott Building at Plymouth University late last year (11 - 29 January 2010).
One Minute volume 3 touring programme of artists' moving image, curated by Kerry Baldry:
Aurora 09: Common Ground Open Projector programme, Norwich Arts Centre, Norwich, UK (14 November 2009)
SeaScape an international conference exploring culture as a regenerative force for coastal communities, part of the Skegness International SEAS festival, Skegness UK (Premiere: 2 October 2009). The film Teign Spirit is viewable at Animate Projects and downloadable from iTunes.
One Minute volume 3 international touring programme of artists' moving image, curated by Kerry Baldry:
Trace and Transience. Photography, video and painting from Land/Water and the Visual Arts, Chelsea College of Art, London, UK. A reciprocal research collaboration between University of the Arts London and the University of Plymouth. The exhibition in Triangle Space follows the 'Between Land and Sea' exhibition held at Peninsula Arts, University of Plymouth, 2008. (5 - 15 May 2009)
PoetryFilm Party. Hosted by Malgorzata Kitowski, featuring a selection of PoetryFilms on the theme of dream. Curzon Soho Bar, London, UK (22 April 2009)
Animate Projects Film Programme Latvian Centre for Contemporary Art (LCCA) Liepaja and Riga, Latvia (1 + 2 April 2009)
FilmCraft: Framework. Screening in programme “designed to show the relationship between craft and the moving image”, curated and presented by Matt Hulse. Thinking through Craft event, IC: Innovative Craft, Edinburgh, Scotland, UK (31 January 2009)
Films from the Golden West Screening at launch event to celebrate the annual Animated Exeter festival’s 10th year, Phoenix, Exeter, UK (14 January 2009)
Immersion, Scott Building, University of Plymouth, UK (Locate group exhibition in association with Land/Water and the Visual Arts' summer symposium 'Landscape and Beauty', 25 June - 2 July 2008)
Film Circus! Artists’ films at Whitechapel Art Gallery, London, UK (10 – 11 May 2008)
Night: A Time Between: Artists’ Film, Royal West of England Academy exhibition, curated by Dr Janette Kerr RWA, Visiting Research Fellow, Bristol School of Art and Design, University of the West of England. Arnolfini Gallery, Bristol, UK. (7 May 2008)
Moving Out, Roland Levinsky Building, University of Plymouth, UK (Locate group exhibition 5 March 2008)
Artists' film, Quay Arts, Isle of Wight, UK (14 Jan 2008)
Freedom and Dream presentation of "rare avant-garde film" by PoetryFilm director Malgorzata Kitowski, Tate Britain, London, UK (5 October 2007)
Animate: Extending the Imagination. Film screening dedicated to the memory of Dick Arnall, animation producer and director of animate! (2000 - 2006): a retrospective of "some of the most remarkable works of British animation" since 1990, The Platform International Animation Festival, Northwest Film Center: Whitsell Auditorium/Portland Art Museum, Portland Oregon, USA (25 - 30 June 2007).
Extending the Imagination: Dick Arnall and Artist's Animation, introduced by Gareth Evans: "Marking the sudden death of Dick Arnall, founding director of the pioneering Cambridge Animation Festival and for 40 years one of Britain's most important advocates for innovation and imagination in animation." Cambridge Picture House, Cambridge, UK (14 April 2007)
National Review of Live Art Definitive Stories screening programme, Tramway, Glasgow, Scotland, UK
Moving the Image programme of "short animated films by women from the 1950’s to the present day", Hull Film and Hull Screen, and the Women, Arts and Media Project. University of Lincoln, UK (26 January 2007)
Numero: Arte E Cultura Lisboa, Portugal. Group exhibition
Green (Un)Pleasant Land Centre for Contemporary Art in the Natural World (CCANW), Haldon Forest Exeter, UK. Group exhibition
Programa Lux Films curated by Ian Helliwell, with the support of the British Council, Festival Internacional de Curta-Metragem de São Paulo, Brasil (24 August - 2 September 2006)
Drawn to the Valley Cube Gallery, University of Plymouth, UK Group exhibition.
The New Flesh Incarnate Artists' film: Undercover Surrealism exhibition; presented by animate! + Halloween: "flesh narrative territories and visual forms way beyond the frame-by-frame confines of conventional animation, chosen to reflect Battaile’s obsessions with sex and death – from the outrageous bestialities of COWBOYS through the menstrual visions of CAGE OF FLAME ... to the darkly erotic fetishes of 'exotic' cultures in the Brothers Quay's THE PHANTOM MUSEUM" (programme notes). Upstairs at the Hayward Gallery, South Bank London, UK (21 July 2006)
Extending the Image Hull Screen University of Lincoln, and Electric Palace Hastings, UK. Group exhibition
Route Masters: Portraits in Transition with Iain Sinclair, Tracing the Contours: Portraiture + Place in Contemporary Animation part 2: "how animation uses the moving image to create seductive and sometimes disturbing portraits of people and communities in flux, where both identities and landscape are in the process of change." National Portrait Gallery, London, UK (13 April 2006)
Artist's Films from Lux, Town Hall Galleries, Ipswich, UK (25 March 2006)
Extending the Image 2, Kultur Cine Club, Leeds, UK
Sounds of Images "special programme ... taking a look at the manifold artistic experiments in sound and image. From the 1920s and 30s to the present, from the early modernist stages of the mechanical reproduction of works of art to the digital age – artist-engineers have always been quick to work with and recontextualise new technology in order to render musical structures visible, and their work left its mark especially on the animated film." (Programme notes). Hamburg International Short Film Festival, Germany (31 May - 5 June 2006)
Born Free, Sony PSP and cinema screenings, Victoria and Albert Museum, London (27 January 2006)
Put Away These Childish Things, Viewpoint Gallery, Plymouth. Group exhibition
Verge installation, Salt Gallery, Hayle, Kernow (Solo exhibition with Stuart Moore)
The Naked Animator Edinburgh Filmhouse, Scotland, UK (2 April 2005)
Focus Great Britain 2: British Animation Awards curated by Jayne Pilling, and Festival Specials curated by Doris Cleven, Tricky Women 05, Wien, Austria (culture2culture). (3 - 6 March 2005). Group touring programme: St Polten, Linz, Freistadt, Lenzing, Innsbruck and Feldkirch; and 'Tricky Women: Festivals im Dialog', augartenkino kiz, Diagonale05 festival of Austrian film, Graz, Austria (17 March 2005)
Blip@Newlyn, Newlyn Art Gallery. Blip, in association with Newlyn Art Gallery, Arts Council England, Falmouth College of Arts, Digital Peninsula Network, the University of Brighton and the University of Sussex, UK (26 - 30 October 2004)
Stuart Moore & Kayla Parker, 16mm triptych installation Wort/Wall/Water and other works including Project, Night Sounding, and Sunset Strip (with 35mm artwork shown on lightbox) Salt Gallery, Hayle, Kernow (Solo exhibition with Stuart Moore July - August 2004)
Experiments in Moving Image organised by Dr Jackie Hatfield and Stephen Littman: "a retrospective of experimental moving image including multi-screened and expanded works from the late 1960’s to date." Held at the original Lumiere Cinema, University of Westminster, London, UK (26 January - 1 February 2004)
tEXt2002, curated by Simon Persighetti. Exeter Phoenix Auditorium, UK (9 May 2002)
Przeglad animacji artystycznej z Wielkiej Brytantii curated by Gary Thomas (Arts Council) and Urszula Sniegowska (KINO.LAB), with the British Council, Poland (25 - 27 October 2002)
MUTELOOPS Lux Centre, London, UK (11 July 2001)
Best of British British Council programme, Annecy International Animation Festival, France (4 - 9 June 2001)
Short Film Night, Plough Arts Centre, Torrington, Devon. South West Media Development Agency touring programme, UK (22 April 2001)
Animate, Animac Mostra Internacional de Cinema d'Animació de Catalunya, Spain (2 February 2001)
Celtic Connections at Animated Exeter festival, UK
Blood, Tag/Traum for ZDF/ARTE. Television broadcast, Germany
Animation: A Passionate Obsession Art Space, Barbican Centre, London, UK. Exhibition with Paul Bush, Oliver Harrison, Simon Pummell. (21 September - 29 October 2000)
D-Net New British Work 2 Lux Centre, London, UK (19 October 2000)
Music in May UK2000 Creativity and Innovation touring programme, The British Council and Singapore Film Society under the auspices of The National Arts Council of Singapore, Singapore (23 - 31 May 2000)
Screenspace Gallery One, Watershed Media Centre, Bristol, UK. Also included work by Anna Lucas, Joe Magee, Sarah Miles and Tony Sinden (1 - 16 April 2000)
Art and Animation ICA, London. Group exhibition, UK
Pandaemonium London Electronic Arts and the Lux Centre, London. Group exhibition, UK
Oslo Animation Festival, Norway (28 April - 2 May 1999)
Abstract Art on Film, London Film Makers’ Co-op and the Lux Centre, London. Group exhibition, UK
Stuttgart Filmwinter Festival, Germany (14 -17 January 1999)
Berlin InterFilm Festival, Germany (8 - 13 December 1998)
Halloween@Liquid, Leeds. Group exhibition, UK
Kentra crossover film and music club events at Scala, a collaboration between Halloween and the London Film Festival: "a fusion of nightclub + cinema mixing experimental visuals with sets by leading DJs" (explodingcinema.org/filmgroups.html). Halloween started "the groundbreaking Kentra club night to interact with London’s burgeoning club culture scene of that time, where creative DJs such as Andy Weatherall and Richard Fearless could perform live sets alongside visuals groups and VJs such as Hexstatic and The Light Surgeons." (Philip Ilson 'A pocket history of Halloween: ''the projector with teeth''', 'Locations: 4th Halloween short film festival' in Vertigo No.6 November 2006). UK
Towards a Media Ecology: Rencontres Internationales Art Cinema-Video-Ordinateur, Cinéma des Cinéastes exhibition, curated by Maria Klonaris and Katerina Thomadaki: "a major international event focusing on the moving image as visual art. Since 1990, it has been breaking new ground by bringing together all forms of screen based art, such as film, video and computer art, and by viewing contemporary art forms through an historical perspective." Paris, France (22 - 22 April 1998)
British Animation Awards: Public Choice touring programme, UK
Behind the Sofa Prema Arts Centre, Uley. Group exhibition, UK
Happy Families?, ICA, London. Group exhibition, UK
Impakt 97 festival, Utrecht; and touring programme, Netherlands
Beyond the Margins The World Within Us programme, Watershed, Bristol. Group exhibition, UK (28 April 1996)
Women Making Movies British Film Institute touring programme, UK
Pandaemonium: London Festival of Moving Image London Electronic Arts at ICA, London. Group exhibition, UK
Free Radicals ICA Projects touring programme, UK
What You See is What You Get Programme One: Alive and Kicking ICA Biennial international touring programme, curated by John Wyver. Preview: Walker Art Center, New York
Potato: A Film and Video Show chosen by Gary Thomas, Steve Mcintyre and Alison Jacques, Independent Art Space, London. Group exhibition, UK. (23 September - 22 October 1994)
Art into Film, with Stan Brakhage, David Anderson and Mario Cavalli; for Tate's RB Kitaj Retrospective; National Film Theatre, London, UK
Strandline, Plymouth City Museum and Art Gallery. Group exhibition, UK
Peintures Mouvantes, Emulsions Sculptees Videotheque de Paris. Group exhibition, France
Women in the Director’s Chair, Film Festival, Chicago, USA
English Films and Videos: Programme 7, SDR Stuttgart. Television broadcast, Germany
Hygiene and Hysteria curated by Ian Rashid and Sarah Turner, London Film Makers’ Co-op international touring programme of artists' film
Animation at the Cutting Edge London International Film Festival, UK
Forces of Nature Tate Gallery, St Ives. Group exhibition, UK
Edinburgh Film Festival Animation programme, Scotland, UK
Innovations Cornerhouse, Manchester. Group exhibition, UK
Out of the West, South West Arts touring programme of independent film and video, UK
Arrows of Desire ICA Biennial international touring programme, selected by Peter Wollen
Four-Mations Channel 4. Television broadcast, UK
The Dazzling Image II produced by Jane Thornburn, Channel 4. Television broadcast, UK
“In Chapter 5, “Moving Image Production and the PedagogicalDevelopment of Media Literacy,” Liam French, Stuart Moore and Kayla Parkerreflect through an experiential learning case study on the extent to which theinvolvement of young people in filmmaking develops their critical thinkingabilities and personal and social development, in addition to fostering suchtransferable skills as reasoning, meaning negotiation and problem solving. Theresults of the discussion relevant to various Enquiry-Based-Learning pedagogiesalso make it quite clear that much could be borrowed from such projects toreach others through curricula that value media literacy, not in thetraditional sense of critical reading of media texts, but rather throughinvolving learners in the making of media products and artefacts” (Bahloul,2012: 7).
2011 ‘White Body: animating feminine pleasure’ [paper: written critical reflection, with film and film frame] Body, Space and TechnologyJournal Volume 10 / Number 2 Summer 2011 [print and online]. BrunelUniversity, West London. ISSN 1470-9120. Available: http://people.brunel.ac.uk/bst/vol1002/home.html
2010 ‘Art of research’ [feature article/interview with RobertaMock] in Lee Morgan (ed.) ArtsCulture Plymouth Issue 3 June 2010 [printand online]. Exeter: News and Media Republic. pp. 26 - 30. Available: http://issuu.com/artsculture/docs/artsculture_plymouth
2002 ‘Icon: A Light at the End of the World’ [feature article] in Imagine:Animation/digital media/post production Spring 2002. Bristol: Greetlake.pp. 59 – 60.
2001 ‘Remembering Alison de Vere (1927 – 2001)’ [feature articleand obituary] in ASIFA News Volume 14, Number 1, 200. Ottawa:International Association of Animated Film. p. 16 [French translation p. 17;Russian translation p. 18].
2000 ‘Direct-it-Yourself guide to film-making’, ‘Face to Face:with Alison de Vere’, and ‘Mr Entertainment: Colin Rose’ [x 3 feature articles]in Bel Mooney (ed.) Proof: Year of the Artist in the South West Summer2000. Exeter: South West Arts ISSN 1470-5508 pp. 21; 22 – 23; 24 – 25.
1998 ‘Sunset Strip’ [double-page feature, extracts from productiondiary, with enlarged colour film stills, front and back covers] Vicky Smith(ed.) Boiling; experimental animation Issue 1, October 1998. London:London Film Makers’ Co-op [no page numbers].
2012 'Making Glass' [paper: critical reflection, video documentationwith monologue, and film] with Stuart Moore, in Annette Arlander, Yvon Bonenfant and Mary Agnes Covey-Krell (editor-curators) Ex-Trauma: The Opposite of the Traumatic, Experiments and Intensities volume 2, November 2012. Winchester: University of Winchester Press. Available: http://www.experimentsandintensities.com/published/vol-2/
2011 ‘White Body’ [film, with research statement and peer reviews]in Charlotte Crofts (ed.) JMP Screenworks Volume 2 AVPhD Issue, Summer2011. Available: http://jmpscreenworks.com/page/vol2
2010 ‘Memories wanted’ [essay, with film and colour photographic series] in Nicholas Rombes (editor and convenor) REQUIEM // 102. Minute #2916 December 2010. Available: http://requiem102.tumblr.com/post/2337419526/post-29
2007 Art of Conversation [online creative media education research project]. Plymouth: Sundog Media.
2006 Unity [microsite for cultural diversity project]. Plymouth: Plymouth College of Art and Design.
2005 Street Rat [online film production site] First Light. Plymouth: Sundog Media. Available: http://www.sundog.co.uk/streetrat/index.html
2004 Wild Ideas: a Perfect World [online film productionsite] Wild Ideas, Bristol Natural History Consortium. Plymouth: Sundog Media.Available: http://www.sundog.co.uk/perfectworld/index.html
2000 You Are Here [poetryfilm project documentation] MiniatureFilm Project, Poetry International and Royal Mail. Plymouth: Sundog Media.Available: http://www.sundog.co.uk/minifilm/index.html
1997 Project [blog: film production diary] One Minute Film, London Film Makers’ Co-op. Plymouth: Sundog Media. Available: http://www.sundog.co.uk/project.html
2011 ‘White Body’ [film and artist’s statement] in HerStory (July 2011) [DVD of exhibition, 8 June - 8 July 2011, Link Gallery, Universityof Winchester] Winchester: Women’s Work.
2010 ‘Sunset Strip’ [35mm film] in AnimateTV: 20 years ofexperimental animation from the UK [DVD of 23 selected films, with booklet]. London: Animate Projects.
2008 ‘White Body’ [film and research statement, with peer reviews]in Screenwork2 AVPhD Issue [DVD showcase of practice-based doctorial researchin screen media - moving image work on film, video and new media platforms]. Journalof Media Practice Volume 9, Issue 3, November 2008. Bristol: Intellect.doi: 10.1386/jmpr.9.1.5/2
2003 ‘Sunset Strip’ [film and production notes, with b/w studio photograph] in Louise Spraggon Into animation: a video compilation andteaching guide [VHS and CD-ROM, with booklet]. London: BFI Education ISBN1-903786-10-X.
2012 ‘Kayla Parker: Sunset Strip’ [text and biog, with enlarged film frame, for continuous screenings 31 May - 26 August 2012, Canary Wharf Station] in Canary Wharf Screen - Season 2: Animate Projects ‘Move onUp [16 selected films]. London: Art on the Underground. p. 7. Sequences of film frames also printed on merch (promotional materials, such as postcards and cloth shopping bags).
2008 Spectacular visions [programme notes for x 3 screenings, Jill Craigie Cinema] British Animation Awards 2008: Public Choice Awards. Plymouth: Peninsula Arts.
2004 ‘Project’ in Memory, Narrative, Imaging the un-see-able programme; and ‘As Yet Unseen’, ‘Walking Out’ and ‘Elemental’ in Cinema,spectacle, immersion programme [enlarged film stills], in Jackie Hatfield and Stephen Littman (editors and curators) Experiments in moving image [exhibition publication, 26 January - 1 February 2004, University of Westminster] Margate: Thanet ISBN1-902458-06-0 pp. 49; 90; 91; 92; 100; 105.
1994 ‘Kayla Parker’ [double-page spread with large b/w photograph]in Brion Clinkingbeard (editor and curator) Strandline: where Plymouth meetsthe sea [exhibition publication, 23 April - 11 June 1994, Plymouth City Art Gallery] Plymouth: Plymouth City Museum and Art Gallery.
2006 ‘The bigger picture: Getting animated’ [reflection on Snow White and the Seven Dwarfs] in Simon Cropper (ed.) Time Out 1000 films to change your life. London: Ebury ISBN 978-1-904978-73-2 p. 101.
2005 Learning companion (reprinted twice, 2006) [comprehensive guide to study for level 3 learners, x 64 pages]. Plymouth:Plymouth Learning and Work Partnership, and the 14 - 19 Pathfinder Project [author and co-designer; production: Sundog Media].
2012 ‘Teign Spirit’ [large colour still, Coastcards section], and‘Sunset Strip’ [large colour still 35mm artwork, penultimate page] with quotation from Kayla Parker, in Animate Projects: experiments in animation[brochure]. London: Animate Projects.
2008 ‘The Brothers Quay in Conversation with Suzanne Buchan’[drawings and text, x 4 Field Notes notebook pages] Proof magazine, KateJago (ed.) (Volume 3, Issue 1, Spring 2008) Exeter: Portfolio Five. p. 20.
2006 ‘Sunset Strip’ [x 9 colour film stills, inside back cover]Benjamin Cook and Gary Thomas (eds.) The animate! book: rethinking animation.London: LUX and Arts Council England. ISBN 0-9548569-2-9.
2006 ‘Cage of Flame’ and ‘Project’ [large colour film stills] in‘Images’ chapter Jackie Hatfield (ed.) Experimental film and video: a newanthology. Eastleigh: John Libbey ISBN 0-86196-664-3 p. 275.
2005 ‘Cage of Flame’ [large film still, the cover image] an.schlage:das feministische magazin (03/2005). Vienna: Redaktion.
2003 ‘Metamorphosis’ [16mm filmstrip], ‘Sunset Strip’, ‘WalkingOut’ and ‘Running Horse’ [enlarged colour frames] in Drawing on film section;‘Cage of Flame’ [large colour film still: Woman in Smoke] in Themes: didacticsection, in Richard Taylor The encyclopaedia of animation techniques (revised edition; original edition, 1996). London: Quarto ISBN 0-240-51488-2 pp.64 – 65; 131. ‘Walking Out’ film frame also included on front cover of dustjacket.
1996 ‘Cage of Flame’ [enlarged film still] the cover image; withbio/filmography in ‘Kayla Parker’ double-page, in David Curtis (ed.) A directory of British film and video artists. Luton: John Libbey and ArtsCouncil of England ISBN 1-86020-003-6 pp. 138 – 139; 223.
1996 ‘As Yet Unseen’ [enlarged film still, the cover image, exhibition programme] (July - September 1996). London: London Film-makers’Co-op.
1993 ‘Unknown Woman' [x 2 colour 16mm film frames] in IlonaHalberstadt (ed.) PIX 1. ISSN 0967 8727.
1992 ‘Unknown Woman’ [colour enlarged film still], and ‘A-Z:Parker, Kayla GB’ [bio/filmography] in Jayne Pilling (ed.) Women and animation: a compendium. London: British Film Institute ISBN 0-85170-377-1 pp. 80 -81; pp. 133 – 134.
2009 Coastcards: a response to the threefilms Gareth Gardener, Animate Projects (13 October 2009) [online].
2009 A short guide on Britain animationfilms, British Girl, San Francisco, CA: HubPages Inc. [online].
2008 ‘Composers andanimators - the creation of interpretive and collaborative vocabularies’ Suzie Hanna in Journal of Media Practice Volume 9, Issue 1, Spring 2008. pp.29 - 41. doi: 10.1386/jmpr.9.1.29/1.
2008 ‘The animationgame’ [double page illustrated feature on Kayla Parker] Lee Morgan (author and ed.) Artin Devon magazine February/March2008 [print and online]. pp. 16 – 17.
“4. Artist film-makers who animate with widely varyingtechniques and materials as a way of bringing ideas and narratives to life in aphysically symbolic manner. Examples: David Anderson, Kayla Parker, JanSvankmajer, Yuri Norstein, Simon Pummell and The Quay Brothers.”
2003 ‘Women's animation: women animators with a distinctivefeminine and/or feminist perspective’ Ruth Lingford, Screenonline: thedefinitive guide to Britain's film and tv history. London: BFI.
2001‘Highly Visible’ in 365: Year of the Artist in the SouthWest Bob Butler,Alyson Sarah Hallett and Piers Rawson. Bridport: Agre Books and South WestArts. ISBN 0-9538000-6-7. p. 113.
"KaylaParker makes films that are experimental in form, with uncompromising subjectmatter. Cage of Flame (1992) celebrates menstruation and uses a combination oflive action, stop-motion and scratching on the surface of the film to conveyhaunting, powerful imagery. Sunset Strip (1996) is a time lapse film ofdrawings of sunsets made every evening over one year. The images are drawndirectly onto the film using a variety of materials including nail varnish,magnolia petals, hair and net stockings."
1999 Vertigo Volume1 No. 9 Summer 1999 ‘Renderedinvisible: the silence of the critics’ by Ruth Lingford: "KaylaParker's film Cage of Flame, full of rich and powerful images that communicatedirectly with my body"; and ‘Cageof Flame’ film still ('Woman in Smoke') in 'Breer's babes' by SamanthaMoore, in pp. 26; 27.
1999 Animasjon som musikk Rune Kreutz, Animertedager/Oslo animation festival; published to accompany the Oslo animation festival,Norway.
1999 ‘Some unusual suspects – a selection of Animate! Winners’: ‘Cage of Flame’ and‘Sunset Strip’ film stills with page feature; ‘The complete list of Animate!Films: Year 2 (1991) and Year 5 (1994’); ‘Close up on camera-less animation’ inArt and animation Gareth Evans and David Curtis. London: Channel 4Television ISBN 1-85144-244-8. pp. 8; 9; 11; 20.
1998 European Media Arts Festival 1998 Andreas Denk in KunstforumInternational (Volume 141 p.362).
1996 Will the Monster Eat the Film? Orthe Redefinition of Animation 1980-94 Simon Pummell in The British avant-garde film 1926 to1995: an anthology of writings Michael O’Pray (ed.). Luton: John Libbey, Universityof Luton with the Arts Council of England ISBN 1-86020-004-4. p. 308:
"Kayla Parker's A Cage of Flame(1993) [sic] presents a de-sanitised view of women's menstruation; a tumult ofmixed media animation including pixillated crimson berries spiralling on awoman's belly, seeds coated in viscous blood-like juice, dancing calligraphichand-drawn animation, a pixillated woman bursting up through the rootstructures of a tree and imploding vulva-shaped calligraphy. The film is anassertion of a subjective and mythic view of women which the film-maker statesis 'counter to the sanitised, pastel pretty version we are conditioned toaccept'".
1996 The National Lottery: A Polemic Jill McGreal in Animation worldmagazine 1.8. Animation World Network.
1994 Potato: a film and video show Gary Thomas, Steve Mcintyre and Alison Jacques.London: Independent Art Space. Published to accompany the exhibition 'Potato: a film and video show'. ISBN: 1898973009.
1994 ‘Life and times: Kayla Parker film-maker’ in Networking: thefilm, video and television organisation for women newsletter. Leeds: Vera Productionsp. 4.
1994 ‘Art into film’ Philip Dodd, Will Bell and RichardHumphreys, Sight and sound special magazine supplement (July 1994) to accompanythe R.B. Kitaj exhibition at Tate. London: British Film Institute.
1989 ‘Learning New Technology with Exeter Film and Video Workshop’ [reporton Arts Council Animateur project at South Dartmoor School] Charlotte Rastan inArts and schools. London: HMSO, CentralOffice of Information for Department of Education and Science and the Office ofArts and Libraries. pp. 46 – 47.
Reports & invited lectures
EVENT PRESENTATION, FILM FESTIVAL DIRECTOR & CURATOR selected
f-word 2 the second annual feminist interdisciplinary research symposium, Faculty of Arts, University of Plymouth. (9 March 2010) (co-organiser with Liz Wells, Roberta Mock, James Daybell and Mhairi Mackie)
Aurora Tour 09 Plymouth Arts Centre, Plymouth, UK (17 November 2009) (co-presenter, with Stuart Moore)
Women in Film event: Dr Bernadette Casey introduces Lynne Ramsay's Morvern Callar, Peninsula Arts' 'Best of British' season and Plymouth Summer Festival, Jill Craigie cinema, Roland Levinsky Building, University of Plymouth. (28 May 2009) (presenter and organiser)
f-word feminist interdisciplinary research symposium, Faculty of Arts, University of Plymouth. (19 February 2009) (co-organiser with Liz Wells, Roberta Mock, James Daybell and Mhairi Mackie)
The World Within Us programme of animation films by women artists of south west Britain at Beyond the Margins: Celebration of 100 Years of Women in Film Making, Watershed Media Centre, Bristol (presenter and curator) (28 April 1996)
Cultural screen initiative START Moving Image
Other academic activities
Unity 2003 - 2006
Leader of four projects at Plymouth College of Art and Design (PCAD) to improve the learning experience and level of attainment by BME students, to promote cultural diversity and establish partnerships with BME organisations in the city; funded by grant awards from The Learning and Skills Council. As well as programmes of college-wide activities, initiatives included:
PROFESSIONAL PRACTICE selected
2009 The Other CO2 Problem DVD, clay animation warning of the dangers of increasing ocean acidification: a collaboration with Stuart Moore, Ridgeway School, Plymouth, and Dr Carol Turley and Helen Findlay of Plymouth Marine Laboratory; produced by Sundog Media, commissioned by EPOCA (European Project on Ocean Acidification) with support from University College Plymouth St Mark and St John, and National Marine Aquarium, Plymouth. Previewed at the International Scientific Congress on Climate Change, Copenhagen; world premiere at The Royal Institution of Great Britain (20 March 2009). Read articles by Kelvin Boot: Helping Planet Ocean in DevonLife; The Other CO2 Problem in PlanetEarth online, Natural Environment Research Council; and Plymouth school children and 'The Other CO2 Problem' in SeaVision UK; plus Kate Herbert's review in the Ecologist (1 September 2009). Winner of the 2009 Bill Bryson Prize for Science Communication awarded by the Royal Society of Chemistry. The film is broadcast as a public service announcement three times a day on Brazilian TV and "the European Geosciences Union liked it so
much they have ordered 10,000 copies for all their members and it will
be part of their education web site." (Dr Carol Turley, Plymouth Marine Laboratory). The Other CO2 Problem featured in the speech to
parliament given by Linda Gilroy, then MP for Plymouth Sutton, on Energy and Climate Change and Environment, Food and Rural Affairs on day 4 of the Queen's Speech Debate (24 November 2009).
2008 There 2 Care: The Voice of Young Carers DVD, clay animation about the experiences of children and young people who care for their siblings, parents and other family members, made with young carers and care workers, and introduced by Dr Roger Morgan OBE, Children's Rights Director for England; a Sundog Media production for The Zone/Plymouth City Council. Winner of the 2009 Media Innovation Award: Collaboration Between Business and Young People.
2008 Our Coast, Our Sea, OUR PLANET! DVD, animated film about the effects of ocean warming, made with gifted and talented pupils and staff at Ridgeway School, Plymouth; a Sundog Media production. Winner of EUR-OCEANS' European Schools Film Contest about climate change and ocean ecosystems.
2005 Street Rat DVD, animation and live action drama with young people and children in Newton Abbot, Devon; a Sundog Media production for First Light/UK Film Council. Nominated for the 2007 First Light Movie Best Screenplay Award (finalist)
2005 Transitions DVD, animation about children's experience of progression from primary to secondary education, and the impact on their lives; with Stoke Damerel Primary School and Stoke Damerel Community College; a Sundog Media production for Creative Partnerships/Arts Council of England, in association with Barefoot
2005 C-Sound DVD, digital photography and animation production with 4 Mount Wise primary schools in Plymouth, with The Barefoot Project, Plymouth Music Zone and Seymour House; a Sundog Media production for Creative Partnerships/Arts Council of England
2005 News Flash Osiris DVD, animation and film drama production with children at Glen Park Primary School in Plymouth; a Sundog Media production for Creative Partnerships/Arts Council of England, in association with Barefoot
2005 Perfect World DVD, music video production with an environmental message, made in collaboration with BME young people; a Sundog Media production for Wild Ideas Bristol Natural History Consortium. Nominated for the ‘Panda in the Pocket’ Award (finalist) Jury's Special Selection 2006 International Wildscreen Film Festival, Bristol.
2004 It Don’t Matter if You’re Black or White video documentation of BME young people's music and dance event at Plymouth Guildhall 20 June 2004; a Sundog Media production for Fata He BME Development Plymouth Community Cohesion Facilitation Programme
2004 The Dragons of Barnstaple Bay animation and documentary video production by Sundog Media, Newport Community Primary School, Barnstaple, north Devon
2003 Rock Nose Project the creation of a digital photography and video archive for the coastal villages of Downderry and Seaton in Deviock Parish, south east Cornwall
2003 Countdown practice-as-research project exploring the visualisation of mathematics, using animation as an educational tool for enabling the understanding of mathematical concepts, with dyslexic students at KEVICC (King Edward VI Community College) Totnes, Devon.
2003 Look Forward Not Back animation production with deaf young people in Plymouth; a Sundog Media production in association with Barefoot. Premiere at Plymouth Arts Centre; screened at the Co-op Young Filmmakers' Festival.
2002 Mix in the Sticks 16mm direct animation and stop-motion film with young people, about their take on life in rural Somerset; a Sundog Media production for First Light/Film Council, with Cinema Obscura.
2002 Let's Play information video about the range of playcare opportunities for children of all abilities, made in collaboration with children, carers, and play-workers; a Sundog Media production for All Children First, Plymouth City Council
2002 Video Box a media-based research project, gathering data (first person testimonials to inform policy-making); a Sundog Media production for the Devonport Regeneration Company Conference, Plymouth
1998 - 2002 Greenlink Environmental Arts Project (documentary artist in residence, with Stuart Moore and Sundog Media) Devonport, Plymouth; for Plymouth City Council, South West Arts and the Arts Council. Work undertaken includes a comprehensive 'creative technologies' programme of photography, video, animation, audio, and web-based skills-sharing workshops; the creation of a media-based archive in collaboration with the community of Mount Wise, Greenlink artists and professional contributors; and the writing and production of the Greenlink evaluation report.
2001 Countdown animated film trailer for The Barn Cinema Dartington, with gifted students at KEVICC (King Edward VI Community College) Totnes, Devon; a Sundog Media production.
2001 Air Fusion video documentary project with young people, Newton Abbot, Devon, for Digital Express/Villages in Action; a Sundog Media production.
2001 Video Box a media-based research project, gathering data (first person testimonials to inform policy-making) for the New Deal for Communities conference in Devonport, Plymouth; a Sundog Media production.
2000 Respect video documentary of the annual multi-cultural Plymouth Respect Festival; a Sundog Media production for Plymouth and District Racial Equality Council (REC)
2000 You Are Here site-specific poetry and animation with children at Dolton primary school, about the Tarka Trail cycle path in north Devon; a Sundog Media production for International Poetry Day at the South Bank Centre, London.
2000 The HAZ Channel information video about 6 key health issues in Plymouth, made in collaboration with user groups and stakeholders; a Sundog Media production for Plymouth Health Action Zone and South West Devon Health Authority
1999 Plan for Action video documentary made in collaboration with residents of Mount Wise, Plymouth about the regeneration of their neighbourhood and sustainable community development; a Sundog Media production for Plymouth City Council and the Shell Better Britain Campaign.
1995 Queens 16mm animated poetry with John Agard and children at Heathbrook school Clapham; for National Poetry Day, Royal Festival Hall London. Children's Collection, Poetry Library, South Bank Centre.
1992 'Safe Not Sound' film drama (silent) with deaf young people at Eggbuckland Community College, Plymouth; for the Safe and Sound project, British Film Institute
1990 Fairy Stories animation films on the theme of representations of women, with children at Chew Valley Community College; for Watershed Media Centre, Bristol
1988 Hanging Around 16mm film animations with young people in Ashburton, Devon; Exeter Film Workshop for the Arts Council and British Film Institute Video Animateur Project, led by Chris Rushton.
1986 Out of Space artist’s residency with Dave Johnstone; Exeter Film Workshop and Plymouth Arts Centre, 16mm film animation with disadvantaged young people from the waterfront area of Plymouth; supported by TSW (Television South West).
DESIGN & ANIMATION: TITLES & GRAPHICS selected
2008 There 2 Care: The Voice of Young Carers DVD (claymation and cut-out) a Sundog Media production for Plymouth City Council about the experiences of young children and young people who care for members of their family [animated title sequence and graphics; characters, props and backgrounds animated in a range of scenes]
2005 Right from the Start DVD (claymation on coloured sugar paper) a Sundog Media production for Department of Education healthy living information video for parents of pre-school children; created in collaboration with children at Denbury Primary School, Devon [animated title sequence and graphics; characters and props animated in a range of scenes]
2004 Get the Buzz DVD (2D claymation) documentation of summer animation workshop programme for disadvantaged children and young people in Torbay, Devon; a Sundog Media production for the European-funded Torbay Council project [animated title sequence and graphics]
2004 What on Earth (2D hand-drawn pencil with digital colouring) for multiple broadcast family entertainment daytime and evening environmental focused television series to encourage people to
be more sustainable and do their bit for the planet, presented by Chris Hines (Surfers Against Sewage) and Melinda Messenger; ITV Carlton Westcountry and HTV [animated titles and graphics, and screen inserts for live action scenes] 3 x 30mins, 5 x news features, 5 x features shorts. Winner of Best Documentary at World Festival, Houston, USA
2002 Animated Exeter: Schools Week (2D cut-out, brush and ink with crayon on coloured sugar paper, with digital photography) cinema programme ident for Animated Exeter cinema programmes; a Sundog Media production for Animated Exeter/Exeter City Council [based on the winning
submission for the Animated Exeter children's storyboard competition]
2001 Mutley Plain Regeneration Initiative website (2D digital web graphics: Flash) for the public art and environmental improvement programme, Mutley Plain, Plymouth; a Sundog Media production for Plymouth SRB Partnership and Arts Council England [interactive map and icons]. Web artist: Stuart Moore.
1999 Interior Décor training CD-ROM for professional painters and decorators (2D hand-drawn brush and ink with digital colouring), for the Adapt through RATIO project led by Plymouth College of Art and Design, funded by the European Union; a Sundog Media production [character design and animated scenes to illustrate the correct way to clean a paintbrush (Mr Brush), and Health and Safety (Painter Man)].
1998 Cadle’s Quest (2D hand-drawn rotoscoping, brush and ink with Magic Marker colouring) for weekday evening television history series presented by Jerry Cadle; a Thirdman production for ITV Westcountry [animated title sequence with bluescreen/chroma-key intro to programme start]
1998 That Sunday Feeling (2D hand-drawn brush and ink with watercolour) for Sunday evening family entertainment television series; ITV Westcountry [animated title and credits sequences, graphics, illustrations, and end of part one and beginning of part two animation]
1997 Sing Out (2D hand-drawn brush and ink and watercolour) for Sunday evening choral music television series; HTV West [animated title sequence]
1996 Floyd on Africa (2D hand-drawn brush and ink and frottage) for Keith Floyd cookery television series, weekday evening; a Denham production for BBC2 [animated title sequence, maps and graphics] 7 x 30mins. Floyd on Africa DVD on Amazon
1993 Birthday People (2D hand-drawn brush and ink and Karismacolor crayon) for children’s television series; ITV Westcountry [animated title and credits sequences, artwork for live action presenters' studio backdrop, and promotional postcards]
1991 Tongue & Groove (2D hand-drawn and 16mm direct animation) for ground-breaking Friday night youth magazine television series, directed and produced by Julian Cole; TSW (Television South West) [animated title sequence]
1991 Skillnet Southwest: A Networking Approach to Film, Video and TV Training research report by Penny Florence commissioned by the BFI and South West Arts [publication design; graphic design and illustrations, and Skillnet SW logo design (ruby lith)]
1988 - 1990 Out of the Box (2D hand-drawn, brush and ink with oil pastel colouring; and painted Russian dolls) for weekday evening arts television series 1 and 2, directed and produced by Kevin Crookes; TSW (Television South West) [animated title sequence and additional artwork]
ARTIST'S WORKSHOPS including continuing professional development (CPD) events for professionals selected
2009 Drawn to be Wild. Artist’s workshop for families with younger children; experimental drawing and animation. Plymouth Arts Centre. Part of The Animal Gaze exhibition programme for Darwin200, celebrating Charles Darwin and ‘On the Origin of Species’ (21 February 2009)
2008 Crossing the Line experimental drawing and animation workshop for families, part of The Big Draw national programme, Plymouth Arts Centre (for Tom Dale exhibition) (25 October 2008)
2008 Disruptive Behaviour experimental drawing and animation workshop for artists, part of The Big Draw national programme, Plymouth Arts Centre (for Tom Dale exhibition) (18 October 2008)
2008 Light Moves artist’s animation drawing workshops for families, (zoëtrope, pixillation, and hand-drawn), Plymouth Arts Centre (for Estrategia exhibition) (29 May 2008)
2007 Move It! Move It! artist’s talk: intuitive intervention in sequential photographic film imagery, and workshop: experimental animated drawing for artists, part of The Big Draw national programme, Viewpoint Gallery, Plymouth College of Art and Design (2 November 2007)
2007 Animation Art day exploring physical (16mm and 35mm film) and digital image-making for Foundation Studies students, Bridgwater College, Somerset (May 2007) Watch the 16mm direct animation created from found footage on Vimeo
2007 Optical Organic animation and film master class in physical and digital image-making for artists and creative practitioners at the Centre for Contemporary Art and the Natural World (CCANW), Haldon Forest, Exeter (February 2007)
2005 The Physical Image digital and 16mm direct animation workshops for educators and post-graduate art students at Plymouth College of Art and Design; for Creative Steps, University College Falmouth (7 July 2005)
2005 Green Space Blue Sky: Stuart Moore and Kayla Parker (Sundog Media) worked in collaboration with Nicholas Grew (Plymouth Music Zone), using stop-motion digital photography and animation to create a moving image artwork that explored sense of place; an event for educators and post-graduate artists on location at Port Elliot St Germans, Kernow; for Creative Partnerships/Arts Council England in association with the Eden Project (May 2005)
2004 - 2005 Get Animated! workshops at the Animated Exeter festival, at Dartington, Devon; for Dartington Arts with Exeter City Council
2004 Get Animated! workshops for children and teachers from Devon and Cornwall, at Screen 2004, held at TR2, Theatre Royal Plymouth; for Plymouth Media Partnership (PM-P) and Creative Partnerships/Arts Council (December 2004)
2004 Get Animated! INSET animation training for Plymouth secondary teachers and educators, at Stoke Damerel Primary School, Plymouth; for Creative Partnerships/Arts Council (October 2004)
2003 - 2004 Get Animated! programme of summer workshops for disadvantaged young people; for EU-funded Get the Buzz programme, Torbay Council, Devon
2003 Get Animated! advanced practice workshop for 6th form art students, and INSET video animation training for Devon teachers, Paignton Community College; for Devon Arts in Schools Initiative (DAISI)
2002 - 2003 Get Animated! workshop programme for children in rural Devon, for Digital Express/Villages in Action (Okehampton, Holne, Dartington, and Widewell)
2000 - 2003 Get Animated! workshops at Animated Exeter festival for Exeter City Council
2000 Super Bugs and Scary Monsters animation workshops for children, Dartington Arts, Devon, for the British Film Institute Drawn to be Wild programme