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Eila Goldhahn Dr Eila Goldhahn - ()
Role Qualifications & background Professional membership Roles on external bodies Teaching interests Research interests Creative practice & artistic projects Filmography I have been making short video films since 2001. Prior to that I made some super-8 films for scenographic backdrops for my own choreography. Interested in movement and its real-time observation I have filmed dance improvisation, work- and everyday-movements. I like to think of what I do as camera-witnessing, a kind of empathetic, slow observation. My films allow viewers to spend time gazing rather than catching up with a stream of rushing images. My films offer time to simply look and absorb movement. Die Gestundete Zeit (1982, to a poem by Ingeborg Bachmann, Super-8, UK) Hounds (1983, Super-8, UK) Black on Blue (2001, Mini-Camcorder, Germany) Kirmes (2001, Mini- Camcorder, Germany) Haus (2001, Camcorder, min..., Germany with music by ) Stillness of Windmills (2002, Camcorder, min..., Italy) Slapton (a dance film, 2004, Camcorder, min..., UK) Journey (2004, Camcorder, min...,UK) Egg Time (2004, Camcorder, min..., UK,) Tannery (2005, Camcorder, min..., UK, part of Spinning Towns) Spinnery (2005, Camcorder, min..., UK, part of Spinning Towns) Graffitti (a dance film with Malaika Sarco, 2005, Camcorder, min..., UK, part of Spinning Towns) St.Ives (2005, Camcorder, min..., UK) Authentic Movement Workshop (Camcorder, 2007, min..., UK) On the Rocks (a dance film, 2009, Canon XL1, min..., Finland) Long Circle (a dance film, 2009, Canon XL1, min..., Finland) Breathing Circle (a dance film, 2009, Canon XL1, min..., Finland) Collaborative Choreography Research (backdrop for a presentation of performance research together with Leena Rouhinanen and Soili Hämäläninen, 2009, Canon XL1, min...) Four Movers (with music by Ruth Wiesenfeld, 2010, Canon XL1, min..., Finland) Publications Vom Wesen des Findens: Object Trouve und emotionale Prozesse; Published Lecture at University of Applied Sciences Ottersberg, 2009. Available in German online: http://www.kunsttherapieforschung.de/downloads/index.php ‘Is Authentic a Meaningful Name for the Practice of Authentic Movement?, American Journal of Dance Therapy: Volume 31, Issue 1 (2009), Page 53-64. DOI 10.1007/s10465-009-9064-4, available on: http://springerlink.com/openurl.asp?genre=article&id=doi:10.1007/s10465-009-9064-4, 2009‘Sculptural Installations on the Theme of Obliteration: a Response to Themes embodied in the MoverWitnesss Exchange (Authentic Movement)’, The International Journal of the Creative Arts in Interdisciplinary Practice (formerly: The Canadian Creative Arts in Health, Training and Education Journal, CCAHTE). ( first published online: 20/01/2009) Journal Issue #7, The Creative Response. Available on: http://www.ijcaip.com/archives/CCAHTE-Journal-7-Goldhahn.html ‘Authentic Movement and Science’, A Moving Journal, Vol 10, No. 3 pp.12-15. (Issue no longer available online, used to be http://www.movingjournal.org./contents.html) Reports & invited lectures Being Seen Digitally: a Filmic Visualization of a “Long Circle” , Film Screening & Lecture at: The Baltic Movement Conference, Gdansk, Poland, 06/2011, The MoverWitness exchange, Movers & Witnesses, Poster presentation at: Methods @ Plymouth 2011, Methods and Methodology: Innovations, influence, impact and ethics, 05/2011. Shared Habitats, Artist Talk & Seminars; Movers & Witnesses, Camera Witnessing and Strategies for Documenting Practice-led Research; TUTKE & TeAK, Helsinki, 2/2010. Seeing and being Seen, Speaking and Being Spoken about. Poster & Seminar ‘The MoverWitness Exchange: Interdisciplinary Pedagogy and Communication Tool at 'Watching Dance: Kinesthetic Empathy', International Conference, Manchester, UK, 04/2010. Blaues Bett, die Geschichte eines Bildes, Künstler Vortrag zur Eröffnung des Kurses “Ethik in der Seelsorge”, Artist Talk at Goethe Universität Frankfurt, 2010. Dance Pedagogical Aspects of the MoverWitness exchange, Lecture at: Tanz vermittelt-Tanz vermitteln, Symposium der Gesellschaft für Tanzforschung (Society for Dance Research), Munich, 2009 Intermediale Ansätze und Methoden in der Kunsttherapie: Seminar in Embodimentansätzen für die University of Applied Sciences, Ottersberg, Bremen, 11/2009. MoverWitness Exchange - Über eigene und andere Kunst sprechen: Wahrnehmung, Wertschätzung und Kommunikation, Seminar, Kulturbüro Rheinland-Pfalz, Walpoden Akademie, Mainz, 10/2009. MoverWitness Exchange and Artistic Reflection using Video Witnessing, Seminar with Marcia Plevin: Pettu, Finland, 08/2009 The Pleasure of Finding, A Theme in Training Therapeutic Skills across the Arts Therapies, Artist Talk, Universität zu Köln, 06/2009 Movers & Witnesses in the training of Actors and Singers; Lectures, Seminars, Universität für Musik und Darstellende Kunst, Graz, 05/2009 Emergent Objects: Performing Design, Invited Artist-Scholar at the Colloquium, University of Leeds, 12/2007 Slapton, Graffitti and Egg Time , Film Screenings and Artist Talk, at: Film as Art, The Watershed, Bristol, 07/2005 Transitions through Authentic Movement: Artist-Therapist, Film Screening, Lecture & Seminar, Danshoegscholen, Stockholm, 10/2004 Transitions through Authentic Movement: Artist-Therapist, Film Screening & Lecture, ADMT Research Conference, Bristol 09/2004 Authentic Movement & Science, at the Festival for Dance and Biology, Lecture-Seminar, University of Toronto, 10/2002 Conferences organised Additional information |
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